No Man's Land

No Man's Land by David Baldacci is an exciting thriller featuring special investigator John Puller, who is pursuing a case that will send him deep into his own troubled past. One man demands justice . . . John Puller is the US Army's most tenacious investigator, but he is not equipped to face the truth about his mother's disappearance thirty years ago. New evidence has come to light suggesting that Puller's father – a highly decorated army veteran – may have murdered his wife. When Puller's friend, intelligence operative Veronica Knox, arrives on the scene, he realizes that there is far more to this case than he first thought. Puller knows that nothing will prevent him from discovering what really happened to his mother – even if it means proving that his father is a killer. . . . the other seeks revenge Paul Rogers has just been paroled after spending ten years in a high-security prison for murder. And with his freedom comes a desire to pay back old debts. Harbouring a dark past that changed him in unimaginable ways, Rogers embarks on a journey across the country, set on a path of revenge against the people who took away his humanity. As both men uncover a trail of deception that stretches back decades, they soon realize that the truth will bind them together in ways they could never have imagined.

No Man's Land by David Baldacci is an exciting thriller featuring special investigator John Puller, who is pursuing a case that will send him deep into his own troubled past. One man demands justice . . . John Puller is the US Army's most tenacious investigator, but he is not equipped to face the truth about his mother's disappearance thirty years ago. New evidence has come to light suggesting that Puller's father – a highly decorated army veteran – may have murdered his wife. When Puller's friend, intelligence operative Veronica Knox, arrives on the scene, he realizes that there is far more to this case than he first thought. Puller knows that nothing will prevent him from discovering what really happened to his mother – even if it means proving that his father is a killer. . . . the other seeks revenge Paul Rogers has just been paroled after spending ten years in a high-security prison for murder. And with his freedom comes a desire to pay back old debts. Harbouring a dark past that changed him in unimaginable ways, Rogers embarks on a journey across the country, set on a path of revenge against the people who took away his humanity. As both men uncover a trail of deception that stretches back decades, they soon realize that the truth will bind them together in ways they could never have imagined.

Thomas Dinesen (bror til Karen Blixen) tjente i Canada under Første Verdenskrig. Dette er hans krigsmemoirer. Thomas Dinesen var en af kun to danskere, som modtog Victoriakorset under Første Verdenskrig.Kristeligt Dagblad skriver om bogen: Hans beskrivelse af krigen og soldaterkulturen er nøgtern og uden forstillelse: angst, homoseksualitet, tyndskid, druk, frost, sult, smertefuld død, ventetid og fjendtlig ild. Kunsten at være en god soldat er ikke at overleve, men at gå ind i kampen med bevidstheden om, at livet er sat til på forhånd. Først da kan man træde helt ind i den tilstand, som krigen er. For Dinesen var denne tilstand mere virkelig en al anden virkelighed. Krigen var for Dinesen ikke ensbetydende med tab af mening; den var derimod ladet med skæbne og betydning.

The Great War was supposed to be the war to end all wars-and maybe it would have been, had an even greater, otherworldly foe not arisen to extinguish the conflict. Overnight, as guns blazed away in France and Flanders, village after village in the quiet British countryside were swallowed by the Forest. And within the Forest lurk the Huldu-an ancient fae race, monstrous in their inhumanity, who have decided that mankind's ascendency over the world can endure no longer. Enter Duncan Silver. Scarred by the war, fueled by a rage deeper than the trenches in which he once fought, Duncan is determined to show the Huldu that the world is not theirs for the taking. Armed with a cut-down trench gun filled with iron shot and a deadly iron knife, Duncan will stop at nothing to return the children the Huldu have stolen from the arms of their families. No matter how many Huldu he may have to slaughter along the way. But when he is hired by a mother to return her four-year-old daughter, Miriam-taken by the Huldu six months past and replaced with a Changeling-all hell breaks loose. Miriam is a pawn in a much bigger game for dominance than Duncan ever expected, and several long-buried secrets from his past are about to be violently resurrected.

