Madame de Pompadour

When Jeanne-Antoinette was nine, she was told by a fortune teller that she would one day become the mistress of the handsome young Louix XV - from that day she was groomed to become 'a morsel fit for a King'. Nancy Mitford lovingly tells the story of how the little girl rose, against a backdrop of savage social-climbing, intrigue, excess and high drama, to become the most powerful women of the eighteenth century French court, Le Pompadour.

When Jeanne-Antoinette was nine, she was told by a fortune teller that she would one day become the mistress of the handsome young Louix XV - from that day she was groomed to become 'a morsel fit for a King'. Nancy Mitford lovingly tells the story of how the little girl rose, against a backdrop of savage social-climbing, intrigue, excess and high drama, to become the most powerful women of the eighteenth century French court, Le Pompadour.

Hun hed Jeanne Poisson og var kun 23 år, da hun fortryllede Frankrigs kong Ludvig 15. med sin intelligens, skønhed og ambition. Hun blev hans elskerinde og oparbejdede på få år en betydelig magtposition på Versailles. I mange år var det hende, der styrede Frankrig - både politisk og kulturelt. Hun var ved sin død kendt i hele Europa som Madame de Pompadour.

A fresh take on a beloved masterpiece of portraiture, focusing on the complex significance of the color pink in eighteenth-century France François Boucher’s 1750 half-length portrait of Madame de Pompadour—influential court figure and mistress to King Louis XV—has been the subject of much art historical attention, particularly with regard to gender and representation. Building on that foundation, this volume turns toward an underappreciated aspect of the portrait: the use and significance of the color pink. Four scholarly essays, including one by noted Boucher expert Mark Ledbury, establish a framework that connects Pompadour’s fondness and promotion of the color, Boucher’s artistic association with the color, and developments in the material basis of the color, including its application in other media such as porcelain. This engaging close look offers new ways to understand the portrait, revealing its links to motherhood and sentiment, race and the transatlantic slave trade, and the crosscurrents of natural history and scientific discovery. Distributed for the Harvard Art Museums

A fresh take on a beloved masterpiece of portraiture, focusing on the complex significance of the color pink in eighteenth-century France François Boucher’s 1750 half-length portrait of Madame de Pompadour—influential court figure and mistress to King Louis XV—has been the subject of much art historical attention, particularly with regard to gender and representation. Building on that foundation, this volume turns toward an underappreciated aspect of the portrait: the use and significance of the color pink. Four scholarly essays, including one by noted Boucher expert Mark Ledbury, establish a framework that connects Pompadour’s fondness and promotion of the color, Boucher’s artistic association with the color, and developments in the material basis of the color, including its application in other media such as porcelain. This engaging close look offers new ways to understand the portrait, revealing its links to motherhood and sentiment, race and the transatlantic slave trade, and the crosscurrents of natural history and scientific discovery. Distributed for the Harvard Art Museums