The Sorrows of Young Werther

Werther is a young artist of a sensitive and passionate temperament. He meets Charlotte, a beautiful young girl who takes care of her siblings after the death of their mother, and falls in love with her although knowing beforehand that she is engaged. Despite the pain it causes him, Werther keeps spending time with Charlotte, but his pain eventually becomes so great that he is forced to leave. After a short absence, he comes back to find Charlotte married, and his agony becomes a threat.

'I have so much and my feeling for her devours everything, I have so much and without her everything is nothing.' The Sorrows of Young Werther propelled Goethe to instant fame when it first appeared in 1774. Goethe drew on his own unhappy experiences to tell the story of Werther, a young man tormented by his love for Lotte, a tender-hearted girl who is promised to someone else. Overwhelmed by his feelings, Werther begins to see only one way to escape from his anguish. Goethe's story of a sensitive young artist alienated from society channelled the Romantic sensibility of the day and led to a wave of imitations. Werther's searching introspection and the passionate intensity with which he bares his soul have an immediacy that is all the more powerful for being expressed in letters; charting the course of his emotions, they give added drama to the unfolding account. David Constantine's new translation captures the novel's lyric clarity, and his introduction and notes illuminate Goethe's achievement. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'I have so much and my feeling for her devours everything, I have so much and without her everything is nothing.' The Sorrows of Young Werther propelled Goethe to instant fame when it first appeared in 1774. Goethe drew on his own unhappy experiences to tell the story of Werther, a young man tormented by his love for Lotte, a tender-hearted girl who is promised to someone else. Overwhelmed by his feelings, Werther begins to see only one way to escape from his anguish. Goethe's story of a sensitive young artist alienated from society channelled the Romantic sensibility of the day and led to a wave of imitations. Werther's searching introspection and the passionate intensity with which he bares his soul have an immediacy that is all the more powerful for being expressed in letters; charting the course of his emotions, they give added drama to the unfolding account. David Constantine's new translation captures the novel's lyric clarity, and his introduction and notes illuminate Goethe's achievement. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Tennyson once said, "Tis better to have loved and lost than never to have loved at all." Tennyson was an idiot. Because heartbreak sucks. If you're breathing, at some point in your life, love has probably bashed you over the head ... and then continued to kick you while you were down until you thought you might die. That's better?! Feeling like your heart has been shredded with a cheese grater and then set on fire - that's better? The pain of heartbreak is so massive and all-encompassing, most people believe the torment they experience over love is exclusive to them. But The Sorrows of Young Werther realistically attests to the fact that heartbreak began occurring way before you confessed your love for someone, only to have him or her remove you as a Facebook friend.

Tennyson once said, "Tis better to have loved and lost than never to have loved at all." Tennyson was an idiot. Because heartbreak sucks. If you're breathing, at some point in your life, love has probably bashed you over the head ... and then continued to kick you while you were down until you thought you might die. That's better?! Feeling like your heart has been shredded with a cheese grater and then set on fire - that's better? The pain of heartbreak is so massive and all-encompassing, most people believe the torment they experience over love is exclusive to them. But The Sorrows of Young Werther realistically attests to the fact that heartbreak began occurring way before you confessed your love for someone, only to have him or her remove you as a Facebook friend.

A key work in the German 'Sturm und Drang' movement, Johann Goethe's autobiographical epistolary novel The Sorrows of Young Werther is a defining moment in early Romanticism, which has influenced writers from Mary Shelley to Thomas Mann. This Penguin Classics edition is translated from with an introduction by Michael Hulse. Visiting an idyllic German village, Werther, a sensitive young man, meets and falls in love with sweet-natured Charlotte. Although he realises that she is to marry Albert, he is unable to subdue his passion and his infatuation torments him to the point of despair. The first great 'confessional' novel, The Sorrows of Young Werther draws both on Goethe's own unrequited love for Charlotte Buff and on the death of his friend Karl Wilhelm Jerusalem. The book was an immediate success, and a cult rapidly grew up around it, resulting in numerous imitations as well as violent criticism and suppression on the grounds of its apparent support of suicide. Goethe's sensitive exploration of the mind of an artist at odds with society and ill-equipped to cope with life is now considered the first great tragic novel of European literature. This edition includes notes and an introduction by Michael Hulse, who explores the origins of the novel in the author's life and examines its impact on European culture. Johann Wolfgang Goethe (1749-1832) was born in Frankfurt, Germany. Although he directed the German State Theatre, dabbled in the occult and worked on scientific theories in evolutionary botany, Goethe is best remembered for his great works The Sorrows of Young Werther and Faust , and his part in the 18th century 'Sturm and Drang' movement. If you enjoyed The Sorrows of Young Werther , you might like Stendhal's Love , also published in Penguin Classics.

A key work in the German 'Sturm und Drang' movement, Johann Goethe's autobiographical epistolary novel The Sorrows of Young Werther is a defining moment in early Romanticism, which has influenced writers from Mary Shelley to Thomas Mann. This Penguin Classics edition is translated from with an introduction by Michael Hulse. Visiting an idyllic German village, Werther, a sensitive young man, meets and falls in love with sweet-natured Charlotte. Although he realises that she is to marry Albert, he is unable to subdue his passion and his infatuation torments him to the point of despair. The first great 'confessional' novel, The Sorrows of Young Werther draws both on Goethe's own unrequited love for Charlotte Buff and on the death of his friend Karl Wilhelm Jerusalem. The book was an immediate success, and a cult rapidly grew up around it, resulting in numerous imitations as well as violent criticism and suppression on the grounds of its apparent support of suicide. Goethe's sensitive exploration of the mind of an artist at odds with society and ill-equipped to cope with life is now considered the first great tragic novel of European literature. This edition includes notes and an introduction by Michael Hulse, who explores the origins of the novel in the author's life and examines its impact on European culture. Johann Wolfgang Goethe (1749-1832) was born in Frankfurt, Germany. Although he directed the German State Theatre, dabbled in the occult and worked on scientific theories in evolutionary botany, Goethe is best remembered for his great works The Sorrows of Young Werther and Faust , and his part in the 18th century 'Sturm and Drang' movement. If you enjoyed The Sorrows of Young Werther , you might like Stendhal's Love , also published in Penguin Classics.

