The Tower

First published in 1928, The Tower was Yeats's first collection published after receiving the Nobel Prize in 1923, and it is perhaps the major work that most cemented his reputation as one of the foremost literary figures of the twentieth century. The titular poem, 'The Tower', refers to Thoor Ballylee Castle, a Norman tower that Yeats purchased in 1917, and which formed the basis of the original cover design – evoked in the cover of this edition. The collection also includes some of his most inventive and profound work, and develops deep themes regarding life, love and myth. With explanatory notes, this edition seeks to bring the collection to a greater readership and to offer a more profound understanding of the great poet's work.

First published in 1928, The Tower was Yeats's first collection published after receiving the Nobel Prize in 1923, and it is perhaps the major work that most cemented his reputation as one of the foremost literary figures of the twentieth century. The titular poem, 'The Tower', refers to Thoor Ballylee Castle, a Norman tower that Yeats purchased in 1917, and which formed the basis of the original cover design – evoked in the cover of this edition. The collection also includes some of his most inventive and profound work, and develops deep themes regarding life, love and myth. With explanatory notes, this edition seeks to bring the collection to a greater readership and to offer a more profound understanding of the great poet's work.

Once upon a time, there was a tower on a hill, beyond the dark trees, somewhere north. An octagonal tower on two levels: glass upstairs and stone below, beneath a steep slate roof – a folly, it was said. According to locals, a young woman named Annie who fell ill was confined to the tower by her father for three years and died there, alone. Fascinated by Annie’s story, Thea Lenarduzzi attempts to piece the past together in a formidable act of imagination, which, tugging at the strings of the how, why and who of stories, begins to unravel the very idea of storytelling itself. Veering between fiction, memoir, fairy tale and folklore, The Tower is an extraordinary book about power, abuse and why we don’t always tell the story we set out to tell.

Once upon a time, there was atoweron a hill, beyondthedark trees, somewhere north. An octagonaltoweron two levels: glass upstairs and stone below, beneath a steep slate roof – a folly, it was said. According to locals, a young woman named Annie who fell ill was confined tothetowerby her father for three years and died there, alone. Fascinated by Annie’s story, Thea Lenarduzzi attempts to piecethepast together in a formidable act of imagination, which, tugging atthestrings ofthehow, why and who of stories, begins to unravelthevery idea of storytelling itself. Veering between fiction, memoir, fairy tale and folklore, The Tower is an extraordinarybook about power, abuse and why we don’t always tellthestory we set out to tell.

She's forbidden. He's untouchable. Together, they might destroy each other. Sasha Reed is a prisoner in a gilded cage. Controlled by her ruthless father, she's his most valuable possession--hidden from the world, silenced by fear, and desperate to escape. But when her frantic attempt at freedom ends in failure, Sasha turns to the one man her father despises most: Liam Grimm. Liam is merciless, brilliant, and the outcast of his powerful family. With ice in his veins and revenge in his heart, he doesn't rescue damsels, and he doesn't make deals. But Sasha is different--a pawn he can use in his war against her father. To him, she's a weapon wrapped in silk and fire. To her, he's the devil offering freedom at a price she might not survive. The terms are cruel: her trust, her submission, her body, her soul. As Sasha falls deeper into Liam's dark world, the line between captor and savior vanishes, leaving only raw, unrelenting desire. He promises to destroy her chains, but in doing so, he might shatter her entirely. The Tower is an edgy, sensual, and steamy enemies to lovers billionaire romance with explicit content intended for mature readers only!

She's forbidden. He's untouchable. Together, they might destroy each other. Sasha Reed is a prisoner in a gilded cage. Controlled by her ruthless father, she's his most valuable possession--hidden from the world, silenced by fear, and desperate to escape. But when her frantic attempt at freedom ends in failure, Sasha turns to the one man her father despises most: Liam Grimm. Liam is merciless, brilliant, and the outcast of his powerful family. With ice in his veins and revenge in his heart, he doesn't rescue damsels, and he doesn't make deals. But Sasha is different--a pawn he can use in his war against her father. To him, she's a weapon wrapped in silk and fire. To her, he's the devil offering freedom at a price she might not survive. The terms are cruel: her trust, her submission, her body, her soul. As Sasha falls deeper into Liam's dark world, the line between captor and savior vanishes, leaving only raw, unrelenting desire. He promises to destroy her chains, but in doing so, he might shatter her entirely. The Tower is an edgy, sensual, and steamy enemies to lovers billionaire romance with explicit content intended for mature readers only!

In derelict Dresden a cultivated, middle-class family does all it can to cope amid the Communist downfall. This striking tapestry of the East German experience is told through the tangled lives of a soldier, surgeon, nurse and publisher. With evocative detail, Uwe Tellkamp masterfully reveals the myriad perspectives of the time as people battled for individuality, retreated to nostalgia, chose to conform, or toed the perilous line between East and West. Poetic, heartfelt and dramatic, The Tower vividly resurrects the sights, scents and sensations of life in the GDR as it hurtled towards 9 November 1989. Uwe Tellkamp was born in 1968 in Dresden. After completing his military service, he lost his place to study medicine on the grounds of 'political sabotage'. He was arrested in 1989, but went on to study medicine in Liepzig, Dresden and New York, later becoming a surgeon. He has won numerous regional prizes for poetry, as well as the Ingeborg Bachmann Prize for The Sleep in the Clocks. In 2008, he won the German Book Prize for The Tower .

In derelict Dresden a cultivated, middle-class family does all it can to cope amid the Communist downfall. This striking tapestry of the East German experience is told through the tangled lives of a soldier, surgeon, nurse and publisher. With evocative detail, Uwe Tellkamp masterfully reveals the myriad perspectives of the time as people battled for individuality, retreated to nostalgia, chose to conform, or toed the perilous line between East and West. Poetic, heartfelt and dramatic, The Tower vividly resurrects the sights, scents and sensations of life in the GDR as it hurtled towards 9 November 1989. Uwe Tellkamp was born in 1968 in Dresden. After completing his military service, he lost his place to study medicine on the grounds of 'political sabotage'. He was arrested in 1989, but went on to study medicine in Liepzig, Dresden and New York, later becoming a surgeon. He has won numerous regional prizes for poetry, as well as the Ingeborg Bachmann Prize for The Sleep in the Clocks. In 2008, he won the German Book Prize for The Tower .