Journals, Volume 1: 1993-2001
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| Produkt | Varenr. | Pris | Handling |
|---|---|---|---|
| Journals, Volume 1: 1993-2001 | 9798357810830 | 199,95 kr | Til butik |
| Journals, Volume 1: 1993-2001 | 9798357810830 | 214,95 kr | Til butik |
Produktdetaljer
Journals, Volume 1: 1993-2001
199,95 kr
Til butik- Varenr.:
- 9798357810830
For more than two decades, Matt Cardin has been one of the most dynamic writers of contemporary weird fiction. In addition, he has been a perspicacious commentator on weird literature, horror films, and related subjects. Now he presents the first of two volumes of his journals, which he began keeping years before he contemplated a career as a writer. In these journals Cardin wrestles with profound philosophical and religious issues, absorbing the work of thinkers ranging from Plato to Nietzsche to Alan Watts; at the same time, he speaks of his fascination with such writers as H. P. Lovecraft, Ray Bradbury, and Thomas Ligotti, whom he has made a special subject of study. Throughout these compelling journal entries, Cardin reveals his own shifting philosophical and psychological state, presents early drafts or synopses of his weird tales-including many partial drafts and plot germs for stories that he never went on to complete-and speaks with affecting candor of his personal relationships. Cumulatively, this journal reveals Matt Cardin to be one of the most intellectually challenging authors associated with horror literature.
Læs mere hos Saxo DKJournals, Volume 1: 1993-2001
214,95 kr
Til butik- Varenr.:
- 9798357810830
For more than two decades, Matt Cardin has been one of the most dynamic writers of contemporary weird fiction. In addition, he has been a perspicacious commentator on weird literature, horror films, and related subjects. Now he presents the first of two volumes of his journals, which he began keeping years before he contemplated a career as a writer. In these journals Cardin wrestles with profound philosophical and religious issues, absorbing the work of thinkers ranging from Plato to Nietzsche to Alan Watts; at the same time, he speaks of his fascination with such writers as H. P. Lovecraft, Ray Bradbury, and Thomas Ligotti, whom he has made a special subject of study. Throughout these compelling journal entries, Cardin reveals his own shifting philosophical and psychological state, presents early drafts or synopses of his weird tales-including many partial drafts and plot germs for stories that he never went on to complete-and speaks with affecting candor of his personal relationships. Cumulatively, this journal reveals Matt Cardin to be one of the most intellectually challenging authors associated with horror literature.
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