The Great War was supposed to be the war to end all wars-and maybe it would have been, had an even greater, otherworldly foe not arisen to extinguish the conflict. Overnight, as guns blazed away in France and Flanders, village after village in the quiet British countryside were swallowed by the Forest. And within the Forest lurk the Huldu-an ancient fae race, monstrous in their inhumanity, who have decided that mankind's ascendency over the world can endure no longer. Enter Duncan Silver. Scarred by the war, fueled by a rage deeper than the trenches in which he once fought, Duncan is determined to show the Huldu that the world is not theirs for the taking. Armed with a cut-down trench gun filled with iron shot and a deadly iron knife, Duncan will stop at nothing to return the children the Huldu have stolen from the arms of their families. No matter how many Huldu he may have to slaughter along the way. But when he is hired by a mother to return her four-year-old daughter, Miriam-taken by the Huldu six months past and replaced with a Changeling-all hell breaks loose. Miriam is a pawn in a much bigger game for dominance than Duncan ever expected, and several long-buried secrets from his past are about to be violently resurrected.

The "absorbing and powerful" ( Wall Street Journal ) story of two pioneering suffragette doctors who shattered social expectations and transformed modern medicine during World War I. A month after war broke out in 1914, doctors Flora Murray and Louisa Garrett Anderson set out for Paris, where they opened a hospital in a luxury hotel and treated hundreds of casualties plucked from France's battlefields. Although prior to the First World War, female doctors were restricted to treating women and children, Murray and Anderson's work was so successful that the British Army asked them to run a hospital in the heart of London. Nicknamed the Suffragettes' Hospital and staffed from top to bottom by women, Endell Street soon became known for its lifesaving treatments and lively atmosphere. In No Man's Land , Wendy Moore illuminates this turbulent moment of global war when women were, for the first time, allowed to operate on men. Their fortitude and brilliance serve as powerful reminders of what women can achieve against all odds.

The "absorbing and powerful" ( Wall Street Journal ) story of two pioneering suffragette doctors who shattered social expectations and transformed modern medicine during World War I. A month after war broke out in 1914, doctors Flora Murray and Louisa Garrett Anderson set out for Paris, where they opened a hospital in a luxury hotel and treated hundreds of casualties plucked from France's battlefields. Although prior to the First World War, female doctors were restricted to treating women and children, Murray and Anderson's work was so successful that the British Army asked them to run a hospital in the heart of London. Nicknamed the Suffragettes' Hospital and staffed from top to bottom by women, Endell Street soon became known for its lifesaving treatments and lively atmosphere. In No Man's Land , Wendy Moore illuminates this turbulent moment of global war when women were, for the first time, allowed to operate on men. Their fortitude and brilliance serve as powerful reminders of what women can achieve against all odds.

