Lost Souls

Vampires . . . they ache, they love, they thirst for the forbidden. They are your friends and lovers, and your worst fears. "A major new voice in horror fiction . . . an electric style and no shortage of nerve."-- Booklist At a club in Missing Mile, N.C., the children of the night gather, dressed in black, look for acceptance. Among them are Ghost, who sees what others do not; Ann, longing for love; and Jason, whose real name is Nothing, newly awakened to an ancient, deathless truth about his father, and himself. Others are coming to Missing Mile tonight. Three beautiful, hip vagabonds--Molochai, Twig, and the seductive Zillah, whose eyes are as green as limes--are on their own lost journey, slaking their ancient thirst for blood, looking for supple young flesh. They find it in Nothing and Ann, leading them on a mad, illicit road trip south to New Orleans. Over miles of dark highway, Ghost pursues, his powers guiding him on a journey to reach his destiny, to save Ann from her new companions, to save Nothing from himself. . . . "An important and original work . . . a gritty, highly literate blend of brutality and sentiment, hope and despair."-- Science Fiction Chronicle

Vampires . . . they ache, they love, they thirst for the forbidden. They are your friends and lovers, and your worst fears. "A major new voice in horror fiction . . . an electric style and no shortage of nerve."-- Booklist At a club in Missing Mile, N.C., the children of the night gather, dressed in black, look for acceptance. Among them are Ghost, who sees what others do not; Ann, longing for love; and Jason, whose real name is Nothing, newly awakened to an ancient, deathless truth about his father, and himself. Others are coming to Missing Mile tonight. Three beautiful, hip vagabonds--Molochai, Twig, and the seductive Zillah, whose eyes are as green as limes--are on their own lost journey, slaking their ancient thirst for blood, looking for supple young flesh. They find it in Nothing and Ann, leading them on a mad, illicit road trip south to New Orleans. Over miles of dark highway, Ghost pursues, his powers guiding him on a journey to reach his destiny, to save Ann from her new companions, to save Nothing from himself. . . . "An important and original work . . . a gritty, highly literate blend of brutality and sentiment, hope and despair."-- Science Fiction Chronicle

SOMEONE NEW IS PLAYING GOD The Frankenstein story updated to the 21st century by the great American storyteller Dean Koontz. In a powerful reworking of one of the classic stories of all time, Dr Frankenstein lives on, seemingly indestructible, more malignant than ever. Frankenstein's first monster, Deucalion, has spent two hundred years trying to put an end to his creator. Now he learns that a new Frankenstein clone, Victor Helios, is out there again, somewhere. Terrifyingly, with each incarnation the sinister doctor draws closer to the possibility of succeeding in his ambition to create a new human race - which he will control. He has found an enigmatic backer and is working in a secret location. Together with the two ex-cops who helped him destroy the previous Victor, Deucalion is drawn to the small Montana town where Victor's grotesque new creations are taking shape. Victor's New Race is spectacularly different, a product of cutting-edge technology and stem-cell circuits, and when things go wrong, they go wrong in very unexpected ways. Frankenstein is unleashing a new menace on the world, whether or not he can control it. It may be too late, even if Deucalion can bring him down.

SOMEONE NEW IS PLAYING GOD The Frankenstein story updated to the 21st century by the great American storyteller Dean Koontz. In a powerful reworking of one of the classic stories of all time, Dr Frankenstein lives on, seemingly indestructible, more malignant than ever. Frankenstein's first monster, Deucalion, has spent two hundred years trying to put an end to his creator. Now he learns that a new Frankenstein clone, Victor Helios, is out there again, somewhere. Terrifyingly, with each incarnation the sinister doctor draws closer to the possibility of succeeding in his ambition to create a new human race - which he will control. He has found an enigmatic backer and is working in a secret location. Together with the two ex-cops who helped him destroy the previous Victor, Deucalion is drawn to the small Montana town where Victor's grotesque new creations are taking shape. Victor's New Race is spectacularly different, a product of cutting-edge technology and stem-cell circuits, and when things go wrong, they go wrong in very unexpected ways. Frankenstein is unleashing a new menace on the world, whether or not he can control it. It may be too late, even if Deucalion can bring him down.

A vivid history of how Cold War politics helped solve one of the twentieth century’s biggest refugee crises When World War II ended, about one million people whom the Soviet Union claimed as its citizens were outside the borders of the USSR, mostly in the Western-occupied zones of Germany and Austria. These “displaced persons,” or DPs—Russians, prewar Soviet citizens, and people from West Ukraine and the Baltic states forcibly incorporated into the Soviet Union in 1939—refused to repatriate to the Soviet Union despite its demands. Thus began one of the first big conflicts of the Cold War. In Lost Souls , Sheila Fitzpatrick draws on new archival research, including Soviet interviews with hundreds of DPs, to offer a vivid account of this crisis, from the competitive maneuverings of politicians and diplomats to the everyday lives of DPs. American enthusiasm for funding the refugee organizations taking care of DPs quickly waned after the war. It was only after DPs were redefined—from “victims of war and Nazism” to “victims of Communism”—in 1947 that a solution was found: the United States would pay for the mass resettlement of DPs in America, Australia, and other countries outside Europe. The Soviet Union protested this “theft” of its citizens. But it was a coup for the United States. The choice of DPs to live a free life in the West, and the West’s welcome of them, became an important theme in America’s Cold War propaganda battle with the Soviet Union. A compelling story of the early Cold War, Lost Souls is also a rare chronicle of a refugee crisis that was solved.

A vivid history of how Cold War politics helped solve one of the twentieth century’s biggest refugee crises When World War II ended, about one million people whom the Soviet Union claimed as its citizens were outside the borders of the USSR, mostly in the Western-occupied zones of Germany and Austria. These “displaced persons,” or DPs—Russians, prewar Soviet citizens, and people from West Ukraine and the Baltic states forcibly incorporated into the Soviet Union in 1939—refused to repatriate to the Soviet Union despite its demands. Thus began one of the first big conflicts of the Cold War. In Lost Souls , Sheila Fitzpatrick draws on new archival research, including Soviet interviews with hundreds of DPs, to offer a vivid account of this crisis, from the competitive maneuverings of politicians and diplomats to the everyday lives of DPs. American enthusiasm for funding the refugee organizations taking care of DPs quickly waned after the war. It was only after DPs were redefined—from “victims of war and Nazism” to “victims of Communism”—in 1947 that a solution was found: the United States would pay for the mass resettlement of DPs in America, Australia, and other countries outside Europe. The Soviet Union protested this “theft” of its citizens. But it was a coup for the United States. The choice of DPs to live a free life in the West, and the West’s welcome of them, became an important theme in America’s Cold War propaganda battle with the Soviet Union. A compelling story of the early Cold War, Lost Souls is also a rare chronicle of a refugee crisis that was solved.