Paul Auster's The New York Trilogy

'An instant classic that will be read for decades to come.' Guardian 'A stone cold masterpiece.' Rachel Cooke, Observer 'Spectacular.' PW ( starred review) 'Something like David Lynch meets Raymond Chandler in Manhattan . . . as unnerving as it is hypnotic.' Buzz Mag It was a wrong number that started it . . . From its iconic opening, The New York Trilogy famously blurred the lines between postmodern literature and noir fiction. Now, for the first time, all three books have been adapted for this landmark graphic novel, each by a different artist, and all overseen by Paul Auster before his death. In David Mazzucchelli's take on City of Glass , a writer of detective fiction is drawn into a real-life case far stranger than anything he has ever written; in Lorenzo Mattotti's Ghosts , a private eye is hired to stalk a man only to discover a case so puzzling he descends into madness; and in series Director Paul Karasik's The Locked Room , another author hopes to cure his writer's block by solving the disappearance of his childhood friend. As each artist channels the cross-genre thrills of their source material, with its joyous mix of highbrow and lowbrow, the result is a groundbreaking new visual take on a modern classic.

'An instant classic that will be read for decades to come.' Guardian 'A stone cold masterpiece.' Rachel Cooke, Observer 'Spectacular.' PW ( starred review) 'Something like David Lynch meets Raymond Chandler in Manhattan . . . as unnerving as it is hypnotic.' Buzz Mag It was a wrong number that started it . . . From its iconic opening, The New York Trilogy famously blurred the lines between postmodern literature and noir fiction. Now, for the first time, all three books have been adapted for this landmark graphic novel, each by a different artist, and all overseen by Paul Auster before his death. In David Mazzucchelli's take on City of Glass , a writer of detective fiction is drawn into a real-life case far stranger than anything he has ever written; in Lorenzo Mattotti's Ghosts , a private eye is hired to stalk a man only to discover a case so puzzling he descends into madness; and in series Director Paul Karasik's The Locked Room , another author hopes to cure his writer's block by solving the disappearance of his childhood friend. As each artist channels the cross-genre thrills of their source material, with its joyous mix of highbrow and lowbrow, the result is a groundbreaking new visual take on a modern classic.

From award-winning novelist Paul Auster comes the graphic adaptation of his deeply beloved series, The New York Trilogy , a postmodern take on detective and noir fiction. In 1994, Paul Auster's City of Glass was adapted into a graphic novel and became an immediate cult classic, published in over 30 editions worldwide, excerpted in The Norton Anthology of Postmodern Fiction. B ut City of Glass was only the first novel in a series of books, Auster's acclaimed New York Trilogy , and graphic novel readers have been waiting for years for the other two tales to be translated into comics. Now the wait is over. The New York Trilogy is post-modern literature disguised as Noir fiction where language is the prime suspect. An interpration of detective and mystery fiction, each book explores various philosophical themes. In City of Glass , an author of detective fiction investigates a murder and descends into madness. Ghosts features a private eye named Blue, trailing a man named Black, for a client called White. This too ends with the protagonist's downfall. And in The Locked Room , another author is experiencing writer's block, and hopes to brake it by solving the disappearance of his childhood friend. The second two parts of this trilogy will be appearing in this volume for the very first time as a graphic novel. Paul Karasik, the mastermind behind the three adaptations, art directed all three books. City of Glass is illustrated by the award-winning cartoonist David Mazzucchielli, the second volume, Ghosts, is illustrated by New Yorker cover artist, Lorenzo Mattotti, and The Locked Room is adapted and drawn by Karasik himself. These adaptations take Auster's sophisticated wordplay and translate it into comicsplay: both highbrow and lowbrow and immensely fun reading.

From award-winning novelist Paul Auster comes the graphic adaptation of his deeply beloved series, The New York Trilogy , a postmodern take on detective and noir fiction. In 1994, Paul Auster's City of Glass was adapted into a graphic novel and became an immediate cult classic, published in over 30 editions worldwide, excerpted in The Norton Anthology of Postmodern Fiction. B ut City of Glass was only the first novel in a series of books, Auster's acclaimed New York Trilogy , and graphic novel readers have been waiting for years for the other two tales to be translated into comics. Now the wait is over. The New York Trilogy is post-modern literature disguised as Noir fiction where language is the prime suspect. An interpration of detective and mystery fiction, each book explores various philosophical themes. In City of Glass , an author of detective fiction investigates a murder and descends into madness. Ghosts features a private eye named Blue, trailing a man named Black, for a client called White. This too ends with the protagonist's downfall. And in The Locked Room , another author is experiencing writer's block, and hopes to brake it by solving the disappearance of his childhood friend. The second two parts of this trilogy will be appearing in this volume for the very first time as a graphic novel. Paul Karasik, the mastermind behind the three adaptations, art directed all three books. City of Glass is illustrated by the award-winning cartoonist David Mazzucchielli, the second volume, Ghosts, is illustrated by New Yorker cover artist, Lorenzo Mattotti, and The Locked Room is adapted and drawn by Karasik himself. These adaptations take Auster's sophisticated wordplay and translate it into comicsplay: both highbrow and lowbrow and immensely fun reading.