'Addictive, propulsive, and unputdownable . . . A thunderously great read' Joe Hill, Number One New York Times bestselling author 'A violent and intense grimdark tale in a dark fantasy world' Grimdark Magazine ' No Man's Land delivers on every front. It's a refreshingly original action-packed rollercoaster ride of a book, set in a fascinating period of history given a unique and original twist. Duncan Silver is both a wonderful and a monstrous creation' James Oswald, Sunday Times bestselling author The Great War was supposed to be the war to end all wars-and maybe it would have been, had an even greater, otherworldly foe not arisen to extinguish the conflict. Overnight, as guns blazed away in France and Flanders, village after village in the quiet British countryside were swallowed by the Forest. And within the Forest lurk the Huldu - an ancient fae race, monstrous in their inhumanity, who have decided that mankind's ascendency over the world can endure no longer. Enter Duncan Silver. Scarred by the war, fueled by a rage deeper than the trenches in which he once fought, Duncan is determined to show the Huldu that the world is not theirs for the taking. Armed with a cut-down trench gun filled with iron shot and a deadly iron knife, Duncan will stop at nothing to return the children the Huldu have stolen from the arms of their families. No matter how many Huldu he may have to slaughter along the way. But when he is hired by a mother to return her four-year-old daughter, Miriam-taken by the Huldu six months past and replaced with a Changeling-all hell breaks loose. Miriam is a pawn in a much bigger game for dominance than Duncan ever expected, and several long-buried secrets from his past are about to be violently resurrected. ' No Man's Land comes out of the forest swinging fists and iron fury in this triumphant face-stomping, heart-clutching, milk-curdling, hard-boiled adventure of man versus Elfland, with war veterans, changelings, maidens in distress, murderous elves, and some very horny trees all in for the rush-along ride. You'll never look at an elf the same way again' Lavie Tidhar, World Fantasy Award-winning author of Osama and Central Station 'In No Man's Land, Morgan has created a disturbing world of deep forests, arcane spells, and haunted and haunting characters. It's rich and vividly imagined, so much that you can smell the dank undergrowth, taste the spilled blood . . . and feel the dread in every scene. One of my favorite books of the year, destined to be a classic' Tim Lebbon, New York Times bestselling author of Secret Lives of The Dead

'Addictive, propulsive, and unputdownable . . . A thunderously great read' Joe Hill, Number One New York Times bestselling author 'A violent and intense grimdark tale in a dark fantasy world' Grimdark Magazine ' No Man's Land delivers on every front. It's a refreshingly original action-packed rollercoaster ride of a book, set in a fascinating period of history given a unique and original twist. Duncan Silver is both a wonderful and a monstrous creation' James Oswald, Sunday Times bestselling author The Great War was supposed to be the war to end all wars-and maybe it would have been, had an even greater, otherworldly foe not arisen to extinguish the conflict. Overnight, as guns blazed away in France and Flanders, village after village in the quiet British countryside were swallowed by the Forest. And within the Forest lurk the Huldu - an ancient fae race, monstrous in their inhumanity, who have decided that mankind's ascendency over the world can endure no longer. Enter Duncan Silver. Scarred by the war, fueled by a rage deeper than the trenches in which he once fought, Duncan is determined to show the Huldu that the world is not theirs for the taking. Armed with a cut-down trench gun filled with iron shot and a deadly iron knife, Duncan will stop at nothing to return the children the Huldu have stolen from the arms of their families. No matter how many Huldu he may have to slaughter along the way. But when he is hired by a mother to return her four-year-old daughter, Miriam-taken by the Huldu six months past and replaced with a Changeling-all hell breaks loose. Miriam is a pawn in a much bigger game for dominance than Duncan ever expected, and several long-buried secrets from his past are about to be violently resurrected. ' No Man's Land comes out of the forest swinging fists and iron fury in this triumphant face-stomping, heart-clutching, milk-curdling, hard-boiled adventure of man versus Elfland, with war veterans, changelings, maidens in distress, murderous elves, and some very horny trees all in for the rush-along ride. You'll never look at an elf the same way again' Lavie Tidhar, World Fantasy Award-winning author of Osama and Central Station 'In No Man's Land, Morgan has created a disturbing world of deep forests, arcane spells, and haunted and haunting characters. It's rich and vividly imagined, so much that you can smell the dank undergrowth, taste the spilled blood . . . and feel the dread in every scene. One of my favorite books of the year, destined to be a classic' Tim Lebbon, New York Times bestselling author of Secret Lives of The Dead

