The Sickness Unto Death

Influencing philosophers such as Sartre and Camus, and still strikingly modern in its psychological insights, Kierkegaard’s The Sickness Unto Death explores the concept of ‘despair’ as a symptom of the human condition and describes man’s struggle to fill the spiritual void. Throughout history, some books have changed the world. They have transformed the way we see ourselves – and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives – and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

Influencing philosophers such as Sartre and Camus, and still strikingly modern in its psychological insights, Kierkegaard’s The Sickness Unto Death explores the concept of ‘despair’ as a symptom of the human condition and describes man’s struggle to fill the spiritual void. Throughout history, some books have changed the world. They have transformed the way we see ourselves – and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives – and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

A companion piece to The Concept of Anxiety, this work continues Soren Kierkegaard's radical and comprehensive analysis of human nature in a spectrum of possibilities of existence. Present here is a remarkable combination of the insight of the poet and the contemplation of the philosopher. In The Sickness unto Death, Kierkegaard moves beyond anxiety on the mental-emotional level to the spiritual level, where--in contact with the eternal--anxiety becomes despair. Both anxiety and despair reflect the misrelation that arises in the self when the elements of the synthesis--the infinite and the finite--do not come into proper relation to each other. Despair is a deeper expression for anxiety and is a mark of the eternal, which is intended to penetrate temporal existence.

Walter Lowrie's classic, bestselling translation of S ren Kierkegaard's most important and popular books remains unmatched for its readability and literary quality. Fear and Trembling and The Sickness Unto Death established Kierkegaard as the father of existentialism and have come to define his contribution to philosophy

A companion piece to The Concept of Anxiety, this work continues Soren Kierkegaard's radical and comprehensive analysis of human nature in a spectrum of possibilities of existence. Present here is a remarkable combination of the insight of the poet and the contemplation of the philosopher. In The Sickness unto Death, Kierkegaard moves beyond anxiety on the mental-emotional level to the spiritual level, where--in contact with the eternal--anxiety becomes despair. Both anxiety and despair reflect the misrelation that arises in the self when the elements of the synthesis--the infinite and the finite--do not come into proper relation to each other. Despair is a deeper expression for anxiety and is a mark of the eternal, which is intended to penetrate temporal existence.

One of the most remarkable philosophical works of the nineteenth century, The Sickness Unto Death is also famed for the depth and acuity of its modern psychological insights. Writing under the pseudonym Anti-Climacus, Kierkegaard explores the concept of 'despair', alerting readers to the diversity of ways in which they may be described as living in this state of bleak abandonment - including some that may seem just the opposite - and offering a much-discussed formula for the eradication of despair. With its penetrating account of the self, this late work by Kierkegaard was hugely influential upon twentieth-century philosophers including Karl Jaspers, Jean-Paul Sartre and Albert Camus. The Sickness unto Death can be regarded as one of the key works of theistic existentialist thought - a brilliant and revelatory answer to one man's struggle to fill the spiritual void.

One of the most remarkable philosophical works of the nineteenth century, The Sickness Unto Death is also famed for the depth and acuity of its modern psychological insights. Writing under the pseudonym Anti-Climacus, Kierkegaard explores the concept of 'despair', alerting readers to the diversity of ways in which they may be described as living in this state of bleak abandonment - including some that may seem just the opposite - and offering a much-discussed formula for the eradication of despair. With its penetrating account of the self, this late work by Kierkegaard was hugely influential upon twentieth-century philosophers including Karl Jaspers, Jean-Paul Sartre and Albert Camus. The Sickness unto Death can be regarded as one of the key works of theistic existentialist thought - a brilliant and revelatory answer to one man's struggle to fill the spiritual void.

