Nightwork

Sunday Times bestselling author Nora Roberts returns with a brand new standalone novel - a story about the power of love to light a way through the darkness 'If you're after the perfect pick-me-up, take-me-away-from-the-world read, then she's your woman' The Guardian When he was nine, and his mother had her first deadly dance with cancer, Harry became a thief. Someone had to find food and pay the mortgage even if his mother was too sick to work. When his mother finally succumbs to cancer, Harry leaves Chicago but somehow he can't quite leave all of his past behind. Harry lives a quiet, careful, rootless life - he can't afford to attract attention or get attached - until he meets Miranda. But just when Harry thinks he has a chance at happiness his old life comes back to haunt him. Harry has had dealings with some bad people in his past but none more dangerous than Carter LaPorte and Harry is forced to run. But no matter what name he uses or where he goes, Harry cannot escape. If he is ever going to feel safe Harry must face down his enemy once and for all. Only then can he hope to possess something more valuable than anything he has ever stolen.

Sunday Times bestselling author Nora Roberts returns with a brand new standalone novel - a story about the power of love to light a way through the darkness 'If you're after the perfect pick-me-up, take-me-away-from-the-world read, then she's your woman' The Guardian When he was nine, and his mother had her first deadly dance with cancer, Harry became a thief. Someone had to find food and pay the mortgage even if his mother was too sick to work. When his mother finally succumbs to cancer, Harry leaves Chicago but somehow he can't quite leave all of his past behind. Harry lives a quiet, careful, rootless life - he can't afford to attract attention or get attached - until he meets Miranda. But just when Harry thinks he has a chance at happiness his old life comes back to haunt him. Harry has had dealings with some bad people in his past but none more dangerous than Carter LaPorte and Harry is forced to run. But no matter what name he uses or where he goes, Harry cannot escape. If he is ever going to feel safe Harry must face down his enemy once and for all. Only then can he hope to possess something more valuable than anything he has ever stolen.

In "Nightwork", Anne Allison opens a window onto Japanese corporate culture and gender identities. Allison performed the ritualized tasks of a hostess in one of Tokyo's many "hostess clubs": pouring drinks, lighting cigarettes, and making flattering or titillating conversation with the businessmen who came there on company expense accounts. Her book critically examines how such establishments create bonds among white-collar men and forge a masculine identity that suits the needs of their corporations. Allison describes in detail a typical company-outing to such a club - what the men do, how they interact with the hostesses, the role the hostess is expected to play, and the extent to which all of this involves "play" rather than "work." Unlike previous books on Japanese nightlife, Allison's ethnography of one specific hostess club (here referred to as "Bijo") views the general phenomenon from the eyes of a woman, hostess and feminist anthropologist. Observing that clubs like "Bijo" further a kind of masculinity dependent on the gestures and labours of women, Allison seeks to uncover connections between such behaviour and other social, economic, sexual and gendered relations. She argues that Japanese corporate nightlife enables and institutionalizes a particular form of ritualized male dominance: in paying for this entertainment, Japanese corporations not only give their male workers a self-image as phallic man, but also develop relationships to work that are unconditional and unbreakable. This is a book that should appeal to anyone interested in gender roles or in contemporary Japanese society.

In "Nightwork", Anne Allison opens a window onto Japanese corporate culture and gender identities. Allison performed the ritualized tasks of a hostess in one of Tokyo's many "hostess clubs": pouring drinks, lighting cigarettes, and making flattering or titillating conversation with the businessmen who came there on company expense accounts. Her book critically examines how such establishments create bonds among white-collar men and forge a masculine identity that suits the needs of their corporations. Allison describes in detail a typical company-outing to such a club - what the men do, how they interact with the hostesses, the role the hostess is expected to play, and the extent to which all of this involves "play" rather than "work." Unlike previous books on Japanese nightlife, Allison's ethnography of one specific hostess club (here referred to as "Bijo") views the general phenomenon from the eyes of a woman, hostess and feminist anthropologist. Observing that clubs like "Bijo" further a kind of masculinity dependent on the gestures and labours of women, Allison seeks to uncover connections between such behaviour and other social, economic, sexual and gendered relations. She argues that Japanese corporate nightlife enables and institutionalizes a particular form of ritualized male dominance: in paying for this entertainment, Japanese corporations not only give their male workers a self-image as phallic man, but also develop relationships to work that are unconditional and unbreakable. This is a book that should appeal to anyone interested in gender roles or in contemporary Japanese society.

In "Nightwork", Anne Allison opens a window onto Japanese corporate culture and gender identities. Allison performed the ritualized tasks of a hostess in one of Tokyo's many "hostess clubs": pouring drinks, lighting cigarettes, and making flattering or titillating conversation with the businessmen who came there on company expense accounts. Her book critically examines how such establishments create bonds among white-collar men and forge a masculine identity that suits the needs of their corporations. Allison describes in detail a typical company-outing to such a club - what the men do, how they interact with the hostesses, the role the hostess is expected to play, and the extent to which all of this involves "play" rather than "work." Unlike previous books on Japanese nightlife, Allison's ethnography of one specific hostess club (here referred to as "Bijo") views the general phenomenon from the eyes of a woman, hostess and feminist anthropologist. Observing that clubs like "Bijo" further a kind of masculinity dependent on the gestures and labours of women, Allison seeks to uncover connections between such behaviour and other social, economic, sexual and gendered relations. She argues that Japanese corporate nightlife enables and institutionalizes a particular form of ritualized male dominance: in paying for this entertainment, Japanese corporations not only give their male workers a self-image as phallic man, but also develop relationships to work that are unconditional and unbreakable. This is a book that should appeal to anyone interested in gender roles or in contemporary Japanese society.