Trace Elements

THE NEW YORK TIMES BESTSELLER 'Leon is a superb novelist . . .You can feel the tension, fear, horror - and wonder' The Times ' They killed him. It was bad money. ' A dying hospice patient gasps these cryptic words about her recently-deceased husband, who lost his life in a motorcycle accident. But what appears to be a private family tragedy turns into a bigger enigma when Brunetti discover the victim's ties to Venice's water supply. With the help of a Questura secretery, Elettra Sorzi, Brunetti will unveil the secret that lies behind the dying woman's accusation - one that threatens the health of the entire region.

THE NEW YORK TIMES BESTSELLER 'Leon is a superb novelist . . .You can feel the tension, fear, horror - and wonder' The Times ' They killed him. It was bad money. ' A dying hospice patient gasps these cryptic words about her recently-deceased husband, who lost his life in a motorcycle accident. But what appears to be a private family tragedy turns into a bigger enigma when Brunetti discover the victim's ties to Venice's water supply. With the help of a Questura secretery, Elettra Sorzi, Brunetti will unveil the secret that lies behind the dying woman's accusation - one that threatens the health of the entire region.

The New York Times -bestselling author of Unto Us a Son Is Given continues "one of the most exquisite and subtle detective series ever" ( The Washington Post ). When a dying hospice patient gasps that her husband was murdered over "bad money," Commissario Brunetti softly promises he and his colleague, Claudia Griffoni, will look into what initially appears to be a private family tragedy. They discover that the man had worked in the field, collecting samples of contamination for a company that measures the cleanliness of Venice's water supply, and that he had recently died in a mysterious motorcycle accident. Piecing together the tangled threads, Brunetti comes to realize the perilous meaning in the woman's accusation and the threat it reveals to the health of the entire region. But justice in this case proves to be ambiguous, as Brunetti is reminded it can be when he reads Aeschylus's classic play The Eumenides . Praise for Donna Leon's Commissario Brunetti Mysteries "[Leon] has never become perfunctory, never failed to give us vivid portraits of people and of Venice, never lost her fine, disillusioned indignation." --Ursula K. LeGuin, author of Dancing at the Edge of the World "You become so wrapped up in these compelling characters. . . . Each one is better than the last." --Louise Erdrich, winner of the National Book Award for Fiction "Leon's Venetian mysteries never disappoint, calling up the romantic sights and sounds of La Serenissima even as they acquaint us with the practical matters that concern the city's residents." -- The New York Times Book Review "The sophisticated but still moral Brunetti, with his love of food and his loving family, proves a worthy custodian of timeless values and verities." -- The Wall Street Journal

The New York Times -bestselling author of Unto Us a Son Is Given continues "one of the most exquisite and subtle detective series ever" ( The Washington Post ). When a dying hospice patient gasps that her husband was murdered over "bad money," Commissario Brunetti softly promises he and his colleague, Claudia Griffoni, will look into what initially appears to be a private family tragedy. They discover that the man had worked in the field, collecting samples of contamination for a company that measures the cleanliness of Venice's water supply, and that he had recently died in a mysterious motorcycle accident. Piecing together the tangled threads, Brunetti comes to realize the perilous meaning in the woman's accusation and the threat it reveals to the health of the entire region. But justice in this case proves to be ambiguous, as Brunetti is reminded it can be when he reads Aeschylus's classic play The Eumenides . Praise for Donna Leon's Commissario Brunetti Mysteries "[Leon] has never become perfunctory, never failed to give us vivid portraits of people and of Venice, never lost her fine, disillusioned indignation." --Ursula K. LeGuin, author of Dancing at the Edge of the World "You become so wrapped up in these compelling characters. . . . Each one is better than the last." --Louise Erdrich, winner of the National Book Award for Fiction "Leon's Venetian mysteries never disappoint, calling up the romantic sights and sounds of La Serenissima even as they acquaint us with the practical matters that concern the city's residents." -- The New York Times Book Review "The sophisticated but still moral Brunetti, with his love of food and his loving family, proves a worthy custodian of timeless values and verities." -- The Wall Street Journal

From two of the most acclaimed writers in the field today, a groundbreaking look at how SF and fantasy writing--and reading! --work. Jo Walton and Ada Palmer are two of the most innovative and insightful writers to emerge in the SF and fantasy genres in this century. As writers of fiction they've each won multiple awards. As commenters on SF and fantasy in print and in visual media, they've both sparked new conversations that expanded our imaginations and understanding of how SF and fantasy work, and what more it could be doing. Now, in Trace Elements , Walton and Palmer have come together to write a book-length and supremely entertaining look at modern science fiction and fantasy, at how our genre is written and how it is read, that will join nonfiction works like Ursula K. Le Guin's The Language of the Night , Samuel R. Delany's The Jewel-Hinged Jaw , and Understanding Comics by Scott McCloud on the short shelf of titles essential to all readers of our genre. Subjects covered include the nature of genre itself, the history of SF publishing, the implicit contract between author and reader, the ways SF and fantasy disguise themselves as one another, what SF&F can learn from outside influences ranging from Shakespeare to Diderot to anime, the role of complicity in reading, the need to expand our "sphere of empathy", and finally the need for optimism, the importance of rejecting "purity" culture, and the fact that the human story for centuries to come will be composed of hard work.

From two of the most acclaimed writers in the field today, a groundbreaking look at how SF and fantasy writing--and reading! --work. Jo Walton and Ada Palmer are two of the most innovative and insightful writers to emerge in the SF and fantasy genres in this century. As writers of fiction they've each won multiple awards. As commenters on SF and fantasy in print and in visual media, they've both sparked new conversations that expanded our imaginations and understanding of how SF and fantasy work, and what more it could be doing. Now, in Trace Elements , Walton and Palmer have come together to write a book-length and supremely entertaining look at modern science fiction and fantasy, at how our genre is written and how it is read, that will join nonfiction works like Ursula K. Le Guin's The Language of the Night , Samuel R. Delany's The Jewel-Hinged Jaw , and Understanding Comics by Scott McCloud on the short shelf of titles essential to all readers of our genre. Subjects covered include the nature of genre itself, the history of SF publishing, the implicit contract between author and reader, the ways SF and fantasy disguise themselves as one another, what SF&F can learn from outside influences ranging from Shakespeare to Diderot to anime, the role of complicity in reading, the need to expand our "sphere of empathy", and finally the need for optimism, the importance of rejecting "purity" culture, and the fact that the human story for centuries to come will be composed of hard work.