Julia

"a fascinating reflection on totalitarianism as refracted through Orwell's times and our own" The Guardian London, chief city of Airstrip One, the third most populous province of Oceania. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen - cheerfully cynical, believing in nothing and caring not at all about politics. She knows how to survive in a world of constant surveillance, Thought Police, Newspeak, Doublethink, child spies and the black markets of the prole neighbourhoods. She's very good at staying alive. But Julia becomes intrigued by a colleague from the Records Department - a mid-level worker of the Outer Party called Winston Smith, she comes to realise that she's losing her grip and can no longer safely navigate her world. Seventy-five years after Orwell finished writing his iconic novel, Sandra Newman has tackled the world of Big Brother in a truly convincing way, offering a dramatically different, feminist narrative that is true to and stands alongside the original. For the millions of readers who have been brought up with Orwell's Nineteen Eighty-Four, here, finally, is a provocative, vital and utterly satisfying companion novel.

"a fascinating reflection on totalitarianism as refracted through Orwell's times and our own" The Guardian London, chief city of Airstrip One, the third most populous province of Oceania. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen - cheerfully cynical, believing in nothing and caring not at all about politics. She knows how to survive in a world of constant surveillance, Thought Police, Newspeak, Doublethink, child spies and the black markets of the prole neighbourhoods. She's very good at staying alive. But Julia becomes intrigued by a colleague from the Records Department - a mid-level worker of the Outer Party called Winston Smith, she comes to realise that she's losing her grip and can no longer safely navigate her world. Seventy-five years after Orwell finished writing his iconic novel, Sandra Newman has tackled the world of Big Brother in a truly convincing way, offering a dramatically different, feminist narrative that is true to and stands alongside the original. For the millions of readers who have been brought up with Orwell's Nineteen Eighty-Four, here, finally, is a provocative, vital and utterly satisfying companion novel.

London, chief city of Airstrip One, the third most populous province of Oceania. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen - cheerfully cynical, believing in nothing and caring not at all about politics. She routinely breaks the rules but also collaborates with the regime whenever necessary. Everyone likes Julia. A diligent member of the Junior Anti-Sex League (though she is secretly promiscuous) she knows how to survive in a world of constant surveillance, Thought Police, Newspeak, Doublethink, child spies and the black markets of the prole neighbourhoods. She's very good at staying alive. But Julia becomes intrigued by a colleague from the Records Department - a mid-level worker of the Outer Party called Winston Smith - when she sees him locking eyes with a superior from the Inner Party at the Two Minutes Hate. And when one day, finding herself walking toward Winston, she impulsively hands him a note - a potentially suicidal gesture - she comes to realise that she's losing her grip and can no longer safely navigate her world. Seventy-five years after Orwell finished writing his iconic novel, Sandra Newman has tackled the world of Big Brother in a truly convincing way, offering a dramatically different, feminist narrative that is true to and stands alongside the original. For the millions of readers who have been brought up with Orwell's Nineteen Eighty-Four , here, finally, is a provocative, vital and utterly satisfying companion novel.

London, chief city of Airstrip One, the third most populous province of Oceania. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen - cheerfully cynical, believing in nothing and caring not at all about politics. She routinely breaks the rules but also collaborates with the regime whenever necessary. Everyone likes Julia. A diligent member of the Junior Anti-Sex League (though she is secretly promiscuous) she knows how to survive in a world of constant surveillance, Thought Police, Newspeak, Doublethink, child spies and the black markets of the prole neighbourhoods. She's very good at staying alive. But Julia becomes intrigued by a colleague from the Records Department - a mid-level worker of the Outer Party called Winston Smith - when she sees him locking eyes with a superior from the Inner Party at the Two Minutes Hate. And when one day, finding herself walking toward Winston, she impulsively hands him a note - a potentially suicidal gesture - she comes to realise that she's losing her grip and can no longer safely navigate her world. Seventy-five years after Orwell finished writing his iconic novel, Sandra Newman has tackled the world of Big Brother in a truly convincing way, offering a dramatically different, feminist narrative that is true to and stands alongside the original. For the millions of readers who have been brought up with Orwell's Nineteen Eighty-Four, here, finally, is a provocative, vital and utterly satisfying companion novel.

A SUNDAY TIMES BESTSELLER "a fascinating reflection on totalitarianism as refracted through Orwell's times and our own" The Guardian London, chief city of Airstrip One, the third most populous province of Oceania. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen - cheerfully cynical, believing in nothing and caring not at all about politics. She knows how to survive in a world of constant surveillance, Thought Police, Newspeak, Doublethink, child spies and the black markets of the prole neighbourhoods. She's very good at staying alive. But Julia becomes intrigued by a colleague from the Records Department - a mid-level worker of the Outer Party called Winston Smith, she comes to realise that she's losing her grip and can no longer safely navigate her world. Seventy-five years after Orwell finished writing his iconic novel, Sandra Newman has tackled the world of Big Brother in a truly convincing way, offering a dramatically different, feminist narrative that is true to and stands alongside the original. For the millions of readers who have been brought up with Orwell's Nineteen Eighty-Four, here, finally, is a provocative, vital and utterly satisfying companion novel.

