Wild Thing

A NEW YORK TIMES , TIMES , DAILY TELEGRAPH, SPECTATOR, ECONOMIST , NEW STATESMAN AND TLS BOOK OF THE YEAR LONGLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION 2025 WINNER OF THE POL ROGER DUFF COOPER PRIZE 2025 SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2024 WINNER THE AMERICAN LIBRARY IN PARIS BOOK AWARD 2025 WINNER OF THE FRANCO-BRITISH SOCIETY LITERARY AWARD 2024 A vital re-examination of the trailblazing and controversial artist Paul Gauguin - and the first full biography in over thirty years - written by the award-winning author of I Am Dynamite!: A Life of Nietzsche . 'Scintillating.' FINANCIAL TIMES 'Immaculate.' NEW STATESMAN 'Phenomenal.' PROSPECT 'A heroic rehabilitation.' THE TIMES Paul Gauguin is chiefly known as the giant of post-Impressionist painting whose bold colours and compositions rocked the Western art world. It is less well known that he was a stockbroker in Paris and that after the 1882 financial crash he struggled to sustain his artistry, and worked as a tarpaulin salesman in Copenhagen, a canal digger in Panama City, and a journalist exposing the injustices of French colonial rule in Tahiti. In Wild Thing , the award-winning biographer Sue Prideaux re-examines the adventurous and complicated life of the artist. She illuminates the people, places and ideas that shaped his vision: his privileged upbringing in Peru and rebellious youth in France; the galvanising energy of the Paris art scene; meeting Mette, the woman who he would marry; formative encounters with Vincent van Gogh and August Strindberg; and the ceaseless draw of French Polynesia. Prideaux conjures Gauguin's visual exuberance, his creative epiphanies, his fierce words and his flaws with acuity and sensitivity. Drawing from a wealth of new material and access to the artist's family, this myth-busting work invites us to see Gauguin anew.

A NEW YORK TIMES , TIMES , DAILY TELEGRAPH, SPECTATOR, ECONOMIST , NEW STATESMAN AND TLS BOOK OF THE YEAR LONGLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION 2025 WINNER OF THE POL ROGER DUFF COOPER PRIZE 2025 SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2024 WINNER THE AMERICAN LIBRARY IN PARIS BOOK AWARD 2025 WINNER OF THE FRANCO-BRITISH SOCIETY LITERARY AWARD 2024 A vital re-examination of the trailblazing and controversial artist Paul Gauguin - and the first full biography in over thirty years - written by the award-winning author of I Am Dynamite!: A Life of Nietzsche . 'Scintillating.' FINANCIAL TIMES 'Immaculate.' NEW STATESMAN 'Phenomenal.' PROSPECT 'A heroic rehabilitation.' THE TIMES Paul Gauguin is chiefly known as the giant of post-Impressionist painting whose bold colours and compositions rocked the Western art world. It is less well known that he was a stockbroker in Paris and that after the 1882 financial crash he struggled to sustain his artistry, and worked as a tarpaulin salesman in Copenhagen, a canal digger in Panama City, and a journalist exposing the injustices of French colonial rule in Tahiti. In Wild Thing , the award-winning biographer Sue Prideaux re-examines the adventurous and complicated life of the artist. She illuminates the people, places and ideas that shaped his vision: his privileged upbringing in Peru and rebellious youth in France; the galvanising energy of the Paris art scene; meeting Mette, the woman who he would marry; formative encounters with Vincent van Gogh and August Strindberg; and the ceaseless draw of French Polynesia. Prideaux conjures Gauguin's visual exuberance, his creative epiphanies, his fierce words and his flaws with acuity and sensitivity. Drawing from a wealth of new material and access to the artist's family, this myth-busting work invites us to see Gauguin anew.

It's hard to find work as a doctor when using your real name will get you killed. So hard that when a reclusive billionaire offers Dr. Peter Brown, aka Pietro Brnwa, a job accompanying a sexy but self-destructive paleontologist on the world's worst field assignment, Brown has no real choice but to say yes. Even if it means that an army of murderers, mobsters, and international drug dealers -- not to mention the occasional lake monster -- are about to have a serious Pietro Brnwa problem. Facing new and old monsters alike, Dr. Brnwa's story continues in this darkly funny and lightning-paced follow up to Josh Bazell's bestselling debut.

It's hard to find work as a doctor when using your real name will get you killed. So hard that when a reclusive billionaire offers Dr. Peter Brown, aka Pietro Brnwa, a job accompanying a sexy but self-destructive paleontologist on the world's worst field assignment, Brown has no real choice but to say yes. Even if it means that an army of murderers, mobsters, and international drug dealers -- not to mention the occasional lake monster -- are about to have a serious Pietro Brnwa problem. Facing new and old monsters alike, Dr. Brnwa's story continues in this darkly funny and lightning-paced follow up to Josh Bazell's bestselling debut.

