Jacob's Room

From his childhood on the wild, windswept shores of Cornwall and his college days at Cambridge to his life as a lawyer in London and a fateful journey to the Mediterranean, Jacob Flanders’s story is told by the women in his life, whether through his mother’s correspondence, the conversations of a friend or the thoughts and remembrances of those who love him. An extraordinary departure from traditional forms of the novel, Jacob’s Room is both an elegiac and experimental tale told in pieces and fragments, and one of Virginia Woolf ’s most poignant stories. “Jacob, of whom people speak, of whom they think… is never shown. And yet that denial of presence on the part of the author makes of him one of the most living presences in world literature.” – MICHAEL CUNNINGHAM

From his childhood on the wild, windswept shores of Cornwall and his college days at Cambridge to his life as a lawyer in London and a fateful journey to the Mediterranean, Jacob Flanders’s story is told by the women in his life, whether through his mother’s correspondence, the conversations of a friend or the thoughts and remembrances of those who love him. An extraordinary departure from traditional forms of the novel, Jacob’s Room is both an elegiac and experimental tale told in pieces and fragments, and one of Virginia Woolf ’s most poignant stories. “Jacob, of whom people speak, of whom they think… is never shown. And yet that denial of presence on the part of the author makes of him one of the most living presences in world literature.” – MICHAEL CUNNINGHAM

New to the Vintage Classics Woolf series, this is Woolf's groundbreaking experimental novel. Jacob's Room is Virginia Woolf's first truly experimental novel. It is a portrait of a young man, tracing his life from childhood, to Cambridge University, and to his early adult life in artistic London. Jacob always yearns for something greater, and embarks on a voyage to the Mediterranean before the war begins and his fate is forever altered. Impressionistic in style, the narrative is as inspired now as it was when it first appeared. 'A remarkable achievement' New Statesman

New to the Vintage Classics Woolf series, this is Woolf's groundbreaking experimental novel. Jacob's Room is Virginia Woolf's first truly experimental novel. It is a portrait of a young man, tracing his life from childhood, to Cambridge University, and to his early adult life in artistic London. Jacob always yearns for something greater, and embarks on a voyage to the Mediterranean before the war begins and his fate is forever altered. Impressionistic in style, the narrative is as inspired now as it was when it first appeared. 'A remarkable achievement' New Statesman

A generous “Contexts” section provides extracts from Woolf’s diaries and letters as well as comments on the novel from her fellow writers and friends, among them E. M. Forster and T. S. Eliot. Also included are the short stories “The Mark on the Wall,” “Kew Gardens,” and “An Unwritten Novel,” which Woolf viewed as early experiments with the innovative method used in Jacob’s Room. An additional short story, “A Woman’s College from Outside,” which Woolf originally intended to be Chapter 10 of Jacob’s Room, is also included. Finally, Woolf’s classic essay “Modern Novels,” written shortly before she began work on Jacob’s Room, provides insight into her aesthetic and technique. “Criticism” is divided into two sections: “Contemporary Reception and Reviews” contains personal responses to the novel, from Lytton Strachey and E. M. Forster, as well as eleven reviews from contemporary periodicals. “Critical Essays” offers insightful interpretations by Judy Little, Alex Zwerdling, Kate Flint, Kathleen Wall, and Edward L. Bishop. A Selected Bibliography is also included.

A generous “Contexts” section provides extracts from Woolf’s diaries and letters as well as comments on the novel from her fellow writers and friends, among them E. M. Forster and T. S. Eliot. Also included are the short stories “The Mark on the Wall,” “Kew Gardens,” and “An Unwritten Novel,” which Woolf viewed as early experiments with the innovative method used in Jacob’s Room. An additional short story, “A Woman’s College from Outside,” which Woolf originally intended to be Chapter 10 of Jacob’s Room, is also included. Finally, Woolf’s classic essay “Modern Novels,” written shortly before she began work on Jacob’s Room, provides insight into her aesthetic and technique. “Criticism” is divided into two sections: “Contemporary Reception and Reviews” contains personal responses to the novel, from Lytton Strachey and E. M. Forster, as well as eleven reviews from contemporary periodicals. “Critical Essays” offers insightful interpretations by Judy Little, Alex Zwerdling, Kate Flint, Kathleen Wall, and Edward L. Bishop. A Selected Bibliography is also included.

The story is told mainly through the perspectives of the women in Jacob's life, including the repressed upper-middle-class Clara Durrant and the uninhibited young art student Florinda, with whom he has an affair. His time in London forms a large part of the story, though towards the end of the novel he travels to Italy and then Greece. The novel centres, in a very ambiguous way, around the life story of the protagonist Jacob Flanders and is presented almost entirely through the impressions other characters have of Jacob. Thus, although it could be said that the book is primarily a character study and has little in the way of plot or background, the narrative is constructed with a void in place of the central character if, indeed, the novel can be said to have a 'protagonist' in conventional terms. Motifs of emptiness and absence haunt the novel and establish its elegiac feel. Jacob is described to us, but in such indirect terms that it would seem better to view him as an amalgam of the different perceptions of the characters and narrator. He does not exist as a concrete reality, but rather as a collection of memories and sensations. Motifs of emptiness and absence haunt the novel and establish its elegiac feel. Jacob is described to us, but in such indirect terms that it would seem better to view him as an amalgam of the different perceptions of the characters and narrator. He does not exist as a concrete reality, but rather as a collection of memories and sensations.

The story is told mainly through the perspectives of the women in Jacob's life, including the repressed upper-middle-class Clara Durrant and the uninhibited young art student Florinda, with whom he has an affair. His time in London forms a large part of the story, though towards the end of the novel he travels to Italy and then Greece. The novel centres, in a very ambiguous way, around the life story of the protagonist Jacob Flanders and is presented almost entirely through the impressions other characters have of Jacob. Thus, although it could be said that the book is primarily a character study and has little in the way of plot or background, the narrative is constructed with a void in place of the central character if, indeed, the novel can be said to have a 'protagonist' in conventional terms. Motifs of emptiness and absence haunt the novel and establish its elegiac feel. Jacob is described to us, but in such indirect terms that it would seem better to view him as an amalgam of the different perceptions of the characters and narrator. He does not exist as a concrete reality, but rather as a collection of memories and sensations. Motifs of emptiness and absence haunt the novel and establish its elegiac feel. Jacob is described to us, but in such indirect terms that it would seem better to view him as an amalgam of the different perceptions of the characters and narrator. He does not exist as a concrete reality, but rather as a collection of memories and sensations.