Out of Character

It's friends-to-enemies-to-friends-to-lovers in this LGBTQIA+ Romance for fans of Red, White & Royal Blue and The Pros of Cons who enjoy: Ex-best-friends falling in loveGaming, conventions, fandom & cosplayNerd culture at its finestLearning how to be true to yourselfJasper Quigley is tired of being everyone's favorite sidekick. He wants to become the hero of his own life, but that's not going to happen if he agrees to help out his former best friend turned king of the jocks, Milo Lionetti. High school was miserable enough, thanks, and Jasper has no interest in dredging up painful memories of his old secret crush. But Milo's got nowhere else to go. His life is spiraling out of control and he's looking to turn things back around. Step one? Replace the rare Odyssey cards he lost in an idiotic bet. Step two? Tell his ex-best-friend exactly how he feels-how he's always felt. Jasper may be reluctant to reopen old wounds, but he never could resist Milo. There's a catch, though: if Milo wants his help, he's going to have to pitch in to make the upcoming children's hospital charity ball the best ever. But as the two don cosplay for the kids and hunt for rare cards, nostalgia for their lost friendship may turn into something even more lasting... Praise for Conventionally Yours: "Fast, funny, and fantastic."-Eoin Colfer, New York Times bestselling author "Uniquely quirky."-Carrie Ryan, New York Times and USA Today bestelling author "You will ship this couple."-Sarina Bowen, USA Today bestselling author

It's friends-to-enemies-to-friends-to-lovers in this LGBTQIA+ Romance for fans of Red, White & Royal Blue and The Pros of Cons who enjoy: Ex-best-friends falling in loveGaming, conventions, fandom & cosplayNerd culture at its finestLearning how to be true to yourselfJasper Quigley is tired of being everyone's favorite sidekick. He wants to become the hero of his own life, but that's not going to happen if he agrees to help out his former best friend turned king of the jocks, Milo Lionetti. High school was miserable enough, thanks, and Jasper has no interest in dredging up painful memories of his old secret crush. But Milo's got nowhere else to go. His life is spiraling out of control and he's looking to turn things back around. Step one? Replace the rare Odyssey cards he lost in an idiotic bet. Step two? Tell his ex-best-friend exactly how he feels-how he's always felt. Jasper may be reluctant to reopen old wounds, but he never could resist Milo. There's a catch, though: if Milo wants his help, he's going to have to pitch in to make the upcoming children's hospital charity ball the best ever. But as the two don cosplay for the kids and hunt for rare cards, nostalgia for their lost friendship may turn into something even more lasting... Praise for Conventionally Yours: "Fast, funny, and fantastic."-Eoin Colfer, New York Times bestselling author "Uniquely quirky."-Carrie Ryan, New York Times and USA Today bestelling author "You will ship this couple."-Sarina Bowen, USA Today bestselling author

A Waterstones Best Book of 2024 'Marriage to Mike Leigh, the minutiae of working on Gavin and Stacey : it's a tribute to her range that there's something here to interest everybody' Telegraph The first memoir from the national treasure, critically acclaimed actress and much-loved Gavin and Stacey star. Candice Marie in Nuts in May . Beverly in Abigail’s Party . Mrs Bennet in Pride and Prejudice . Betty in Fat Friends . Sue in Here We Go and Pamela in Gavin & Stacey – we can all name a beloved, iconic character brought to life by the magnificent Alison Steadman. Growing up in post-war, working-class Liverpool, the young Alison – ever the entertainer – would address the world from the stage of her bedroom window, until she got a taste for performing in front of an actual audience at her progressive 1960s drama school. By the time she left, her mind was made up: she was going to be an actress! If only she could conquer the onstage giggling … Always pushing boundaries – reclining naked on a sofa in her first role, embracing groundbreaking female characters from day one – Alison has deservedly found acclaim and recognition, succeeding in her TV and theatre career while juggling family life – a difficult feat for any working mother, but particularly for an actress in the twentieth century. From the nervy Mrs Bennet to the robo-dancing Pam-el-aah, Alison has proved herself again and again to be a comedy genius. Here, with her distinctive warmth and humour, she vividly recalls all the must-read moments of a life spent in and out of character.

A Waterstones Best Book of 2024 'Marriage to Mike Leigh, the minutiae of working on Gavin and Stacey : it's a tribute to her range that there's something here to interest everybody' Telegraph The first memoir from the national treasure, critically acclaimed actress and much-loved Gavin and Stacey star. Candice Marie in Nuts in May . Beverly in Abigail’s Party . Mrs Bennet in Pride and Prejudice . Betty in Fat Friends . Sue in Here We Go and Pamela in Gavin & Stacey – we can all name a beloved, iconic character brought to life by the magnificent Alison Steadman. Growing up in post-war, working-class Liverpool, the young Alison – ever the entertainer – would address the world from the stage of her bedroom window, until she got a taste for performing in front of an actual audience at her progressive 1960s drama school. By the time she left, her mind was made up: she was going to be an actress! If only she could conquer the onstage giggling … Always pushing boundaries – reclining naked on a sofa in her first role, embracing groundbreaking female characters from day one – Alison has deservedly found acclaim and recognition, succeeding in her TV and theatre career while juggling family life – a difficult feat for any working mother, but particularly for an actress in the twentieth century. From the nervy Mrs Bennet to the robo-dancing Pam-el-aah, Alison has proved herself again and again to be a comedy genius. Here, with her distinctive warmth and humour, she vividly recalls all the must-read moments of a life spent in and out of character.