Slouching Towards Bethlehem

Joan Didion’s savage masterpiece, which, since first publication in 1968, has been acknowledged as an unparalleled report on the state of America during the upheaval of the Sixties Revolution. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were In her non-fiction work, Joan Didion not only describes the subject at hand – her younger self loving and leaving New York, the murderous housewife, the little girl trailing the rock group, the millionaire bunkered in his mansion – but also offers a broader vision of the world, one that is both terrifying and tender, ominous and uniquely her own.

Joan Didion’s savage masterpiece, which, since first publication in 1968, has been acknowledged as an unparalleled report on the state of America during the upheaval of the Sixties Revolution. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were In her non-fiction work, Joan Didion not only describes the subject at hand – her younger self loving and leaving New York, the murderous housewife, the little girl trailing the rock group, the millionaire bunkered in his mansion – but also offers a broader vision of the world, one that is both terrifying and tender, ominous and uniquely her own.

The first nonfiction work by one of the most distinctive prose stylists of our era, "Slouching Towards Bethlehem "remains, forty years after its first publication, the essential portrait of America-- particularly California--in the sixties. It focuses on such subjects as John Wayne and Howard Hughes, growing up a girl in California, ruminating on the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture.

The first nonfiction work by one of the most distinctive prose stylists of our era, "Slouching Towards Bethlehem "remains, forty years after its first publication, the essential portrait of America-- particularly California--in the sixties. It focuses on such subjects as John Wayne and Howard Hughes, growing up a girl in California, ruminating on the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture.

The essential portrait of America in the sixties, by the acclaimed author of The Year of Magical Thinking. More than a half century after its publication in 1968, Joan Didion's Slouching Towards Bethlehem remains an essential portrait of America--and California in particular--during the sixties. This collection, which was Didion's nonfiction debut, is a bold announcement of one of the most distinctive prose stylists of our era and includes pieces exploring such subjects as John Wayne and Howard Hughes; growing up in California; the nature of good and evil in a Death Valley motel room; and San Francisco's Haight-Ashbury, the heart of the counterculture. The power of Didion's essays only grows over time, owing to her stature as "an articulate witness to the most stubborn and intractable truths of our time, a memorable voice, partly eulogistic, partly despairing; always in control" ( The New York Times Book Review ).

The essential portrait of America in the sixties, by the acclaimed author of The Year of Magical Thinking. More than a half century after its publication in 1968, Joan Didion's Slouching Towards Bethlehem remains an essential portrait of America--and California in particular--during the sixties. This collection, which was Didion's nonfiction debut, is a bold announcement of one of the most distinctive prose stylists of our era and includes pieces exploring such subjects as John Wayne and Howard Hughes; growing up in California; the nature of good and evil in a Death Valley motel room; and San Francisco's Haight-Ashbury, the heart of the counterculture. The power of Didion's essays only grows over time, owing to her stature as "an articulate witness to the most stubborn and intractable truths of our time, a memorable voice, partly eulogistic, partly despairing; always in control" ( The New York Times Book Review ).