Selected Essays

HarperCollins is proud to present our range of timeless literary classics. ‘When I was about sixteen I suddenly discovered the joy of mere words’ Best known for his remarkable novels Animal Farm and Nineteen Eighty-Four, George Orwell’s essay writings throughout the 1930s and 40s are just as compelling. From ‘Why I Write’ to ‘Shooting an Elephant’ and ‘A Hanging’, his observations offer contemporary readers a snapshot of Britain during some of its most turbulent decades. This collection, ranging from Orwell’s experiences as a police officer in South-East Asia to opinion pieces on British political unrest and the horrors of war, is a selection of his most acclaimed essays, which continue to be revered today for their originality and insight.

HarperCollins is proud to present our range of timeless literary classics. ‘When I was about sixteen I suddenly discovered the joy of mere words’ Best known for his remarkable novels Animal Farm and Nineteen Eighty-Four, George Orwell’s essay writings throughout the 1930s and 40s are just as compelling. From ‘Why I Write’ to ‘Shooting an Elephant’ and ‘A Hanging’, his observations offer contemporary readers a snapshot of Britain during some of its most turbulent decades. This collection, ranging from Orwell’s experiences as a police officer in South-East Asia to opinion pieces on British political unrest and the horrors of war, is a selection of his most acclaimed essays, which continue to be revered today for their originality and insight.

'A good essay must draw its curtain round us, but it must be a curtain that shuts us in, not out.' According to Virginia Woolf, the goal of the essay 'is simply that it should give pleasure...It should lay us under a spell with its first word, and we should only wake, refreshed, with its last.' One of the best practitioners of the art she analysed so rewardingly, Woolf displayed her essay-writing skills across a wide range of subjects, with all the craftsmanship, substance, and rich allure of her novels. This selection brings together thirty of her best essays, including the famous 'Mr Bennett and Mrs Brown', a clarion call for modern fiction. She discusses the arts of writing and of reading, and the particular role and reputation of women writers. She writes movingly about her father and the art of biography, and of the London scene in the early decades of the twentieth century. Overall, these pieces are as indispensable to an understanding of this great writer as they are enchanting in their own right. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'A good essay must draw its curtain round us, but it must be a curtain that shuts us in, not out.' According to Virginia Woolf, the goal of the essay 'is simply that it should give pleasure...It should lay us under a spell with its first word, and we should only wake, refreshed, with its last.' One of the best practitioners of the art she analysed so rewardingly, Woolf displayed her essay-writing skills across a wide range of subjects, with all the craftsmanship, substance, and rich allure of her novels. This selection brings together thirty of her best essays, including the famous 'Mr Bennett and Mrs Brown', a clarion call for modern fiction. She discusses the arts of writing and of reading, and the particular role and reputation of women writers. She writes movingly about her father and the art of biography, and of the London scene in the early decades of the twentieth century. Overall, these pieces are as indispensable to an understanding of this great writer as they are enchanting in their own right. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In his writings, David Hume set out to bridge the gap between the learned world of the academy and the marketplace of polite society. This collection, drawing largely on his Essays Moral, Political, and Literary (1776 edition), which was even more popular than his famous Treatise of Human Nature, comprehensively shows how far he succeeded. From `Of Essay Writing' to `Of the Rise and Progress of the Arts and Sciences' Hume embraces a staggering range of social, cultural, political, demographic, and historical concerns. With the scope typical of the Scottish Enlightenment, he charts the state of civil society, manners, morals, and taste, and the development of political economy in the mid-eighteenth century. These essays represent not only those areas where Hume's arguments are revealingly typical of his day, but also where he is strikingly innovative in a period already famous for its great thinkers. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In this magisterial volume, first published in 1932, Eliot gathered his choice of the miscellaneous reviews and literary essays he had written since 1917 when he became assistant editor of The Egoist . In his preface to the third edition in 1951 he wrote: 'For myself this book is a kind of historical record of my interests and opinions.' The text includes some of his most important criticism, especially parts of The Sacred Wood, Homage to John Dryden , the essays on Elizabethan and Jacobean dramatists, For Lancelot Andrewes and Essays Ancient and Modern .

In this magisterial volume, first published in 1932, Eliot gathered his choice of the miscellaneous reviews and literary essays he had written since 1917 when he became assistant editor of The Egoist . In his preface to the third edition in 1951 he wrote: 'For myself this book is a kind of historical record of my interests and opinions.' The text includes some of his most important criticism, especially parts of The Sacred Wood, Homage to John Dryden , the essays on Elizabethan and Jacobean dramatists, For Lancelot Andrewes and Essays Ancient and Modern .