On Photography

'The most original and illuminating study of the subject' New Yorker Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred boundary between lived events and recreated images, and the desires that lead us to record our lives. 'Complex and contradictory... one of America's greatest public intellectuals' Observer 'Susan Sontag offers enough food for thought to satisfy the most intellectual of appetites' The Times 'A brilliant analysis of the profound changes photographic images have had in our way of looking at the world, and at ourselves, over the years' Washington Post

'The most original and illuminating study of the subject' New Yorker Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred boundary between lived events and recreated images, and the desires that lead us to record our lives. 'Complex and contradictory... one of America's greatest public intellectuals' Observer 'Susan Sontag offers enough food for thought to satisfy the most intellectual of appetites' The Times 'A brilliant analysis of the profound changes photographic images have had in our way of looking at the world, and at ourselves, over the years' Washington Post

Susan Sontag's On Photography is a seminal and groundbreaking work on the subject. Susan Sontag's groundbreaking critique of photography asks forceful questions about the moral and aesthetic issues surrounding this art form. Photographs are everywhere, and the 'insatiability of the photographing eye' has profoundly altered our relationship with the world. Photographs have the power to shock, idealize or seduce, they create a sense of nostalgia and act as a memorial, and they can be used as evidence against us or to identify us. In these six incisive essays, Sontag examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives. 'Sontag offers enough food for thought to satisfy the most intellectual of appetites' The Times 'A brilliant analysis of the profound changes photographic images have made in our way of looking at the world, and at ourselves' Washington Post 'The most original and illuminating study of the subject' New Yorker One of America's best-known and most admired writers, Susan Sontag was also a leading commentator on contemporary culture until her death in December 2004. Her books include four novels and numerous works of non-fiction, among them Regarding the Pain of Others , On Photography , Illness as Metaphor , At the Same Time , Against Interpretation and Other Essays and Reborn: Early Diaries 1947-1963 , all of which are published by Penguin. A further eight books, including the collections of essays Under the Sign of Saturn and Where the Stress Falls , and the novels The Volcano Lover and The Benefactor , are available from Penguin Modern Classics.

Susan Sontag's On Photography is a seminal and groundbreaking work on the subject. Susan Sontag's groundbreaking critique of photography asks forceful questions about the moral and aesthetic issues surrounding this art form. Photographs are everywhere, and the 'insatiability of the photographing eye' has profoundly altered our relationship with the world. Photographs have the power to shock, idealize or seduce, they create a sense of nostalgia and act as a memorial, and they can be used as evidence against us or to identify us. In these six incisive essays, Sontag examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives. 'Sontag offers enough food for thought to satisfy the most intellectual of appetites' The Times 'A brilliant analysis of the profound changes photographic images have made in our way of looking at the world, and at ourselves' Washington Post 'The most original and illuminating study of the subject' New Yorker One of America's best-known and most admired writers, Susan Sontag was also a leading commentator on contemporary culture until her death in December 2004. Her books include four novels and numerous works of non-fiction, among them Regarding the Pain of Others , On Photography , Illness as Metaphor , At the Same Time , Against Interpretation and Other Essays and Reborn: Early Diaries 1947-1963 , all of which are published by Penguin. A further eight books, including the collections of essays Under the Sign of Saturn and Where the Stress Falls , and the novels The Volcano Lover and The Benefactor , are available from Penguin Modern Classics.

Winner of the National Book Critics Circle Award for Criticism A new edition of Susan Sontag's groundbreaking critique of photography--its problems, politics, and possibilities. "To photograph is to appropriate the thing photographed," Sontag writes in the opening pages of On Photography , which went on to influence generations of theorists, film critics, and readers everywhere. Originally published in the 1970s, her groundbreaking collection remains uncannily prescient and profoundly precise. With her singular searching eye, and her refusal to buckle under received wisdom, she presents a rousing critique of the functions of imagery--to seduce, to advertise, to evoke, to commemorate, to conspire, to conceal--across six essays. The result is a damning portrait of the ways we use imagery to manufacture reality and authority that feels as if it were written today.

Winner of the National Book Critics Circle Award for Criticism A new edition of Susan Sontag's groundbreaking critique of photography--its problems, politics, and possibilities. "To photograph is to appropriate the thing photographed," Sontag writes in the opening pages of On Photography , which went on to influence generations of theorists, film critics, and readers everywhere. Originally published in the 1970s, her groundbreaking collection remains uncannily prescient and profoundly precise. With her singular searching eye, and her refusal to buckle under received wisdom, she presents a rousing critique of the functions of imagery--to seduce, to advertise, to evoke, to commemorate, to conspire, to conceal--across six essays. The result is a damning portrait of the ways we use imagery to manufacture reality and authority that feels as if it were written today.