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Medieval Polyphony and Song
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Medieval Polyphony and Song

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ProduktVarenr.PrisHandling
Medieval Polyphony and Song9781316601495259,95 krTil butik
Medieval Polyphony and Song9781316601495259,95 krTil butik

Produktdetaljer

Medieval Polyphony and Song

Medieval Polyphony and Song

Helen Deeming og Frieda van der HeijdenKunst og kultur

259,95 kr

Til butik
Varenr.:
9781316601495

What characterises medieval polyphony and song? Who composed this music, sang it, and wrote it down? Where and when did the different genres originate, and under what circumstances were they created and performed? This book gives a comprehensive introduction to the rich variety of polyphonic practices and song traditions during the Middle Ages. It explores song from across Europe, in Latin and vernacular languages (precursors to modern Dutch, English, French, German, Italian, Portuguese and Spanish); and polyphony from early improvised organum to rhythmically and harmonically complex late medieval motets. Each chapter focuses on a particular geographical location, setting out the specific local contexts of the music created there. Guiding the reader through the musical techniques of melody, harmony, rhythm, and notation that distinguish the different genres of polyphony and song, the authors also consider the factors that make modern performances of this music sound so different from one another.

Læs mere hos Saxo DK
Medieval Polyphony and Song

Medieval Polyphony and Song

Frieda van der Heijden og Helen DeemingBog

259,95 kr

Til butik
Varenr.:
9781316601495

What characterises medieval polyphony and song? Who composed this music, sang it, and wrote it down? Where and when did the different genres originate, and under what circumstances were they created and performed? This book gives a comprehensive introduction to the rich variety of polyphonic practices and song traditions during the Middle Ages. It explores song from across Europe, in Latin and vernacular languages (precursors to modern Dutch, English, French, German, Italian, Portuguese and Spanish); and polyphony from early improvised organum to rhythmically and harmonically complex late medieval motets. Each chapter focuses on a particular geographical location, setting out the specific local contexts of the music created there. Guiding the reader through the musical techniques of melody, harmony, rhythm, and notation that distinguish the different genres of polyphony and song, the authors also consider the factors that make modern performances of this music sound so different from one another.

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