Into the Light

In New York Times- bestselling science fiction epic Out of the Dark , Earth beat back an alien invasion. Now we've got to make sure they don't come back, in Into the Light . The Shongairi conquered Earth. In mere minutes, half the human race died, and our cities lay in shattered ruins. But the Shongairi didn't expect the survivors' tenacity. And, crucially, they didn't know that Earth harbored two species of intelligent, tool-using bipeds. One of them was us. The other, long-lived and lethal, was hiding in the mountains of eastern Europe, the subject of fantasy and legend. When they emerged and made alliance with humankind, the invading aliens didn't stand a chance. Now Earth is once again ours. Aided by the advanced tech the aliens left behind, we're rebuilding as fast as we can. Meanwhile, a select few of our blood-drinking immortals are on their way to the Shongairi homeworld, having commandeered one of the alien starships...the planet-busting kind.

In New York Times- bestselling science fiction epic Out of the Dark , Earth beat back an alien invasion. Now we've got to make sure they don't come back, in Into the Light . The Shongairi conquered Earth. In mere minutes, half the human race died, and our cities lay in shattered ruins. But the Shongairi didn't expect the survivors' tenacity. And, crucially, they didn't know that Earth harbored two species of intelligent, tool-using bipeds. One of them was us. The other, long-lived and lethal, was hiding in the mountains of eastern Europe, the subject of fantasy and legend. When they emerged and made alliance with humankind, the invading aliens didn't stand a chance. Now Earth is once again ours. Aided by the advanced tech the aliens left behind, we're rebuilding as fast as we can. Meanwhile, a select few of our blood-drinking immortals are on their way to the Shongairi homeworld, having commandeered one of the alien starships...the planet-busting kind.

Into the light I'll be Rebounding from a shattered heart, Ember Solis is out of touch with the innocence and softness she once knew. She wears her grief like a coat of armor. She uses it to keep people at a distance. Rain Fortin is a lone wolf and like Ember, he is shouldering massive heartache. He reluctantly rises to the leadership of The Den. It is a life he wants nothing to do with. It is a life that has taken so much from him. When Ember returns to campus, it feels like she's everywhere, even when he tries to hide. Will Ember's strength be Rain's undoing? Will his tenderness become her salvation? The truth always comes out...

Into the light I'll be Rebounding from a shattered heart, Ember Solis is out of touch with the innocence and softness she once knew. She wears her grief like a coat of armor. She uses it to keep people at a distance. Rain Fortin is a lone wolf and like Ember, he is shouldering massive heartache. He reluctantly rises to the leadership of The Den. It is a life he wants nothing to do with. It is a life that has taken so much from him. When Ember returns to campus, it feels like she's everywhere, even when he tries to hide. Will Ember's strength be Rain's undoing? Will his tenderness become her salvation? The truth always comes out...

In 1980, with their highest charting album to date, Kaleidoscope and two successful singles, 'Happy House' and 'Christine', and a packed tour schedule, Siouxsie and The Banshees are at the top of their game. Swimming in their own stream, the Banshees defy musical categorisation and are head and shoulders above their peers, with one objective: to be the best band in the world. The band's 1981 90-gig tour included 25 dates in the US, showcasing the exhilarating 'Spellbound', grotesque 'Night Shift' and the clandestine frisson of 'Into The Light', forming the sonic backbone of what is considered to be the Banshees' magnum opus, Juju, their fourth studio album, released in June 1981. Ushering in a new chapter in Siouxsie and The Banshees' evolution the opulent fifth studio album A Kiss In The Dreamhouse, marks another change in direction, and sees producer Mike Hedges superseding Kaleidoscope and Juju producer Nigel Gray. Released 5th November 1982, several days after guitarist John McGeoch is ousted from the band after two near calamitous performances at the Rock-Ola Club in Madrid, it was the album that marked a potential dip in the band's fortunes. However the Banshees regroup, calling again on the services of The Cure's Robert Smith, whose fractured relationship with his own band made the offer of becoming a touring Banshee too attractive to refuse. As for what happens next, this in-depth and authoritative account of one of the most original, creative, imaginative and mercurial bands in the history of rock music surveys the twists, turns and episodes of brilliance that define Siouxsie and The Banshees' evolution from 1980 to 1987, including ancillary ventures 'The Creatures' and 'The Glove', and the making of the albums Juju and A Kiss In The Dreamhouse, as well as Nocturne, Hyaena, Tinderbox and Through The Looking Glass.

In 1980, with their highest charting album to date, Kaleidoscope and two successful singles, 'Happy House' and 'Christine', and a packed tour schedule, Siouxsie and The Banshees are at the top of their game. Swimming in their own stream, the Banshees defy musical categorisation and are head and shoulders above their peers, with one objective: to be the best band in the world. The band's 1981 90-gig tour included 25 dates in the US, showcasing the exhilarating 'Spellbound', grotesque 'Night Shift' and the clandestine frisson of 'Into The Light', forming the sonic backbone of what is considered to be the Banshees' magnum opus, Juju, their fourth studio album, released in June 1981. Ushering in a new chapter in Siouxsie and The Banshees' evolution the opulent fifth studio album A Kiss In The Dreamhouse, marks another change in direction, and sees producer Mike Hedges superseding Kaleidoscope and Juju producer Nigel Gray. Released 5th November 1982, several days after guitarist John McGeoch is ousted from the band after two near calamitous performances at the Rock-Ola Club in Madrid, it was the album that marked a potential dip in the band's fortunes. However the Banshees regroup, calling again on the services of The Cure's Robert Smith, whose fractured relationship with his own band made the offer of becoming a touring Banshee too attractive to refuse. As for what happens next, this in-depth and authoritative account of one of the most original, creative, imaginative and mercurial bands in the history of rock music surveys the twists, turns and episodes of brilliance that define Siouxsie and The Banshees' evolution from 1980 to 1987, including ancillary ventures 'The Creatures' and 'The Glove', and the making of the albums Juju and A Kiss In The Dreamhouse, as well as Nocturne, Hyaena, Tinderbox and Through The Looking Glass.