Sanctuary

From #1 New York Times bestselling author Ilona Andrews comes a novella featuring Roman, our favorite Volhv wizard in the always intriguing, colorful, volatile Kate Daniels world. It's not easy serving Chernobog, the God of Destruction, Darkness and Death...especially during the holidays; and especially when you're out of eggnog and one of your pesky, freeloading mythic creatures has eaten your last cookie. Roman would like nothing more than to be left alone, but when a wounded boy stumbles into his yard and begs for sanctuary, Roman takes him in. Now elite mercenaries are camped out on his property, combat mages are dousing the house with fire, and strange priests are unleashing arcane magic. They thought Roman was easy pickings, just a hermit in the woods, but they chose the wrong dark priest to annoy. For while Roman might be patient, he is the Black Volhv, filled with the love of his terrible god. For his adversaries, it's a fight to the death, but for him, it's just another day in the neighborhood.

A singular work of poetic prose exploring otherness and belonging--and what it means to be truly at home. Sanctuary: A Meditation on Home, Homelessness, and Belonging examines the interface between inner and outer sanctuary, and the ways they affect one another. "Sanctuary" is the home we can return to when our lives are under threat, where we can face what's difficult to love, and have a place where we can truly say, "I am home"--and spiritual teachers often emphasize sanctuary's inner dimensions, that "our true home" is within. "Homelessness," in turn, can be viewed as a forced experience or one in which there is a spiritual void in being or feeling home. Drawing from her life as a Zen Buddhist priest whose ancestors labored as slaves in Louisiana, Zenju Earthlyn Manuel explores the tension between oppression--based on race, religion, ability, class, orientation, gender, and other "ghosts of slavery"--and finding home within our own hearts. Through intimate personal stories and deep reflection, Manuel helps us see the moment when what has gone unacknowledged surfaces is "the time we have been practicing for," the epiphany when we can investigate the true source what has been troubling us. This insightful book about home and homelessness, sanctuary and refuge offers inspiration, encouragement, and a clear-eyed view of cultivating a spiritual path in challenging times.

Sanctuary is an ancient right. But what does it mean today? Drawing on a lifetime of engagement with literature, myth, history and tradition from different cultures, Marina Warner's Sanctuary is an ambitious attempt to grapple with the sharpest questions that we are facing in today's world of global turmoil. Sanctuary is an ancient right– a haven, a place of refuge and freedom from harm. In the classical world, it offered immunity to fugitives from justice; in medieval Europe it extended a reprieve to all who sought sanctuary in a church or holy site. It was a sacrilege to lay hands on a sanctuary-seeker: sanctuary was sacred. But what are the principles that govern this ancient tradition? Could a revived practice of sanctuary today offer security, a home for those who seek it? What could ‘sanctuary’ offer to those who have been displaced? Or does the idea support excluding those of a certain race or creed? Increasingly, in keeping with the general growth of nationalism and individualism, the arc of the concept has been bending away from a place of openness and welcome towards a private safe place, a redoubt: home and homeland as sanctuaries to be defended against strangers, migrants, incomers. In this groundbreaking book, the distinguished cultural historian Marina Warner explores the principles that underpin the tradition of ‘sanctuary’. She ranges broadly across myth and history and explores the concept of hospitality, the cult of relics, shrines and festivals, the imagination of place, and travelling tales. She asks profound questions about political ideas of a right to safety, home, freedom of movement, and peace. Sanctuary was written alongside work with the project “Stories in Transit” which brings young refugees together with artists, writers and musicians in the UK and in Sicily to invent or reimagine stories and perform them. Marina Warner reflects on the ways stories address the worst experiences of humanity and argues that the act of storytelling offers a salve, a route to a site of mutual interaction and understanding, a new place of belonging and conviviality. The book draws on a lifetime of engagement with literature, myth, history and tradition from different cultures. It is an ambitious attempt to grapple with the sharpest questions that we are facing in a world of global turmoil. Warner’s inquiry could not be more relevant.

Sanctuary is an ancient right. But what does it mean today? Drawing on a lifetime of engagement with literature, myth, history and tradition from different cultures, Marina Warner's Sanctuary is an ambitious attempt to grapple with the sharpest questions that we are facing in today's world of global turmoil. Sanctuary is an ancient right– a haven, a place of refuge and freedom from harm. In the classical world, it offered immunity to fugitives from justice; in medieval Europe it extended a reprieve to all who sought sanctuary in a church or holy site. It was a sacrilege to lay hands on a sanctuary-seeker: sanctuary was sacred. But what are the principles that govern this ancient tradition? Could a revived practice of sanctuary today offer security, a home for those who seek it? What could ‘sanctuary’ offer to those who have been displaced? Or does the idea support excluding those of a certain race or creed? Increasingly, in keeping with the general growth of nationalism and individualism, the arc of the concept has been bending away from a place of openness and welcome towards a private safe place, a redoubt: home and homeland as sanctuaries to be defended against strangers, migrants, incomers. In this groundbreaking book, the distinguished cultural historian Marina Warner explores the principles that underpin the tradition of ‘sanctuary’. She ranges broadly across myth and history and explores the concept of hospitality, the cult of relics, shrines and festivals, the imagination of place, and travelling tales. She asks profound questions about political ideas of a right to safety, home, freedom of movement, and peace. Sanctuary was written alongside work with the project “Stories in Transit” which brings young refugees together with artists, writers and musicians in the UK and in Sicily to invent or reimagine stories and perform them. Marina Warner reflects on the ways stories address the worst experiences of humanity and argues that the act of storytelling offers a salve, a route to a site of mutual interaction and understanding, a new place of belonging and conviviality. The book draws on a lifetime of engagement with literature, myth, history and tradition from different cultures. It is an ambitious attempt to grapple with the sharpest questions that we are facing in a world of global turmoil. Warner’s inquiry could not be more relevant.