Johann Wolfgang von Goethe's The Sorrows of Young Werther is a poignant tale of unrequited love and emotional turmoil. Through Werther's letters, the novel captures the passion and despair of youthful longing, leaving an indelible mark on Romantic literature and readers' hearts across generations.

Johann Wolfgang von Goethe's The Sorrows of Young Werther is a poignant tale of unrequited love and emotional turmoil. Through Werther's letters, the novel captures the passion and despair of youthful longing, leaving an indelible mark on Romantic literature and readers' hearts across generations.

The Sorrows of Young Werther is a 1774 epistolary novel by Johann Wolfgang Goethe, which appeared as a revised edition in 1787. It was one of the main novels in the Sturm und Drang period in German literature, and influenced the later Romantic movement. Goethe, aged 24 at the time, finished Werther in five and a half weeks of intensive writing in January-March 1774. It instantly placed him among the foremost international literary celebrities and was among the best known of his works. The Sorrows of Young Werther turned Goethe, previously an unknown author, into a literary celebrity almost overnight. Napoleon Bonaparte considered it one of the great works of European literature, having written a Goethe-inspired soliloquy in his youth and carried Werther with him on his campaigning to Egypt. It also started the phenomenon known as "Werther Fever," which caused young men throughout Europe to dress in the clothing style described for Werther in the novel. Items of merchandising such as prints, decorated Meissen porcelain and even a perfume were produced. The book reputedly also led to some of the first known examples of copycat suicide. The men were often dressed in the same clothing "as Goethe's description of Werther and using similar pistols." Often the book was found at the scene of the suicide. Rüdiger Safranski, a modern biographer of Goethe, dismisses the Werther Effect "as only a persistent rumor." Nonetheless, this aspect of "Werther Fever" was watched with concern by the authorities - both the novel and the Werther clothing style were banned in Leipzig in 1775; the novel was also banned in Denmark and Italy. It was also watched with fascination by fellow authors. One of these, Friedrich Nicolai, decided to create a satirical piece with a happy ending, entitled Die Freuden des jungen Werthers ("The Joys of Young Werther"), in which Albert, having realized what Werther is up to, loaded chicken's blood into the pistol, thereby foiling Werther's suicide, and happily concedes Charlotte to him. After some initial difficulties, Werther sheds his passionate youthful side and reintegrates himself into society as a respectable citizen. Goethe, however, was not pleased with the "Freuden" and started a literary war with Nicolai that lasted all his life, writing a poem titled "Nicolai auf Werthers Grabe" ("Nicolai on Werther's grave"), in which Nicolai (here a passing nameless pedestrian) defecates on Werther's grave, so desecrating the memory of a Werther from which Goethe had distanced himself in the meantime, as he had from the Sturm und Drang. This argument was continued in his collection of short and critical poems, the Xenien , and his play Faust. (wikipedia.org)

The Sorrows of Young Werther is a 1774 epistolary novel by Johann Wolfgang Goethe, which appeared as a revised edition in 1787. It was one of the main novels in the Sturm und Drang period in German literature, and influenced the later Romantic movement. Goethe, aged 24 at the time, finished Werther in five and a half weeks of intensive writing in January-March 1774. It instantly placed him among the foremost international literary celebrities and was among the best known of his works. The Sorrows of Young Werther turned Goethe, previously an unknown author, into a literary celebrity almost overnight. Napoleon Bonaparte considered it one of the great works of European literature, having written a Goethe-inspired soliloquy in his youth and carried Werther with him on his campaigning to Egypt. It also started the phenomenon known as "Werther Fever," which caused young men throughout Europe to dress in the clothing style described for Werther in the novel. Items of merchandising such as prints, decorated Meissen porcelain and even a perfume were produced. The book reputedly also led to some of the first known examples of copycat suicide. The men were often dressed in the same clothing "as Goethe's description of Werther and using similar pistols." Often the book was found at the scene of the suicide. R?diger Safranski, a modern biographer of Goethe, dismisses the Werther Effect "as only a persistent rumor." Nonetheless, this aspect of "Werther Fever" was watched with concern by the authorities - both the novel and the Werther clothing style were banned in Leipzig in 1775; the novel was also banned in Denmark and Italy. It was also watched with fascination by fellow authors. One of these, Friedrich Nicolai, decided to create a satirical piece with a happy ending, entitled Die Freuden des jungen Werthers ("The Joys of Young Werther"), in which Albert, having realized what Werther is up to, loaded chicken's blood into the pistol, thereby foiling Werther's suicide, and happily concedes Charlotte to him. After some initial difficulties, Werther sheds his passionate youthful side and reintegrates himself into society as a respectable citizen. Goethe, however, was not pleased with the "Freuden" and started a literary war with Nicolai that lasted all his life, writing a poem titled "Nicolai auf Werthers Grabe" ("Nicolai on Werther's grave"), in which Nicolai (here a passing nameless pedestrian) defecates on Werther's grave, so desecrating the memory of a Werther from which Goethe had distanced himself in the meantime, as he had from the Sturm und Drang. This argument was continued in his collection of short and critical poems, the Xenien, and his play Faust. (wikipedia.org)