The Best of Everything

Rona Jaffe's frank, scandalous and thrilling 1958 novel, The Best of Everything follows a group of young women as they negotiate office romances, workplace politics, broken engagements, tiny apartments, lecherous bosses, heartbreak and lasting friendship, published in Penguin Modern Classics. New York, 1952: Four young women have come to the city: to find love, to build their careers and to savour the indefinable optimism of the times. Caroline is the college graduate, determined to escape the typing pool and become an editor. April is the beautiful country girl with a penchant for disastrous romances. Aspiring actress Gregg is tangled in a dangerous love affair with a playwright; and divorcée Barbara writes about lipsticks by day and cares alone for her daughter by night. Famously bedtime reading for Mad Men 's Don Draper, The Best of Everything portrays the lives and passions of these ambitious young women with intelligence, affection, and prose as sharp as a paper cut. Rona Jaffe (1931-2005) was born in Brooklyn, New York, and grew up in the affluent Upper East Side of Manhattan. Jaffe wrote her first book, The Best of Everything , while working as an associate editor at Fawcett Publications in the 1950s. Published in 1958, it was later made into a movie, starring Joan Crawford. During the 1960s she wrote cultural pieces for Cosmopolitan magazine. Jaffe wrote sixteen novels during her career, including the controversial Mazes and Monsters (1981), adapted into a film starring Tom Hanks. If you enjoyed The Best of Everything , you might like John Dos Passos' Manhattan Transfer , also available in Penguin Modern Classics. 'It harks back to a saner time when choosing progress and modernity was as straightforward as ordering dinner - "Two Scotches with water on the side, and two steaks"' Julie Burchill, author of Ambition 'Decades before Sex and the City , Jaffe recorded the minutiae of women's lives and broke powerful taboos' Joan Smith, Independent

Rona Jaffe's frank, scandalous and thrilling 1958 novel, The Best of Everything follows a group of young women as they negotiate office romances, workplace politics, broken engagements, tiny apartments, lecherous bosses, heartbreak and lasting friendship, published in Penguin Modern Classics. New York, 1952: Four young women have come to the city: to find love, to build their careers and to savour the indefinable optimism of the times. Caroline is the college graduate, determined to escape the typing pool and become an editor. April is the beautiful country girl with a penchant for disastrous romances. Aspiring actress Gregg is tangled in a dangerous love affair with a playwright; and divorcée Barbara writes about lipsticks by day and cares alone for her daughter by night. Famously bedtime reading for Mad Men 's Don Draper, The Best of Everything portrays the lives and passions of these ambitious young women with intelligence, affection, and prose as sharp as a paper cut. Rona Jaffe (1931-2005) was born in Brooklyn, New York, and grew up in the affluent Upper East Side of Manhattan. Jaffe wrote her first book, The Best of Everything , while working as an associate editor at Fawcett Publications in the 1950s. Published in 1958, it was later made into a movie, starring Joan Crawford. During the 1960s she wrote cultural pieces for Cosmopolitan magazine. Jaffe wrote sixteen novels during her career, including the controversial Mazes and Monsters (1981), adapted into a film starring Tom Hanks. If you enjoyed The Best of Everything , you might like John Dos Passos' Manhattan Transfer , also available in Penguin Modern Classics. 'It harks back to a saner time when choosing progress and modernity was as straightforward as ordering dinner - "Two Scotches with water on the side, and two steaks"' Julie Burchill, author of Ambition 'Decades before Sex and the City , Jaffe recorded the minutiae of women's lives and broke powerful taboos' Joan Smith, Independent

A tender and unforgettable story of found family and the long way back from heartbreak - now longlisted for the Women's Prize for Fiction 'A beautiful and important story about kindness that will break your heart, then make it sing' (reader review) 'A joyous story about love, and what family means to each of us' Prima 'I read this in a sitting, revelling in every word-perfect sentence' (reader review) 'I defy you not to cry while reading this' Red Paulette's the kind of woman who likes the future all mapped out: the wedding to Denton, the Caribbean honeymoon, the gingham quilt on the baby's crib. Until one morning Garfield, Denton's friend, arrives at her door with the news that Denton won't be coming around any more, that there won't be time for her to say goodbye. Somehow Garfield finds his way into her bed, and sooner than anyone can believe there is a baby, and suddenly giving Bird, her son, the best of everything is what gives Paulette's life meaning. So why is it another little boy, Nellie, who keeps Paulette awake at night? Nellie who is being raised a few streets away, with no sign of a mum. Surely Paulette is the last person who should be getting tangled up in any of that?

A tender and unforgettable story of found family and the long way back from heartbreak - now longlisted for the Women's Prize for Fiction 'A beautiful and important story about kindness that will break your heart, then make it sing' (reader review) 'A joyous story about love, and what family means to each of us' Prima 'I read this in a sitting, revelling in every word-perfect sentence' (reader review) 'I defy you not to cry while reading this' Red Paulette's the kind of woman who likes the future all mapped out: the wedding to Denton, the Caribbean honeymoon, the gingham quilt on the baby's crib. Until one morning Garfield, Denton's friend, arrives at her door with the news that Denton won't be coming around any more, that there won't be time for her to say goodbye. Somehow Garfield finds his way into her bed, and sooner than anyone can believe there is a baby, and suddenly giving Bird, her son, the best of everything is what gives Paulette's life meaning. So why is it another little boy, Nellie, who keeps Paulette awake at night? Nellie who is being raised a few streets away, with no sign of a mum. Surely Paulette is the last person who should be getting tangled up in any of that?