Femoghalvfjerds år efter udgivelsen af George Orwells banebrydende roman 1984 har Sandra Newman med godkendelse fra Orwells arvinger kastet sig over historien fra 1984 for at give den en dramatisk anderledes, feministisk vinkel, der er tro mod og kan stå ved siden af originalen. En roman til de millioner af læsere, der har læst og gyst ved tanken om det ultimativt totalitære system, som Orwell beskrev. London 1984, den tredje mest folkerige by i Oceanien. Julia Worthing arbejder som mekaniker, hun reparerer romanskrivningsmaskinerne i fiktionsafdelingen ved Ministeriet for Sandhed. Partiet og dets leder Big Brother regerer under ideologien INgSoc, og Julia er en mønsterborger, der trives i samfundet – muntert kynisk og uden tro på noget som helst, den politiske virkelighed interesserer hende ikke. Hun bryder reglerne, når det passer hende, men arbejder sammen med regimet, når det er nødvendigt. Alle kan lide Julia, der er et flittigt medlem af en anti-sex-gruppe, selvom hun i al hemmelighed er promiskuøs. Hun er dygtig til at navigere i en verden med konstant overvågning; nysprog, dobbelttænk, tankepoliti og børnespioner. Julia ved, hvordan man overlever. Men Julia bliver optaget af en kollega, der arbejder i ministeriets historiske afdeling, Winston Smith, da hun ser ham holde øjenkontakt med en overordnet under de to minutters Had. Da hun en dag kommer gående mod Winston i en gang, stikker hun ham hurtigt en seddel i hånden – en handling, der næsten er lig med selvmord – og det går op for hende, at hun er ved at miste grebet, at hun ikke længere kan navigere i verden.

London, chief city of Airstrip One, the third most populous province of Oceania. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen - cheerfully cynical, believing in nothing and caring not at all about politics. She routinely breaks the rules but also collaborates with the regime whenever necessary. Everyone likes Julia. A diligent member of the Junior Anti-Sex League (though she is secretly promiscuous) she knows how to survive in a world of constant surveillance, Thought Police, Newspeak, Doublethink, child spies and the black markets of the prole neighbourhoods. She's very good at staying alive. But Julia becomes intrigued by a colleague from the Records Department - a mid-level worker of the Outer Party called Winston Smith - when she sees him locking eyes with a superior from the Inner Party at the Two Minutes Hate. And when one day, finding herself walking toward Winston, she impulsively hands him a note - a potentially suicidal gesture - she comes to realise that she's losing her grip and can no longer safely navigate her world. Seventy-five years after Orwell finished writing his iconic novel, Sandra Newman has tackled the world of Big Brother in a truly convincing way, offering a dramatically different, feminist narrative that is true to and stands alongside the original. For the millions of readers who have been brought up with Orwell's Nineteen Eighty-Four, here, finally, is a provocative, vital and utterly satisfying companion novel.

A PEOPLE Magazine Must-Read Book for Fall 2023 | An  Esquire  Best Book of Fall 2023 | A  Guardian  Biggest New Book of 2023 | A  LitHub  Most Anticipated Book of 2023 An imaginative, feminist, and brilliantly relevant-to-today retelling of Orwell’s 1984 , from the point of view of Winston Smith’s lover, Julia, by critically acclaimed novelist Sandra Newman. Julia Worthing is a mechanic, working in the Fiction Department at the Ministry of Truth. It’s 1984, and Britain (now called Airstrip One) has long been absorbed into the larger trans-Atlantic nation of Oceania. Oceania has been at war for as long as anyone can remember, and is ruled by an ultra-totalitarian Party, whose leader is a quasi-mythical figure called Big Brother. In short, everything about this world is as it is in Orwell’s  1984 . All her life, Julia has known only Oceania, and, until she meets Winston Smith, she has never imagined anything else. She is an ideal citizen: cheerfully cynical, always ready with a bribe, piously repeating every political slogan while believing in nothing. She routinely breaks the rules, but also collaborates with the regime when necessary. Everyone likes Julia. Then one day she finds herself walking toward Winston Smith in a corridor and impulsively slips him a note, setting in motion the devastating, unforgettable events of the classic story. Julia takes us on a surprising journey through Orwell’s now-iconic dystopia, with twists that reveal unexpected sides not only to Julia, but to other familiar figures in the 1984 universe. This unique perspective lays bare our own world in haunting and provocative ways, just as the original did almost seventy-five years ago.