Stone

A second novel from the bestselling author of Branford Boase-shortlisted and Carnegie-nominated Witch . An engrossing story of fathers and sons, death and grief, and unexpected bonds, new and old, forged by dark and benign magic. When Sam, grieving the death of his father, finds a silver-flecked stone, ice-cold to the touch, strange and eerie things begin to happen. Myth, legend, magic and witchcraft mingle on the ancient hillside where the chalk white horse has galloped for centuries. Ravens wheel. Wolves prowl. As Halloween draws close, witches dance. Odin gathers brave, fallen warriors to his side. Only the mysterious new girl, Oona, can heal Sam's heart, revealing tarot secrets with her bewitching ways. Reviews for Witch : 'A book filled with enchantment, in every sense. Dark, exciting and pacy, Witch brilliantly balances magic and realism' Anthony McGowan , author of Carnegie-winning Lark 'There is real magic here... Perfect reading for a dark, stormy night' Irish Times Weekend

A second novel from the bestselling author of Branford Boase-shortlisted and Carnegie-nominated Witch . An engrossing story of fathers and sons, death and grief, and unexpected bonds, new and old, forged by dark and benign magic. When Sam, grieving the death of his father, finds a silver-flecked stone, ice-cold to the touch, strange and eerie things begin to happen. Myth, legend, magic and witchcraft mingle on the ancient hillside where the chalk white horse has galloped for centuries. Ravens wheel. Wolves prowl. As Halloween draws close, witches dance. Odin gathers brave, fallen warriors to his side. Only the mysterious new girl, Oona, can heal Sam's heart, revealing tarot secrets with her bewitching ways. Reviews for Witch : 'A book filled with enchantment, in every sense. Dark, exciting and pacy, Witch brilliantly balances magic and realism' Anthony McGowan , author of Carnegie-winning Lark 'There is real magic here... Perfect reading for a dark, stormy night' Irish Times Weekend

Stone maps the force, vivacity, and stories within our most mundane matter, stone. For too long stone has served as an unexamined metaphor for the “really real”: blunt factuality, nature’s curt rebuke. Yet, medieval writers knew that stones drop with fire from the sky, emerge through the subterranean lovemaking of the elements, tumble along riverbeds from Eden, partner with the masons who build worlds with them. Such motion suggests an ecological enmeshment and an almost creaturely mineral life. Although geological time can leave us reeling, Jeffrey Jerome Cohen argues that stone’s endurance is also an invitation to apprehend the world in other than human terms. Never truly inert, stone poses a profound challenge to modernity’s disenchantments. Its agency undermines the human desire to be separate from the environment, a bifurcation that renders nature “out there,” a mere resource for recreation, consumption, and exploitation. Written with great verve and elegance, this pioneering work is notable not only for interweaving the medieval and the modern but also as a major contribution to ecotheory. Comprising chapters organized by concept -“Geophilia,” “Time,” “Force,” and “Soul”-Cohen seamlessly brings together a wide range of topics including stone’s potential to transport humans into nonanthropocentric scales of place and time, the “petrification” of certain cultures, the messages fossils bear, the architecture of Bordeaux and Montparnasse, Yucca Mountain and nuclear waste disposal, the ability of stone to communicate across millennia in structures like Stonehenge, and debates over whether stones reproduce and have souls. Showing that what is often assumed to be the most lifeless of substances is, in its own time, restless and forever in motion, Stone fittingly concludes by taking us to Iceland⎯a land that, writes the author, “reminds us that stone like water is alive, that stone like water is transient.”

Stone maps the force, vivacity, and stories within our most mundane matter, stone. For too long stone has served as an unexamined metaphor for the “really real”: blunt factuality, nature’s curt rebuke. Yet, medieval writers knew that stones drop with fire from the sky, emerge through the subterranean lovemaking of the elements, tumble along riverbeds from Eden, partner with the masons who build worlds with them. Such motion suggests an ecological enmeshment and an almost creaturely mineral life. Although geological time can leave us reeling, Jeffrey Jerome Cohen argues that stone’s endurance is also an invitation to apprehend the world in other than human terms. Never truly inert, stone poses a profound challenge to modernity’s disenchantments. Its agency undermines the human desire to be separate from the environment, a bifurcation that renders nature “out there,” a mere resource for recreation, consumption, and exploitation. Written with great verve and elegance, this pioneering work is notable not only for interweaving the medieval and the modern but also as a major contribution to ecotheory. Comprising chapters organized by concept -“Geophilia,” “Time,” “Force,” and “Soul”-Cohen seamlessly brings together a wide range of topics including stone’s potential to transport humans into nonanthropocentric scales of place and time, the “petrification” of certain cultures, the messages fossils bear, the architecture of Bordeaux and Montparnasse, Yucca Mountain and nuclear waste disposal, the ability of stone to communicate across millennia in structures like Stonehenge, and debates over whether stones reproduce and have souls. Showing that what is often assumed to be the most lifeless of substances is, in its own time, restless and forever in motion, Stone fittingly concludes by taking us to Iceland⎯a land that, writes the author, “reminds us that stone like water is alive, that stone like water is transient.”