The “greatest psychologist of the spirit since St. Augustine” (Gregory R. Beabout), Søren Kierkegaard is renowned for such richly imagined philosophical works as Fear and Trembling and The Concept of Anxiety. Yet only The Sickness unto Death condenses his most essential ideas—on aesthetics, ethics and religion—into a single volume. First published in 1849 under the pseudonym Anti-Climacus, The Sickness unto Death is as demanding as it is concise, posing fundamental yet complicated questions about human nature and the self. Beginning with the biblical story of Lazarus, whom Jesus miraculously raised from the dead, The Sickness unto Death identifies the titular “sickness” as “despair”, a state worse than death because it is “unto” death. As Kierkegaard demonstrates, despair—or, in Christian categories, “sin”—is a sickness not of the body but of the spirit and thus, of the self. A dramatic “medical history” of the course of this sickness, The Sickness unto Death culminates, as all medical histories do, in a crisis, a turning point at which the self, the patient, either realises or abandons itself. Given the choice between eternal salvation and extinction, Kierkegaard calls upon the self to become receptive in faith to God’s mercy, “even today, even at this hour, even at this instant”. With his “historian’s eye” (Vanessa Parks Rumble) and “lucid and informative” (George Pattison) introduction, Bruce H. Kirmmse deftly situates The Sickness unto Death in the historical context of the European revolutions of 1848, reminding us that even Kierkegaard was a product of his time and place. Yet as Kirmmse ultimately shows,The Sickness unto Death is as apt for our times as for mid-nineteenth-century Europe, speaking to the human soul across generations and centuries.

The "greatest psychologist of the spirit since St. Augustine" (Gregory R. Beabout), Soren Kierkegaard is renowned for such richly imagined philosophical works as Fear and Trembling and The Concept of Anxiety . Yet only The Sickness unto Death condenses his most essential ideas--on aesthetics, ethics, and religion--into a single volume. First published in 1849 under the pseudonym Anti-Climacus, The Sickness unto Death is as demanding as it is concise, posing fundamental yet complicated questions about human nature and the self. Beginning with the biblical story of Lazarus, whom Jesus miraculously raised from the dead, The Sickness unto Death identifies the titular "sickness" as "despair," a state worse than death because it is "unto" death. As Kierkegaard demonstrates, despair--or, in Christian categories, "sin"--is a sickness not of the body, but of the spirit, and thus, of the self. A dramatic "medical history" of the course of this sickness, The Sickness unto Death culminates, as all medical histories do, in a crisis, a turning point at which the self, the patient, either realizes or abandons itself. Given the choice between eternal salvation and extinction, Kierkegaard calls upon the self to become receptive in faith to God's mercy, "even today, even at this hour, even at this instant." With his "historian's eye" (Vanessa Parks Rumble) and "lucid and informative" (George Pattison) introduction, Bruce H. Kirmmse deftly situates The Sickness unto Death in the historical context of the European revolutions of 1848, reminding us that even Kierkegaard was a product of his time and place. Yet as Kirmmse ultimately shows, The Sickness unto Death is as apt for our times as for mid-nineteenth-century Europe, speaking to the human soul across generations and centuries.

First published in 1849 under the pseudonym “Anti-Climacus,” Søren Kierkegaard’s The Sickness unto Death endures as a seminal text in the history of theology and moral philosophy, and an essential companion to his earlier works. Beginning with the biblical story of Lazarus, whom Jesus miraculously raised from the dead, Kierkegaard here presents his explication of despair as the “sickness unto death,” that is, a sickness not of the body, but of the spirit, and thus, of the self. A dramatic “medical history” of the course of this sickness, The Sickness unto Death culminates, as all medical histories do, in a crisis, a turning point at which the self, the patient, either realises or abandons itself. Masterfully translated by Bruce H. Kirmmse, with his “historian’s eye” and “craftsman’s feel for the challenges of Kierkegaard’s syntax” (Vanessa Parks Rumble), this trenchant, explosive inquiry into the human soul spares no one, not even its author.

First published in 1849 under the pseudonym “Anti-Climacus,” Søren Kierkegaard’s The Sickness unto Death endures as a seminal text in the history of theology and moral philosophy, and an essential companion to his earlier works. Beginning with the biblical story of Lazarus, whom Jesus miraculously raised from the dead, Kierkegaard here presents his explication of despair as the “sickness unto death,” that is, a sickness not of the body, but of the spirit, and thus, of the self. A dramatic “medical history” of the course of this sickness, The Sickness unto Death culminates, as all medical histories do, in a crisis, a turning point at which the self, the patient, either realises or abandons itself. Masterfully translated by Bruce H. Kirmmse, with his “historian’s eye” and “craftsman’s feel for the challenges of Kierkegaard’s syntax” (Vanessa Parks Rumble), this trenchant, explosive inquiry into the human soul spares no one, not even its author.