The Confidence-Man

“The Confidence-Man: His Masquerade” is the 1857 novel by Herman Melville, his ninth and final work. It tells the interlocking stories of a group of travelers aboard a steamboat on the Mississippi River making their way towards New Orleans. Emulating the style of Chaucer’s “The Canterbury Tales”, the novel centers on its title character, the Confidence-Man, a mysterious figure who sneaks aboard the steamboat and successively tests the confidence of the passengers. He adopts various disguises, such as a handicapped beggar, a sophisticated businessman, and a cosmopolitan gentleman, swindling his fellow passengers in many small ways. The story consists primarily of the reactions of the travelers to this schemer and in doing so the dishonesties and pretensions of the passengers are exposed and their true natures are revealed. Melville took a satirical approach to contemporary cultural figures in much of the novel and it is believed that many of the characters were based on popular authors, such as Ralph Waldo Emerson, Nathaniel Hawthorne, and Edgar Allen Poe. “The Confidence-Man” is a rich exposition on the nature of human identity set against the vivid imagery of the Mississippi riverboat era. This edition is printed on premium acid-free paper.

Long considered the author's strangest novel, this work is a comic allegory aimed at the optimism and materialism of mid-18th-century America. A mysterious shape-changing confidence-man approaches passengers on a Mississippi steamboat and, winning over the (not quite innocent) victims with his charm, urges them to trust implicitly in the cosmos, in nature, and even in human nature - with predictable results. This novel represented a departure for Herman Melville, a satirical and socially acute work that was to be a further step away from his sea novels. Yet it confused and angered reviewers who preferred to pigeonhole him as an adventure writer. Some have argued that the book was a joke on the readers loyal to his sea stories, but if so, it backfired. Dismissed by critics as unreadable, and an undoubted financial failure, the novel's cold reception undermined Melville's belief in his ability to make a living writing works that were both popular and profound, and he soon gave up fiction. It was not until the mid-20th-century that critics rediscovered the book and praised its wit, modern technique, and wry view that life may be just a cosmic con game.

Long considered the author's strangest novel, this work is a comic allegory aimed at the optimism and materialism of mid-18th-century America. A mysterious shape-changing confidence-man approaches passengers on a Mississippi steamboat and, winning over the (not quite innocent) victims with his charm, urges them to trust implicitly in the cosmos, in nature, and even in human nature - with predictable results. This novel represented a departure for Herman Melville, a satirical and socially acute work that was to be a further step away from his sea novels. Yet it confused and angered reviewers who preferred to pigeonhole him as an adventure writer. Some have argued that the book was a joke on the readers loyal to his sea stories, but if so, it backfired. Dismissed by critics as unreadable, and an undoubted financial failure, the novel's cold reception undermined Melville's belief in his ability to make a living writing works that were both popular and profound, and he soon gave up fiction. It was not until the mid-20th-century that critics rediscovered the book and praised its wit, modern technique, and wry view that life may be just a cosmic con game.

"The Confidence-Man: His Masquerade" is the 1857 novel by Herman Melville, his ninth and final work. It tells the interlocking stories of a group of travelers aboard a steamboat on the Mississippi River making their way towards New Orleans. Emulating the style of Chaucer's "The Canterbury Tales", the novel centers on its title character, the Confidence-Man, a mysterious figure who sneaks aboard the steamboat and successively tests the confidence of the passengers. He adopts various disguises, such as a handicapped beggar, a sophisticated businessman, and a cosmopolitan gentleman, swindling his fellow passengers in many small ways. The story consists primarily of the reactions of the travelers to this schemer and in doing so the dishonesties and pretensions of the passengers are exposed and their true natures are revealed. Melville took a satirical approach to contemporary cultural figures in much of the novel and it is believed that many of the characters were based on popular authors, such as Ralph Waldo Emerson, Nathaniel Hawthorne, and Edgar Allen Poe. "The Confidence-Man" is a rich exposition on the nature of human identity set against the vivid imagery of the Mississippi riverboat era. This edition is printed on premium acid-free paper.