The Craftsman

Optioned for television by the hit team behind KILLING EVE. 'Filled with intrigue and suspense. The Craftsman is spellbinding.' - Clare Mackintosh 'Sharon Bolton at her absolute finest. Beautifully dark and disturbing .' - Jenny Blackhurst 'Darkly gothic and brilliantly original , The Craftsman will have you spellbound.' - JP Delaney 'An absolutely terrific crime novel that takes your darkest fear and makes it reality.' - Elly Griffiths ********************** Devoted father or merciless killer? His secrets are buried with him. Florence Lovelady's career was made when she convicted coffin-maker Larry Glassbrook of a series of child murders 30 years ago. Like something from our worst nightmares the victims were buried...ALIVE. Larry confessed to the crimes; it was an open and shut case. But now he's dead, and events from the past start to repeat themselves. Did she get it wrong all those years ago? Or is there something much darker at play? ********************** Praise for The Craftsman 'Grisly and comeplling.' - Sarah Hilary ' Utterly terrifying and gripping .' - Sabine Durrant, author of TAKE ME IN 'An original, dark, and twisted tale and the words just sparkle on the page.' - Niki Mackay 'I dare you to read it after dark. The Craftsman is a blood-chilling thriller that will cast a spell on you.' - Mark Edwards, No.1 Kindle bestseller ' Fabulous, utterly unique storyline , that will effortlessly stand out in the crowd of thrillers. It'll give you the creeps.' - Helen Fields ' Pitch perfect creepiness, air punching female empowerment and sinister mysteries kept me hooked to the very last page.' - Holly Seddon 'The Craftsman goes to some very dark places, and will have readers looking nervously over their shoulders with every page they turn.' - Mick Herron 'A brilliant blend of rich crime thriller with a hint of the gothic. Dark, disturbing and with women who totally rock , with the Craftsman Sharon Bolton has proven herself to be a master Craftsman herself. Buy it. Read it. Tell your friends. Then sleep with the light on.' - Sarah Pinborough

Provocative and enlightening, Richard Sennett's The Craftsman is an exploration of craftsmanship - the desire to do a job well for its own sake - as a template for living. Most of us have to work. But is work just a means to an end? In trying to make a living, have we lost touch with the idea of making things well? Pure competition, Sennett shows, will never produce good work. Instead, the values of the craftsman, whether in a Stradivari violin workshop or a modern laboratory, can enrich our lives and change the way we anchor ourselves in the world around us. The past lives of crafts and craftsmen show us ways of working - using tools, acquiring skills, thinking about materials - which provide rewarding alternative ways for people to utilise their talents. We need to recognize this if motivations are to be understood and lives made as fulfilling as possible. 'Lively, engaging and pertinent ... a lifetime's learning has gone into the writing of this book' Roger Scruton, Sunday Times 'An enchanting writer with important things to say' Fiona MacCarthy, Guardian 'Enthralling ... Sennett is keen to reconnect thinking with making, to revive the simple pleasure in the everyday object and the useful task. There is something here for all of us' Edwin Heathcote, Financial Times 'A masterpiece' Boyd Tonkin, Independent Richard Sennett's previous books include The Fall of Public Man , The Corrosion of Character , Flesh and Stone and Respect . He was founder director of the New York Institute for the Humanities, and is now University Professor at New York University and Academic Governor and Professor of Sociology at the London School of Economics.

Provocative and enlightening, Richard Sennett's The Craftsman is an exploration of craftsmanship - the desire to do a job well for its own sake - as a template for living. Most of us have to work. But is work just a means to an end? In trying to make a living, have we lost touch with the idea of making things well? Pure competition, Sennett shows, will never produce good work. Instead, the values of the craftsman, whether in a Stradivari violin workshop or a modern laboratory, can enrich our lives and change the way we anchor ourselves in the world around us. The past lives of crafts and craftsmen show us ways of working - using tools, acquiring skills, thinking about materials - which provide rewarding alternative ways for people to utilise their talents. We need to recognize this if motivations are to be understood and lives made as fulfilling as possible. 'Lively, engaging and pertinent ... a lifetime's learning has gone into the writing of this book' Roger Scruton, Sunday Times 'An enchanting writer with important things to say' Fiona MacCarthy, Guardian 'Enthralling ... Sennett is keen to reconnect thinking with making, to revive the simple pleasure in the everyday object and the useful task. There is something here for all of us' Edwin Heathcote, Financial Times 'A masterpiece' Boyd Tonkin, Independent Richard Sennett's previous books include The Fall of Public Man , The Corrosion of Character , Flesh and Stone and Respect . He was founder director of the New York Institute for the Humanities, and is now University Professor at New York University and Academic Governor and Professor of Sociology at the London School of Economics.