Memories That Smell Like Gasoline
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| Produkt | Varenr. | Pris | Handling |
|---|---|---|---|
| Memories That Smell Like Gasoline | 9781643622712 | 194,95 kr | Til butik |
| Memories That Smell Like Gasoline | 9781643622712 | 234,95 kr | Til butik |
Produktdetaljer
Memories That Smell Like Gasoline
194,95 kr
Til butik- Varenr.:
- 9781643622712
"Wojnarowicz is a spokesman for the unspeakable." — New York Magazine David Wojnarowicz, one of the most provocative artists of his generation, explores memory, violence, and the erotism of public space—all under the specter of AIDS. Here are David Wojnarowicz’s most intimate stories and sketches, from the full spectrum of his life as an artist and AIDS activist. Four sections—"Into the Drift and Sway," "Doing Time in a Disposable Body," "Spiral," and “Memories that Smell like Gasoline”—are made of images and indictments of a precocious adolescence, and his later adventures in the streets of New York. Combining text and image, tenderness and rage, Wojnarowicz’s Memories that Smell like Gasoline is a disavowal of the world that wanted him dead, and a radical insistence on life. The new and revised edition features a foreword by Ocean Vuong and a note from the editor, Amy Scholder.
Læs mere hos Saxo DKMemories That Smell Like Gasoline
234,95 kr
Til butik- Varenr.:
- 9781643622712
"Wojnarowicz is a spokesman for the unspeakable." -- New York Magazine David Wojnarowicz, one of the most provocative artists of his generation, explores memory, violence, and the erotism of public space--all under the specter of AIDS. Here are David Wojnarowicz's most intimate stories and sketches, from the full spectrum of his life as an artist and AIDS activist. Four sections--"Into the Drift and Sway," "Doing Time in a Disposable Body," "Spiral," and "Memories that Smell like Gasoline"--are made of images and indictments of a precocious adolescence, and his later adventures in the streets of New York. Combining text and image, tenderness and rage, Wojnarowicz's Memories that Smell like Gasoline is a disavowal of the world that wanted him dead, and a radical insistence on life. The new and revised edition features a foreword by Ocean Vuong and a note from the editor, Amy Scholder.
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