Midnight Cowboy

John Schlesinger’s 1969 drama, Midnight Cowboy , follows the story of naïve would-be hustler Joe Buck (Jon Voight) and ailing con man Ratso Rizzo (Dustin Hoffman), set against the gritty backdrop of New York City in the late 1960s. The film received widespread critical acclaim upon its release, becoming the only X-rated film to the win the Academy Award for Best Picture. James Kendrick argues that this film, more so than its notable contemporaries, captures the immense turmoil, change and revolution that was taking place both in Hollywood and in the larger American culture of the late 1960s. He explores the film’s production, reception, visual and thematic innovation, and cultural impact—not only its ground-breaking portrayal of sexuality and relationships, but also its exploration of themes of urban loneliness and socio-economic disparity. Through close analysis of the film and examination of articles, press reports, interviews and reviews from the five decades following its release, Kendrick shows how Midnight Cowboy , with its mix of visual poetry, documentary-like realism, fragmentary flashbacks, and unvarnished depiction of desperate characters on the fringes of society, offers a unique focal point for the intersection of European art cinema and the new parameters of mainstream Hollywood at the end of the classic era.

John Schlesinger’s 1969 drama, Midnight Cowboy , follows the story of naïve would-be hustler Joe Buck (Jon Voight) and ailing con man Ratso Rizzo (Dustin Hoffman), set against the gritty backdrop of New York City in the late 1960s. The film received widespread critical acclaim upon its release, becoming the only X-rated film to the win the Academy Award for Best Picture. James Kendrick argues that this film, more so than its notable contemporaries, captures the immense turmoil, change and revolution that was taking place both in Hollywood and in the larger American culture of the late 1960s. He explores the film’s production, reception, visual and thematic innovation, and cultural impact—not only its ground-breaking portrayal of sexuality and relationships, but also its exploration of themes of urban loneliness and socio-economic disparity. Through close analysis of the film and examination of articles, press reports, interviews and reviews from the five decades following its release, Kendrick shows how Midnight Cowboy , with its mix of visual poetry, documentary-like realism, fragmentary flashbacks, and unvarnished depiction of desperate characters on the fringes of society, offers a unique focal point for the intersection of European art cinema and the new parameters of mainstream Hollywood at the end of the classic era.

The basis for the Oscar–winning buddy film. “There is no questioning the rampant power achieved through shriveling, shattering scenes” (Kirkus Reviews). Midnight Cowboy is considered by many to be one of the best American novels published since World War II. The main story centers around Joe Buck, a naive but eager and ambitious young Texan, who decides to leave his dead-end job in search of a grand and glamorous life he believes he will find in New York City. But the city turns out to be a much more difficult place to negotiate than Joe could ever have imagined. He soon finds himself and his dreams compromised. Buck’s fall from innocence and his relationship with the crippled street hustler Ratso Rizzo form the novel’s emotional nucleus. This unlikely pairing of Ratso and Joe Buck is perhaps one of the most complex portraits of friendship in contemporary literature. The focus on male friendship follows a strong path cut by Twain’s Huck and Jim, Melville’s Ishmael and Queequeg, Fitzgerald’s Nick Carraway and Jay Gatsby, and Kerouac’s Sal Paradise and Dean Moriarty. Midnight Cowboy takes a well-deserved place among a group of distinguished American novels that write—often with unnerving candor—about those who live on the fringe of society. “Leaves the world of innocence that is muddied by sex for a world that is innocent in the midst of sex, with a protagonist who is a sexual entrepreneur.” —The New York Review of Books

The basis for the Oscar–winning buddy film. “There is no questioning the rampant power achieved through shriveling, shattering scenes” (Kirkus Reviews). Midnight Cowboy is considered by many to be one of the best American novels published since World War II. The main story centers around Joe Buck, a naive but eager and ambitious young Texan, who decides to leave his dead-end job in search of a grand and glamorous life he believes he will find in New York City. But the city turns out to be a much more difficult place to negotiate than Joe could ever have imagined. He soon finds himself and his dreams compromised. Buck’s fall from innocence and his relationship with the crippled street hustler Ratso Rizzo form the novel’s emotional nucleus. This unlikely pairing of Ratso and Joe Buck is perhaps one of the most complex portraits of friendship in contemporary literature. The focus on male friendship follows a strong path cut by Twain’s Huck and Jim, Melville’s Ishmael and Queequeg, Fitzgerald’s Nick Carraway and Jay Gatsby, and Kerouac’s Sal Paradise and Dean Moriarty. Midnight Cowboy takes a well-deserved place among a group of distinguished American novels that write—often with unnerving candor—about those who live on the fringe of society. “Leaves the world of innocence that is muddied by sex for a world that is innocent in the midst of sex, with a protagonist who is a sexual entrepreneur.” —The New York Review of Books