Last Words

A critical exegesis of large language models, like ChatGPT, and recent advances in artificial intelligence. If speech has long been an emblem of the human species, then talking machines seem to be harbingers of some kind of technological singularity. Indeed, if the brilliance--or at least eloquence--of large language models is any indication, we seem to be poised at the threshold of general AI, a form of artificial intelligence that will not only surpass human intelligence but maybe even replace humans altogether. This slim text lays out a critical genealogy of the highly contested relation between human values, machinic parameters, and corporate powers. It also provides a theory of the reasons for, and effects of, our current social and technological horizon.

‘Where are the snows of yesteryear. And the speedballs I useta know? Well, I guess it’s time for my Ovaltine and a long good night.’ In 1996 William Burroughs began writing a final journal. He died the following summer after a life of notoriety: godfather of the Beat writers, author of thirteen controversial novels, druggy, dangerous and bleak. Spanning the realms of personal memoir, cultural criticism and fiction, Burroughs’ diaries include anecdotes and memories, entries on his beloved cats and the joys of housekeeping, and musings on drug-taking, humanity and government cover-ups. ‘Last Words’ contains some of the most brutally personal prose in the William Burroughs canon, and the deaths of his friends, Allen Ginsberg and Timothy Leary, provide a window onto his own preparations for death – a quest for absolution marked by a profound sense of guilt and loss.

‘Where are the snows of yesteryear. And the speedballs I useta know? Well, I guess it’s time for my Ovaltine and a long good night.’ In 1996 William Burroughs began writing a final journal. He died the following summer after a life of notoriety: godfather of the Beat writers, author of thirteen controversial novels, druggy, dangerous and bleak. Spanning the realms of personal memoir, cultural criticism and fiction, Burroughs’ diaries include anecdotes and memories, entries on his beloved cats and the joys of housekeeping, and musings on drug-taking, humanity and government cover-ups. ‘Last Words’ contains some of the most brutally personal prose in the William Burroughs canon, and the deaths of his friends, Allen Ginsberg and Timothy Leary, provide a window onto his own preparations for death – a quest for absolution marked by a profound sense of guilt and loss.

A critical exegesis of large language models, like ChatGPT, and recent advances in artificial intelligence. If speech has long been an emblem of the human species, then talking machines seem to be harbingers of some kind of technological singularity. Indeed, if the brilliance--or at least eloquence--of large language models is any indication, we seem to be poised at the threshold of general AI, a form of artificial intelligence that will not only surpass human intelligence but maybe even replace humans altogether. This slim text lays out a critical genealogy of the highly contested relation between human values, machinic parameters, and corporate powers. It also provides a theory of the reasons for, and effects of, our current social and technological horizon.

For the last 14 years of his life, the brilliant, caustic, and hilarious George Carlin worked on his autobiography—now, written with bestselling author Tony Hendra and posthumously published, Carlin has proven that even after death, he is still one of the funniest men who ever lived. One of the undisputed heavyweight champions of American comedy, with nineteen appearances on the Johnny Carson show, thirteen HBO specials, five Grammys, and a critical Supreme Court battle over censorship under his belt, George Carlin saw it all throughout his extraordinary fifty-year career, and made fun of most of it. Last Words is the story of the man behind some of the most seminal comedy of the last half century, blending his signature acerbic humor with never-before-told stories from his own life, including encounters with a Who’s Who of 1970s celebrity—from Lenny Bruce to Hugh Hefner—and the origins of some of his most famous standup routines. Carlin’s early conflicts, his long struggle with substance abuse, his turbulent relationships with his family, and his triumphs over catastrophic setbacks all fueled the unique comedic worldview he brought to the stage. From the heights of stardom to the low points few knew about, Last Words is told with the same razor-sharp wit and unblinking honesty that made Carlin one of the best-loved comedians in American history.

For the last 14 years of his life, the brilliant, caustic, and hilarious George Carlin worked on his autobiography—now, written with bestselling author Tony Hendra and posthumously published, Carlin has proven that even after death, he is still one of the funniest men who ever lived. One of the undisputed heavyweight champions of American comedy, with nineteen appearances on the Johnny Carson show, thirteen HBO specials, five Grammys, and a critical Supreme Court battle over censorship under his belt, George Carlin saw it all throughout his extraordinary fifty-year career, and made fun of most of it. Last Words is the story of the man behind some of the most seminal comedy of the last half century, blending his signature acerbic humor with never-before-told stories from his own life, including encounters with a Who’s Who of 1970s celebrity—from Lenny Bruce to Hugh Hefner—and the origins of some of his most famous standup routines. Carlin’s early conflicts, his long struggle with substance abuse, his turbulent relationships with his family, and his triumphs over catastrophic setbacks all fueled the unique comedic worldview he brought to the stage. From the heights of stardom to the low points few knew about, Last Words is told with the same razor-sharp wit and unblinking honesty that made Carlin one of the best-loved comedians in American history.