Telling Tales

Telling Tales is the second book in Ann Cleeves’s Vera Stanhope series – which is now a major ITV detective drama starring Brenda Blethyn as Vera . They thought she was a murderer. But now she’s a victim . . . Ten years ago fifteen-year-old Abigail Mantel was murdered, her cold body discovered lying in a ditch. Her father’s girlfriend was found guilty of the crime. Now, evidence has emerged that proves her innocence and means that Abigail’s killer still roams free. Abigail’s best friend at the time of the murder has now returned to the East Yorkshire village of Elvet to raise her young family. Shocked by the new revelations, she begins to realize that she didn’t know her friend as well as she thought . . . Detective Inspector Vera Stanhope is tasked with uncovering the truth and, as her new inquiries stoke up past secrets the villagers will lie to protect, she must find out which lies will bring her to the killer. Enjoy more of Vera Stanhope's investigations with The Crow Trap , Hidden Depths and Silent Voices.

Telling Tales is the second book in Ann Cleeves’s Vera Stanhope series – which is now a major ITV detective drama starring Brenda Blethyn as Vera . They thought she was a murderer. But now she’s a victim . . . Ten years ago fifteen-year-old Abigail Mantel was murdered, her cold body discovered lying in a ditch. Her father’s girlfriend was found guilty of the crime. Now, evidence has emerged that proves her innocence and means that Abigail’s killer still roams free. Abigail’s best friend at the time of the murder has now returned to the East Yorkshire village of Elvet to raise her young family. Shocked by the new revelations, she begins to realize that she didn’t know her friend as well as she thought . . . Detective Inspector Vera Stanhope is tasked with uncovering the truth and, as her new inquiries stoke up past secrets the villagers will lie to protect, she must find out which lies will bring her to the killer. Enjoy more of Vera Stanhope's investigations with The Crow Trap , Hidden Depths and Silent Voices.

Telling Tales explores the lived experiences of Christian women, parish clerics, and church officials in Italy during the later Middle Ages through one previously unpublished historical source – a register prepared in 1421/1422 for a Dominican inquisitor in the northern Italian city of Ferrara that includes interrogations about the lives, work, and domestic arrangements of otherwise-obscure women. The book provides both a translation of the source from the original Latin and a critical examination of its content from two distinct analytical perspectives. Cossar and Brown also illuminate the workings of an inquisitorial investigation, with details about how the inquisitor gathered information and worked both with, and against, other local authorities. Telling Tales invites readers to explore the tools of the historian's craft, illustrating how different analytical approaches to the same historical source can yield rich – and sometimes contradictory – conclusions.

Telling Tales explores the lived experiences of Christian women, parish clerics, and church officials in Italy during the later Middle Ages through one previously unpublished historical source – a register prepared in 1421/1422 for a Dominican inquisitor in the northern Italian city of Ferrara that includes interrogations about the lives, work, and domestic arrangements of otherwise-obscure women. The book provides both a translation of the source from the original Latin and a critical examination of its content from two distinct analytical perspectives. Cossar and Brown also illuminate the workings of an inquisitorial investigation, with details about how the inquisitor gathered information and worked both with, and against, other local authorities. Telling Tales invites readers to explore the tools of the historian's craft, illustrating how different analytical approaches to the same historical source can yield rich – and sometimes contradictory – conclusions.

When Dionysus the Renegade faked a Sophocles text in 400BC (cunningly inserting the acrostic 'Heraclides is ignorant of letters') to humiliate an academic rival, he paved the way for two millennia of increasingly outlandish literary hoaxers. The path from his mischievous stunt to more serious tricksters like the controversial memoirist and Oprah-duper James Frey, takes in every sort of writer: from the religious zealot to the bored student, via the vengeful academic and the out-and-out joker. But whether hoaxing for fame, money, politics or simple amusement, each perpetrator represents something unique about why we write. Their stories speak volumes about how reading, writing and publishing have grown out of the fine and private places of the past into big-business, TV-book-club-led mass-marketplaces which, some would say, are ripe for the ripping. For the first time, the complete history of this fascinating sub-genre of world literature is revealed. Suitable for bookworms of all ages and persuasions, this is true crime for people who don't like true crime, and literary history for the historically illiterate. A treat to read right through or to dip into, it will make you think twice next time you slip between the covers of an author you don't know...

When Dionysus the Renegade faked a Sophocles text in 400BC (cunningly inserting the acrostic 'Heraclides is ignorant of letters') to humiliate an academic rival, he paved the way for two millennia of increasingly outlandish literary hoaxers. The path from his mischievous stunt to more serious tricksters like the controversial memoirist and Oprah-duper James Frey, takes in every sort of writer: from the religious zealot to the bored student, via the vengeful academic and the out-and-out joker. But whether hoaxing for fame, money, politics or simple amusement, each perpetrator represents something unique about why we write. Their stories speak volumes about how reading, writing and publishing have grown out of the fine and private places of the past into big-business, TV-book-club-led mass-marketplaces which, some would say, are ripe for the ripping. For the first time, the complete history of this fascinating sub-genre of world literature is revealed. Suitable for bookworms of all ages and persuasions, this is true crime for people who don't like true crime, and literary history for the historically illiterate. A treat to read right through or to dip into, it will make you think twice next time you slip between the covers of an author you don't know...