Thunderclap

**WINNER OF THE SALTIRE BOOK OF THE YEAR AWARD 2024** **WINNER OF THE WRITERS' PRIZE 2024 | NON-FICTION** **SHORTLISTED FOR THE WOMEN’S PRIZE FOR NON-FICTION 2024** A beautifully illustrated new memoir of a life in art, a father and daughter, and what a shared love of a painting can come to mean. ‘Brilliant’ Edmund de Waal * ‘Captivating’ Nina Stibbe * 'Extraordinary' India Knight On the morning of 12 October 1654, a gunpowder explosion devastated the Dutch city of Delft. Among the fatalities was the painter Carel Fabritius, dead at thirty-two, leaving behind his haunting masterpiece The Goldfinch . Thunderclap explores what happened to Fabritius before and after the disaster whilst interweaving the lives of Laura Cumming, her painter father and the great artists of the Dutch Golden Age. It takes the reader from seventeenth-century Delft to twentieth-century Scottish islands, from Rembrandt’s studio to wartime America and contemporary London. This is a book about what a picture may come to mean, how it can enter your life and change your thinking in a thunderclap. ‘Superb…this book taught me to see anew’ Daily Telegraph ‘A book that often borders on the sublime in its sentiment and beauty’ Sunday Times

**WINNER OF THE SALTIRE BOOK OF THE YEAR AWARD 2024** **WINNER OF THE WRITERS' PRIZE 2024 | NON-FICTION** **SHORTLISTED FOR THE WOMEN’S PRIZE FOR NON-FICTION 2024** A beautifully illustrated new memoir of a life in art, a father and daughter, and what a shared love of a painting can come to mean. ‘Brilliant’ Edmund de Waal * ‘Captivating’ Nina Stibbe * 'Extraordinary' India Knight On the morning of 12 October 1654, a gunpowder explosion devastated the Dutch city of Delft. Among the fatalities was the painter Carel Fabritius, dead at thirty-two, leaving behind his haunting masterpiece The Goldfinch . Thunderclap explores what happened to Fabritius before and after the disaster whilst interweaving the lives of Laura Cumming, her painter father and the great artists of the Dutch Golden Age. It takes the reader from seventeenth-century Delft to twentieth-century Scottish islands, from Rembrandt’s studio to wartime America and contemporary London. This is a book about what a picture may come to mean, how it can enter your life and change your thinking in a thunderclap. ‘Superb…this book taught me to see anew’ Daily Telegraph ‘A book that often borders on the sublime in its sentiment and beauty’ Sunday Times

From the Sunday Times-bestselling author of On Chapel Sands comes a stunning new memoir of a life in art, a father and daughter, and what a shared love of a painting can come to mean. 'No one writes art like Laura Cumming' Philip Hoare, author of Albert and the Whale 'Brilliant ... rush out and buy it' Edmund de Waal, author of The Hare with Amber Eyes _____________________ 'We see with everything that we are' On the morning of 12 October 1654, a gunpowder explosion devastated the Dutch city of Delft. The thunderclap was heard over seventy miles away. Among the fatalities was the painter Carel Fabritius, dead at thirty-two, leaving only his haunting masterpiece The Goldfinch and barely a dozen known paintings. For the explosion that killed him also buried his reputation, along with answers to the mysteries of his life and career. What happened to Fabritius before and after this disaster is just one of the discoveries in a book that explores the relationship between art and life, interweaving the lives of Laura Cumming, her Scottish painter father, who also died too young, and the great artists of the Dutch Golden Age. Thunderclap takes the reader from Rembrandt's studio to wartime America and contemporary London; from Fabritius's goldfinch on its perch to de Hooch's blue and white tile and the smallest seed in a loaf by Vermeer. This is a book about what a picture may come to mean: how it can enter your life and change your thinking in a thunderclap. For the explosion of the title speaks not only to the precariousness of our existence, but also to the power of painting: the sudden revelations of sight. _____________________ Praise for Thunderclap: 'Cumming is a word-painter' The Times, BOOK OF THE WEEK 'Her pages stay with you long after you finish' Simon Schama 'Superb ... this book taught me to see anew' Daily Telegraph 'I will never look at any painting in the same way again' Polly Morland, author of A Fortunate Woman 'Visionary... the book's two opposed ideas electrically connect' Guardian '[A] lustrous meditation on the lives and after-lives of artists ... with a novelist's pace, a critic's eye, a daughter's heart' Financial Times

From the Sunday Times-bestselling author of On Chapel Sands comes a stunning new memoir of a life in art, a father and daughter, and what a shared love of a painting can come to mean. 'No one writes art like Laura Cumming' Philip Hoare, author of Albert and the Whale 'Brilliant ... rush out and buy it' Edmund de Waal, author of The Hare with Amber Eyes _____________________ 'We see with everything that we are' On the morning of 12 October 1654, a gunpowder explosion devastated the Dutch city of Delft. The thunderclap was heard over seventy miles away. Among the fatalities was the painter Carel Fabritius, dead at thirty-two, leaving only his haunting masterpiece The Goldfinch and barely a dozen known paintings. For the explosion that killed him also buried his reputation, along with answers to the mysteries of his life and career. What happened to Fabritius before and after this disaster is just one of the discoveries in a book that explores the relationship between art and life, interweaving the lives of Laura Cumming, her Scottish painter father, who also died too young, and the great artists of the Dutch Golden Age. Thunderclap takes the reader from Rembrandt's studio to wartime America and contemporary London; from Fabritius's goldfinch on its perch to de Hooch's blue and white tile and the smallest seed in a loaf by Vermeer. This is a book about what a picture may come to mean: how it can enter your life and change your thinking in a thunderclap. For the explosion of the title speaks not only to the precariousness of our existence, but also to the power of painting: the sudden revelations of sight. _____________________ Praise for Thunderclap: 'Cumming is a word-painter' The Times, BOOK OF THE WEEK 'Her pages stay with you long after you finish' Simon Schama 'Superb ... this book taught me to see anew' Daily Telegraph 'I will never look at any painting in the same way again' Polly Morland, author of A Fortunate Woman 'Visionary... the book's two opposed ideas electrically connect' Guardian '[A] lustrous meditation on the lives and after-lives of artists ... with a novelist's pace, a critic's eye, a daughter's heart' Financial Times