Cezanne

A rich vein of the artist’s mature work, depicting the foundations of landscape and place From the mid-1860s until shortly before his death, Paul Cézanne (1839–1906) created 27 canvases that take rock formations as their principal subjects. This is the first publication to focus exclusively on these extraordinary works. It illustrates all of Cézanne’s mature paintings of rock formations, including scenes of theterrain of the forest of Fontainebleau, the Mediterranean coastal village of L’Estaque, and the area around Aix-en-Provence, alongside examples of his watercolors of these subjects. An introductory essay by John Elderfield assesses these paintings in terms of their character, development, and relationship to Cézanne’s other works; their critical interpretations; and their geological and corporeal associations. Faya Causey’s essay examines the Provençal context of Cézanne’s rock and quarry paintings, as well as the status of geology in France during the second half of the 19th century. The catalogue section, introduced by Anna Swinbourne, chronicles the sites, presenting details of where specifically the paintings were made and of the features that they represent, together with technical aspects of particular works. Distributed for the Princeton University Art Museum Exhibition Schedule: Princeton University Art Museum

Cezanne presents a new examination of the work of Paul Cezanne (1839-1906) across media and genres, surveying his career from the varied perspectives of art historians, conservation scientists, and a roster of renowned contemporary painters, including Etel Adnan, Phyllida Barlow, Paul Chan, Julia Fish, Ellen Gallagher, Lubaina Himid, Kerry James Marshall, Rodney McMillian, Laura Owens, and Luc Tuymans. Featuring wide-ranging essays and a rich chronology tracing Cezanne's travels across the French landscape, this lavishly illustrated publication highlights the artist's favorite motifs, influence on his peers, and pivotal role in the development of modern art, in addition to presenting state-of-the-art technical analysis of his pigments and methods. It offers a fresh look at the ways in which Cezanne, driven by what he described as "strong sensations," sought to develop a visual language that could fully translate his intense feelings into paintings. In doing so, he opened up possibilities that were embraced and elaborated by artists in his time and into the present.

Form, color, and light – a pioneer of painterly abstraction Paul Cezanne is unquestionably one of the most influential artists of the nineteenth century. He is regarded as a pioneer of modernism who deliberately broke with the laws of perspective in his works and constructed the world out of color and form. He thus gave decisive impetus to Cubist painting and the development of abstraction. The catalogue accompanies a comprehensive exhibition at the Fondation Beyeler, which is honoring this central artist in its collection with a solo show for the first time in its history. The exhibition and catalogue focus on the last and most significant phase of the French painter's career and highlight key themes from his later years, including still lifes, portraits, landscapes, and scenes of bathers. With around seventy oil paintings and watercolors, the exhibition and catalogue allow us to experience form, light, and color in Cezanne's groundbreaking works—qualities that have influenced artists across generations and continue to inspire them to this day.