A TIMES , DAILY TELEGRAPH, SPECTATOR, ECONOMIST , NEW STATESMAN AND TLS BOOK OF THE YEAR LONGLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION 2025 WINNER OF THE POL ROGER DUFF COOPER PRIZE 2025 SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2024 WINNER OF THE FRANCO-BRITISH SOCIETY LITERARY AWARD 2024 A vital re-examination of the trailblazing and controversial artist Paul Gauguin - and the first full biography in over thirty years - written by the award-winning author of I Am Dynamite!: A Life of Nietzsche . *Gorgeously illustrated with 70 full-colour images* 'Scintillating.' FINANCIAL TIMES 'Immaculate.' NEW STATESMAN 'Phenomenal.' PROSPECT 'A heroic rehabilitation.' THE TIMES Paul Gauguin is chiefly known as the giant of post-Impressionist painting whose bold colours and compositions rocked the Western art world. It is less well known that he was a stockbroker in Paris and that after the 1882 financial crash he struggled to sustain his artistry, and worked as a tarpaulin salesman in Copenhagen, a canal digger in Panama City, and a journalist exposing the injustices of French colonial rule in Tahiti. In Wild Thing , the award-winning biographer Sue Prideaux re-examines the adventurous and complicated life of the artist. She illuminates the people, places and ideas that shaped his vision: his privileged upbringing in Peru and rebellious youth in France; the galvanising energy of the Paris art scene; meeting Mette, the woman who he would marry; formative encounters with Vincent van Gogh and August Strindberg; and the ceaseless draw of French Polynesia. Prideaux conjures Gauguin's visual exuberance, his creative epiphanies, his fierce words and his flaws with acuity and sensitivity. Drawing from a wealth of new material and access to the artist's family, this myth-busting work invites us to see Gauguin anew.

A TIMES , DAILY TELEGRAPH, SPECTATOR, ECONOMIST , NEW STATESMAN AND TLS BOOK OF THE YEAR LONGLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION 2025 WINNER OF THE POL ROGER DUFF COOPER PRIZE 2025 SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2024 WINNER OF THE FRANCO-BRITISH SOCIETY LITERARY AWARD 2024 A vital re-examination of the trailblazing and controversial artist Paul Gauguin - and the first full biography in over thirty years - written by the award-winning author of I Am Dynamite!: A Life of Nietzsche . *Gorgeously illustrated with 70 full-colour images* 'Scintillating.' FINANCIAL TIMES 'Immaculate.' NEW STATESMAN 'Phenomenal.' PROSPECT 'A heroic rehabilitation.' THE TIMES Paul Gauguin is chiefly known as the giant of post-Impressionist painting whose bold colours and compositions rocked the Western art world. It is less well known that he was a stockbroker in Paris and that after the 1882 financial crash he struggled to sustain his artistry, and worked as a tarpaulin salesman in Copenhagen, a canal digger in Panama City, and a journalist exposing the injustices of French colonial rule in Tahiti. In Wild Thing , the award-winning biographer Sue Prideaux re-examines the adventurous and complicated life of the artist. She illuminates the people, places and ideas that shaped his vision: his privileged upbringing in Peru and rebellious youth in France; the galvanising energy of the Paris art scene; meeting Mette, the woman who he would marry; formative encounters with Vincent van Gogh and August Strindberg; and the ceaseless draw of French Polynesia. Prideaux conjures Gauguin's visual exuberance, his creative epiphanies, his fierce words and his flaws with acuity and sensitivity. Drawing from a wealth of new material and access to the artist's family, this myth-busting work invites us to see Gauguin anew.

Paul Gauguin's legend as a transgressive genius arises as much from his biography as his aesthetically daring Polynesian paintings. Gauguin is chiefly known for his pictures that eschewed convention, to celebrate the beauty of an indigenous people and their culture. In this gorgeously illustrated, myth-busting work, Sue Prideaux reveals that while Gauguin was a complicated man, his scandalous reputation is largely undeserved. Self-taught, Gauguin became a towering artist in his brief life, not just in painting but in ceramics and graphics. He fled the bustle of Paris for the beauty of Tahiti, where he lived simply and worked consistently to expose the tragic results of French Colonialism. Gauguin fought for the rights of Indigenous people, exposing French injustices and corruption in the local newspaper and acting as advocate for the Tahitian people in the French colonial courts. His unconventional career and bold, breathtaking art influenced not only Vincent van Gogh, but Matisse and Picasso. Wild Thing upends much of what we thought we knew about Gauguin through new primary research, including the resurfaced manuscript of Gauguin's most important writing, the untranslated memoir of Gauguin's son, and a sample of Gauguin's teeth that disproves the pernicious myth of his syphilis. In the first full biography of Paul Gauguin in thirty years, Sue Prideaux illuminates the extraordinary oeuvre of a visionary artist vital to the French avant-garde. The result is "a brilliantly readable and compassionate study of Gauguin--not just as a painter, sculptor, carver and potter, but as a human soul perpetually searching for what is always just out of reach" (Artemis Cooper, Spectator).

Paul Gauguin's legend as a transgressive genius arises as much from his biography as his aesthetically daring Polynesian paintings. Gauguin is chiefly known for his pictures that eschewed convention, to celebrate the beauty of an indigenous people and their culture. In this gorgeously illustrated, myth-busting work, Sue Prideaux reveals that while Gauguin was a complicated man, his scandalous reputation is largely undeserved. Self-taught, Gauguin became a towering artist in his brief life, not just in painting but in ceramics and graphics. He fled the bustle of Paris for the beauty of Tahiti, where he lived simply and worked consistently to expose the tragic results of French Colonialism. Gauguin fought for the rights of Indigenous people, exposing French injustices and corruption in the local newspaper and acting as advocate for the Tahitian people in the French colonial courts. His unconventional career and bold, breathtaking art influenced not only Vincent van Gogh, but Matisse and Picasso. Wild Thing upends much of what we thought we knew about Gauguin through new primary research, including the resurfaced manuscript of Gauguin's most important writing, the untranslated memoir of Gauguin's son, and a sample of Gauguin's teeth that disproves the pernicious myth of his syphilis. In the first full biography of Paul Gauguin in thirty years, Sue Prideaux illuminates the extraordinary oeuvre of a visionary artist vital to the French avant-garde. The result is "a brilliantly readable and compassionate study of Gauguin--not just as a painter, sculptor, carver and potter, but as a human soul perpetually searching for what is always just out of reach" (Artemis Cooper, Spectator).