A compelling standalone dark fantasy set in a gritty post-WWI Britain that has been overrun by the fae, from the award-winning author of Altered Carbon "One of my favorite books of the year, destined to be a classic."--Tim Lebbon, New York Times bestselling author of Secret Lives of The Dead The Great War was supposed to be the war to end all wars--and maybe it would have been, had an even greater, otherworldly foe not risen to extinguish the conflict. Overnight, as guns blazed in France and Flanders, village after village in the quiet British countryside was swallowed by the Forest. And within the Forest lurk the Huldu--an ancient fae race, monstrous in their inhumanity, who have decided that mankind's ascendency over the world can endure no longer. Enter Duncan Silver. Scarred by the war, fueled by a rage deeper than the trenches in which he once fought, Duncan is determined to show the Huldu that the world is not theirs for the taking. Armed with a deadly iron knife and a cut-down trench gun filled with iron shot, Duncan will stop at nothing to return the children the Huldu have stolen to the arms of their families. No matter how many Huldu he may have to slaughter along the way. But when he is hired by a mother to return her four-year-old daughter, Miriam--taken by the Huldu six months past and replaced with a changeling--all hell breaks loose. Miriam is a pawn in a much bigger game for dominance than Duncan ever expected, and several long-buried secrets from his past are about to be violently resurrected.

A compelling standalone dark fantasy set in a gritty post-WWI Britain that has been overrun by the fae, from the award-winning author of Altered Carbon "One of my favorite books of the year, destined to be a classic."--Tim Lebbon, New York Times bestselling author of Secret Lives of The Dead The Great War was supposed to be the war to end all wars--and maybe it would have been, had an even greater, otherworldly foe not risen to extinguish the conflict. Overnight, as guns blazed in France and Flanders, village after village in the quiet British countryside was swallowed by the Forest. And within the Forest lurk the Huldu--an ancient fae race, monstrous in their inhumanity, who have decided that mankind's ascendency over the world can endure no longer. Enter Duncan Silver. Scarred by the war, fueled by a rage deeper than the trenches in which he once fought, Duncan is determined to show the Huldu that the world is not theirs for the taking. Armed with a deadly iron knife and a cut-down trench gun filled with iron shot, Duncan will stop at nothing to return the children the Huldu have stolen to the arms of their families. No matter how many Huldu he may have to slaughter along the way. But when he is hired by a mother to return her four-year-old daughter, Miriam--taken by the Huldu six months past and replaced with a changeling--all hell breaks loose. Miriam is a pawn in a much bigger game for dominance than Duncan ever expected, and several long-buried secrets from his past are about to be violently resurrected.

Based on the firsthand accounts of German, French, British, and American front-line soldiers, No Man's Land examines how the first modern, industrialized war transformed the character of the men who participated in it. Ancient myths about war eroded in the trenches, where the relentless monotony and impotence of the solder's life was interrupted only by unpredictable moments of annihilation. Professor Leed looks at how the traumatic experience of combat itself and the wholesale shattering of the conventions and ethical codes of normal social life turned ordinary civilians into 'liminal men', men living beyond the limits of the accepted and the expected. He uses the concept of liminality to illuminate the central features of the war experience: the separation from 'home': the experience of pollution, death, comradeship, and 'the uncanny': and the ambivalence of returning veterans about civilian society. In a final chapter Professor Leed assesses the long-term political impact of the front experience. He finds that the end of hostilities did not mean the end of the war experience as much as the beginning of a process by which that experience was framed, institutionalized, celebrated and relived in political action as well as in fiction.

Based on the firsthand accounts of German, French, British, and American front-line soldiers, No Man's Land examines how the first modern, industrialized war transformed the character of the men who participated in it. Ancient myths about war eroded in the trenches, where the relentless monotony and impotence of the solder's life was interrupted only by unpredictable moments of annihilation. Professor Leed looks at how the traumatic experience of combat itself and the wholesale shattering of the conventions and ethical codes of normal social life turned ordinary civilians into 'liminal men', men living beyond the limits of the accepted and the expected. He uses the concept of liminality to illuminate the central features of the war experience: the separation from 'home': the experience of pollution, death, comradeship, and 'the uncanny': and the ambivalence of returning veterans about civilian society. In a final chapter Professor Leed assesses the long-term political impact of the front experience. He finds that the end of hostilities did not mean the end of the war experience as much as the beginning of a process by which that experience was framed, institutionalized, celebrated and relived in political action as well as in fiction.