Son of a Witch

The global bestselling series that inspired the hit musical phenomenon. The sequel to Wicked - now a major movie and record-breaking box office sensation. Back in the land of Oz, the adolescent boy Liir was last seen hiding in the shadows of the castle after Dorothy did in the Witch. Bruised, comatose, and left for dead, Liir is tended to at the Cloister of Saint Glinda by a silent novice called Candle, who wills him back to life with her musical gifts. What dark force left Liir in this condition? Is he really Elphaba's son? He has her broom and her cape - but what of her powers? In an Oz that, since the Wizard's departure, is under new and dangerous management, can Liir keep his head down long enough to grow up?

The global bestselling series that inspired the hit musical phenomenon. The sequel to Wicked - now a major movie and record-breaking box office sensation. Back in the land of Oz, the adolescent boy Liir was last seen hiding in the shadows of the castle after Dorothy did in the Witch. Bruised, comatose, and left for dead, Liir is tended to at the Cloister of Saint Glinda by a silent novice called Candle, who wills him back to life with her musical gifts. What dark force left Liir in this condition? Is he really Elphaba's son? He has her broom and her cape - but what of her powers? In an Oz that, since the Wizard's departure, is under new and dangerous management, can Liir keep his head down long enough to grow up?

The New York Times bestselling sequel to Wicked , the multimillion-copy bestseller and basis for the Tony Award-winning hit musical, soon to be a major motion picture starring Cynthia Erivo and Ariana Grande. When a Witch dies--not as a crone, withered and incapable, but as a woman in her prime, at the height of her passion and prowess--too much is left unsaid. What might have happened had Elphaba lived? Of her campaigns in defense of the Animals, of her appetite for justice, of her talent for magic itself, what good might have come? If every death is a tragedy, the death of a woman in her prime keenly bereaves the whole world. Gregory Maguire returns to the world of Wicked and the land of Oz to follow the story of Liir, the adolescent boy left hiding in the shadows of the castle when Dorothy did in the Witch. A decade after the Witch has melted away, the young man Liir is discovered bruised, comatose, and left for dead in a gully. Shattered in spirit as well as in form, he is tended by the mysterious Candle, a foundling in her own right, until failed campaigns of his childhood bear late, unexpected fruit. Liir is only one part of the world that Elphaba left behind. As a boy hardly in his teens, he is asked to help the needy in ways in which he may be unskilled. Is he Elphaba's son? Has he power of his own? Can he liberate Princess Nastoya into a dignified death? Can he locate his supposed half-sister, Nor, last seen in shackles in the Wizard's protection? Can he survive in an Oz little improved since the death of the Wicked Witch of the West? Can he learn to fly? In Son of a Witch , Gregory Maguire suggests that the magic we locate in distant, improbable places like Oz is no greater than the magic inherent in any hard life lived fully, son of a witch or no.

The New York Times bestselling sequel to Wicked , the multimillion-copy bestseller and basis for the Tony Award-winning hit musical, soon to be a major motion picture starring Cynthia Erivo and Ariana Grande. When a Witch dies--not as a crone, withered and incapable, but as a woman in her prime, at the height of her passion and prowess--too much is left unsaid. What might have happened had Elphaba lived? Of her campaigns in defense of the Animals, of her appetite for justice, of her talent for magic itself, what good might have come? If every death is a tragedy, the death of a woman in her prime keenly bereaves the whole world. Gregory Maguire returns to the world of Wicked and the land of Oz to follow the story of Liir, the adolescent boy left hiding in the shadows of the castle when Dorothy did in the Witch. A decade after the Witch has melted away, the young man Liir is discovered bruised, comatose, and left for dead in a gully. Shattered in spirit as well as in form, he is tended by the mysterious Candle, a foundling in her own right, until failed campaigns of his childhood bear late, unexpected fruit. Liir is only one part of the world that Elphaba left behind. As a boy hardly in his teens, he is asked to help the needy in ways in which he may be unskilled. Is he Elphaba's son? Has he power of his own? Can he liberate Princess Nastoya into a dignified death? Can he locate his supposed half-sister, Nor, last seen in shackles in the Wizard's protection? Can he survive in an Oz little improved since the death of the Wicked Witch of the West? Can he learn to fly? In Son of a Witch , Gregory Maguire suggests that the magic we locate in distant, improbable places like Oz is no greater than the magic inherent in any hard life lived fully, son of a witch or no.

The Wicked Years continue in Gregory Maguire’s Son of a Witch —the heroic saga of the hapless yet determined young man who may or may not be the offspring of the fabled Wicked Witch of the West. A New York Times bestseller like its predecessor, the remarkable Wicked, Son of a Witch follows the boy Liir on his dark odyssey across an ingeniously re-imagined and nearly unrecognizable Land of Oz—a journey that will take him deep into the bowels of the Emerald City, lately abandoned by the Wizard, and into the jaws of dragons. At once a grim fairy tale and an uplifting adventure, Son of a Witch is a true wonder.