Orwell's Roses

SHORTLISTED FOR THE ORWELL PRIZE 'I loved this book... An exhilarating romp through Orwell's life and times' Margaret Atwood 'Outside my work the thing I care most about is gardening' George Orwell In 1936 Orwell planted roses at his cottage in Hertfordshire. Over eighty years later Rebecca Solnit encounters them, and is inspired to explore a different side to the great writer and activist to the one we know so well. Following his journey from the coal mines of England to taking up arms in the Spanish Civil War, and his explosive critiques of Stalin and authoritarianism, here Solnit finds a more hopeful Orwell. And in her dialogue with the author and his fascination with nature, she makes unexpected connections with the colonial legacy of the flower garden, discovers photographer Tina Modotti's extraordinary roses, and reveals Stalin's strange obsession with growing lemons in impossibly cold conditions. A fresh reading of a towering figure of the twentieth century, Orwell's Roses finds solace and solutions for the political and environmental challenges we face today, and is a remarkable reflection on pleasure, beauty, and joy as acts of resistance. 'Luminous...It is efflorescent, a study that seeds and blooms, propagates thoughts, and tends to historical associations' New Statesman 'A genuinely extraordinary mind, whose curiosity, intelligence and willingness to learn seem unbounded' Irish Times

SHORTLISTED FOR THE ORWELL PRIZE 'I loved this book... An exhilarating romp through Orwell's life and times' Margaret Atwood 'Outside my work the thing I care most about is gardening' George Orwell In 1936 Orwell planted roses at his cottage in Hertfordshire. Over eighty years later Rebecca Solnit encounters them, and is inspired to explore a different side to the great writer and activist to the one we know so well. Following his journey from the coal mines of England to taking up arms in the Spanish Civil War, and his explosive critiques of Stalin and authoritarianism, here Solnit finds a more hopeful Orwell. And in her dialogue with the author and his fascination with nature, she makes unexpected connections with the colonial legacy of the flower garden, discovers photographer Tina Modotti's extraordinary roses, and reveals Stalin's strange obsession with growing lemons in impossibly cold conditions. A fresh reading of a towering figure of the twentieth century, Orwell's Roses finds solace and solutions for the political and environmental challenges we face today, and is a remarkable reflection on pleasure, beauty, and joy as acts of resistance. 'Luminous...It is efflorescent, a study that seeds and blooms, propagates thoughts, and tends to historical associations' New Statesman 'A genuinely extraordinary mind, whose curiosity, intelligence and willingness to learn seem unbounded' Irish Times

SHORTLISTED FOR THE ORWELL PRIZE 'I loved this book... An exhilarating romp through Orwell's life and times' Margaret Atwood 'Outside my work the thing I care most about is gardening' George Orwell In 1936 Orwell planted roses at his cottage in Hertfordshire. Over eighty years later Rebecca Solnit encounters them, and is inspired to explore a different side to the great writer and activist to the one we know so well. Following his journey from the coal mines of England to taking up arms in the Spanish Civil War, and his explosive critiques of Stalin and authoritarianism, here Solnit finds a more hopeful Orwell. And in her dialogue with the author and his fascination with nature, she makes unexpected connections with the colonial legacy of the flower garden, discovers photographer Tina Modotti's extraordinary roses, and reveals Stalin's strange obsession with growing lemons in impossibly cold conditions. A fresh reading of a towering figure of the twentieth century, Orwell's Roses finds solace and solutions for the political and environmental challenges we face today, and is a remarkable reflection on pleasure, beauty, and joy as acts of resistance. 'Luminous...It is efflorescent, a study that seeds and blooms, propagates thoughts, and tends to historical associations' New Statesman 'A genuinely extraordinary mind, whose curiosity, intelligence and willingness to learn seem unbounded' Irish Times

Finalist for the National Book Critics Circle Award for Nonfiction Finalist for the PEN/Jacqueline Bograd Weld Award for Biography "An exhilarating romp through Orwell's life and times and also through the life and times of roses." --Margaret Atwood "A captivating account of Orwell as gardener, lover, parent, and endlessly curious thinker." --Claire Messud, Harper's "Nobody who reads it will ever think of Nineteen Eighty-Four in quite the same way." -- Vogue A lush exploration of politics, roses, and pleasure, and a fresh take on George Orwell as an avid gardener whose political writing was grounded by his passion for the natural world "In the spring of 1936, a writer planted roses." So be-gins Rebecca Solnit's new book, a reflection on George Orwell's passionate gardening and the way that his involvement with plants, particularly flowers, illuminates his other commitments as a writer and antifascist, and on the intertwined politics of nature and power. Sparked by her unexpected encounter with the roses he reportedly planted in 1936, Solnit's account of this overlooked aspect of Orwell's life journeys through his writing and his actions--from going deep into the coal mines of England, fighting in the Spanish Civil War, critiquing Stalin when much of the international left still supported him (and then critiquing that left) to his analysis of the relationship between lies and authoritarianism. Through Solnit's celebrated ability to draw unexpected connections, readers are drawn onward from Orwell's own work as a writer and gardener to encounter photographer Tina Modotti's roses and her politics, agriculture and illusion in the USSR of his time with forcing lemons to grow in impossibly cold conditions, Orwell's slave-owning ancestors in Jamaica, Jamaica Kincaid's examination of colonialism and imperialism in the flower garden, and the brutal rose industry in Colombia that supplies the American market. The book draws to a close with a rereading of Nineteen Eighty-Four that completes Solnit's portrait of a more hopeful Orwell, as well as offering a meditation on pleasure, beauty, and joy as acts of resistance.

Finalist for the National Book Critics Circle Award for Nonfiction Finalist for the PEN/Jacqueline Bograd Weld Award for Biography "An exhilarating romp through Orwell's life and times and also through the life and times of roses." --Margaret Atwood "A captivating account of Orwell as gardener, lover, parent, and endlessly curious thinker." --Claire Messud, Harper's "Nobody who reads it will ever think of Nineteen Eighty-Four in quite the same way." -- Vogue A lush exploration of politics, roses, and pleasure, and a fresh take on George Orwell as an avid gardener whose political writing was grounded by his passion for the natural world "In the spring of 1936, a writer planted roses." So be-gins Rebecca Solnit's new book, a reflection on George Orwell's passionate gardening and the way that his involvement with plants, particularly flowers, illuminates his other commitments as a writer and antifascist, and on the intertwined politics of nature and power. Sparked by her unexpected encounter with the roses he reportedly planted in 1936, Solnit's account of this overlooked aspect of Orwell's life journeys through his writing and his actions--from going deep into the coal mines of England, fighting in the Spanish Civil War, critiquing Stalin when much of the international left still supported him (and then critiquing that left) to his analysis of the relationship between lies and authoritarianism. Through Solnit's celebrated ability to draw unexpected connections, readers are drawn onward from Orwell's own work as a writer and gardener to encounter photographer Tina Modotti's roses and her politics, agriculture and illusion in the USSR of his time with forcing lemons to grow in impossibly cold conditions, Orwell's slave-owning ancestors in Jamaica, Jamaica Kincaid's examination of colonialism and imperialism in the flower garden, and the brutal rose industry in Colombia that supplies the American market. The book draws to a close with a rereading of Nineteen Eighty-Four that completes Solnit's portrait of a more hopeful Orwell, as well as offering a meditation on pleasure, beauty, and joy as acts of resistance.