The Sisterhood

A "rip-roaring" (Steve Coll), "staggeringly well-researched" ( The New York Times ) history of three generations at the CIA, "electric with revelations" ( Booklist ) about the women who fought to become operatives, transformed spycraft, and tracked down Osama bin Laden, from the bestselling author of Code Girls A NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE - A FOREIGN POLICY AND SMITHSONIAN BEST BOOK OF THE YEAR In development as a series from Lionsgate Television, executive produced by Scott Delman ( Station Eleven ) Created in the aftermath of World War II, the Central Intelligence Agency relied on women even as it attempted to channel their talents and keep them down. Women sent cables, made dead drops, and maintained the agency's secrets. Despite discrimination--even because of it--women who started as clerks, secretaries, or unpaid spouses rose to become some of the CIA's shrewdest operatives. They were unlikely spies--and that's exactly what made them perfect for the role. Because women were seen as unimportant, pioneering female intelligence officers moved unnoticed around Bonn, Geneva, and Moscow, stealing secrets from under the noses of their KGB adversaries. Back at headquarters, women built the CIA's critical archives--first by hand, then by computer. And they noticed things that the men at the top didn't see. As the CIA faced an identity crisis after the Cold War, it was a close-knit network of female analysts who spotted the rising threat of al-Qaeda--though their warnings were repeatedly brushed aside. After the 9/11 attacks, more women joined the agency as a new job, targeter, came to prominence. They showed that data analysis would be crucial to the post-9/11 national security landscape--an effort that culminated spectacularly in the CIA's successful effort to track down bin Laden in his Pakistani compound. Propelled by the same meticulous reporting and vivid storytelling that infused Code Girls , The Sisterhood offers a riveting new perspective on history, revealing how women at the CIA ushered in the modern intelligence age, and how their silencing made the world more dangerous

A "rip-roaring" (Steve Coll), "staggeringly well-researched" ( The New York Times ) history of three generations at the CIA, "electric with revelations" ( Booklist ) about the women who fought to become operatives, transformed spycraft, and tracked down Osama bin Laden, from the bestselling author of Code Girls A NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE - A FOREIGN POLICY AND SMITHSONIAN BEST BOOK OF THE YEAR In development as a series from Lionsgate Television, executive produced by Scott Delman ( Station Eleven ) Created in the aftermath of World War II, the Central Intelligence Agency relied on women even as it attempted to channel their talents and keep them down. Women sent cables, made dead drops, and maintained the agency's secrets. Despite discrimination--even because of it--women who started as clerks, secretaries, or unpaid spouses rose to become some of the CIA's shrewdest operatives. They were unlikely spies--and that's exactly what made them perfect for the role. Because women were seen as unimportant, pioneering female intelligence officers moved unnoticed around Bonn, Geneva, and Moscow, stealing secrets from under the noses of their KGB adversaries. Back at headquarters, women built the CIA's critical archives--first by hand, then by computer. And they noticed things that the men at the top didn't see. As the CIA faced an identity crisis after the Cold War, it was a close-knit network of female analysts who spotted the rising threat of al-Qaeda--though their warnings were repeatedly brushed aside. After the 9/11 attacks, more women joined the agency as a new job, targeter, came to prominence. They showed that data analysis would be crucial to the post-9/11 national security landscape--an effort that culminated spectacularly in the CIA's successful effort to track down bin Laden in his Pakistani compound. Propelled by the same meticulous reporting and vivid storytelling that infused Code Girls , The Sisterhood offers a riveting new perspective on history, revealing how women at the CIA ushered in the modern intelligence age, and how their silencing made the world more dangerous

One Sunday afternoon in February 1977, Toni Morrison, Alice Walker, Ntozake Shange, and several other Black women writers met at June Jordan's Brooklyn apartment to eat gumbo, drink champagne, and talk about their work. Calling themselves "The Sisterhood," the group-which also came to include Audre Lorde, Paule Marshall, Margo Jefferson, and others-would get together once a month over the next two years, creating a vital space for Black women to discuss literature and liberation. The Sisterhood tells the story of how this remarkable community transformed American writing and cultural institutions. Drawing on original interviews with Sisterhood members as well as correspondence, meeting minutes, and readings of their works, Courtney Thorsson explores the group's everyday collaboration and profound legacy. The Sisterhood advocated for Black women writers at trade publishers and magazines such as Random House, Ms., and Essence, and eventually in academic departments as well-often in the face of sexist, racist, and homophobic backlash. Thorsson traces the personal, professional, and political ties that brought the group together as well as the reasons for its dissolution. She considers the popular and critical success of Sisterhood members in the 1980s, the uneasy absorption of Black feminism into the academy, and how younger writers built on the foundations the group laid. Highlighting the organizing, networking, and community building that nurtured Black women's writing, this book demonstrates that The Sisterhood offers an enduring model for Black feminist collaboration.

One Sunday afternoon in February 1977, Toni Morrison, Alice Walker, Ntozake Shange, and several other Black women writers met at June Jordan's Brooklyn apartment to eat gumbo, drink champagne, and talk about their work. Calling themselves "The Sisterhood," the group-which also came to include Audre Lorde, Paule Marshall, Margo Jefferson, and others-would get together once a month over the next two years, creating a vital space for Black women to discuss literature and liberation. The Sisterhood tells the story of how this remarkable community transformed American writing and cultural institutions. Drawing on original interviews with Sisterhood members as well as correspondence, meeting minutes, and readings of their works, Courtney Thorsson explores the group's everyday collaboration and profound legacy. The Sisterhood advocated for Black women writers at trade publishers and magazines such as Random House, Ms., and Essence, and eventually in academic departments as well-often in the face of sexist, racist, and homophobic backlash. Thorsson traces the personal, professional, and political ties that brought the group together as well as the reasons for its dissolution. She considers the popular and critical success of Sisterhood members in the 1980s, the uneasy absorption of Black feminism into the academy, and how younger writers built on the foundations the group laid. Highlighting the organizing, networking, and community building that nurtured Black women's writing, this book demonstrates that The Sisterhood offers an enduring model for Black feminist collaboration.