Imago

'Butler writes with such a familiarity that the alien is welcome and intriguing. She really artfully exposes our human impulse to self-destruct' LUPITA NYONG'O 'An icon of the Afrofuturism world, envisioning literary realms that placed black characters front and center' VANITY FAIR From literary pioneer Octavia E. Butler, the acclaimed Lilith's Brood trilogy concludes with the story of Jodah, child of the Earth and stars, who risks the future of humanity just by growing up. Jodahs is a child of the Earth and stars, born from the union between humans and the Oankali, who saved humanity from destruction centuries before. But Jodahs is approaching adulthood, a metamorphosis that will take him beyond gender and family, and into a great but dangerous unknown. Frightened and alone, Jodahs must come to terms with this new identity, learn to master lifechanging powers and bring together what's left of humankind - or become the biggest threat to their survival. PRAISE FOR OCTAVIA E. BUTLER, THE NEW YORK TIMES BESTSELLING AUTHOR 'In the ongoing contest over which dystopian classic is most applicable to our time... for sheer peculiar prescience, Butler's novel may be unmatched' NEW YORKER 'Octavia Butler was playing out our very real possibilities as humans. I think she can help each of us to do the same' GLORIA STEINEM 'Butler's prose, always pared back to the bone, delineates the painful paradoxes of metamorphosis with compelling precision' GUARDIAN 'One of the most significant literary artists of the twentieth century' JUNOT DIAZ 'Octavia Butler was a visionary' VIOLA DAVIS 'Her evocative, often troubling, novels explore far-reaching issues of race, sex, power and, ultimately, what it means to be human' NEW YORK TIMES

'Butler writes with such a familiarity that the alien is welcome and intriguing. She really artfully exposes our human impulse to self-destruct' LUPITA NYONG'O 'An icon of the Afrofuturism world, envisioning literary realms that placed black characters front and center' VANITY FAIR From literary pioneer Octavia E. Butler, the acclaimed Lilith's Brood trilogy concludes with the story of Jodah, child of the Earth and stars, who risks the future of humanity just by growing up. Jodahs is a child of the Earth and stars, born from the union between humans and the Oankali, who saved humanity from destruction centuries before. But Jodahs is approaching adulthood, a metamorphosis that will take him beyond gender and family, and into a great but dangerous unknown. Frightened and alone, Jodahs must come to terms with this new identity, learn to master lifechanging powers and bring together what's left of humankind - or become the biggest threat to their survival. PRAISE FOR OCTAVIA E. BUTLER, THE NEW YORK TIMES BESTSELLING AUTHOR 'In the ongoing contest over which dystopian classic is most applicable to our time... for sheer peculiar prescience, Butler's novel may be unmatched' NEW YORKER 'Octavia Butler was playing out our very real possibilities as humans. I think she can help each of us to do the same' GLORIA STEINEM 'Butler's prose, always pared back to the bone, delineates the painful paradoxes of metamorphosis with compelling precision' GUARDIAN 'One of the most significant literary artists of the twentieth century' JUNOT DIAZ 'Octavia Butler was a visionary' VIOLA DAVIS 'Her evocative, often troubling, novels explore far-reaching issues of race, sex, power and, ultimately, what it means to be human' NEW YORK TIMES

Forsake the world that hates you. Embrace its monster. Tresor Institute accepts only the worthy, and Ada Calinescu is anything but. Intractable, mannish, a child of convicted terrorists, she can at best hope to be overlooked. Yet somehow the Institute accepts her application for transfer. Her ticket to the polar town of Heilung, home of the Institute, arrives free of charge. Her only chance to forge a brighter future. Except Heilung welcomes Ada with news of a brutal murder. Militiamen stalk the town, keen to fill their arrest quotas-and Ada knows she could make an easy scapegoat. At every turn the bloody conspiracy follows her, from the halls of Tresor to the arms of a stranger she yearns to make hers. What starts as a dalliance risks putting Ada at odds with the Bureau itself. And then expulsion will be the least of her concerns.

Forsake the world that hates you. Embrace its monster. Tresor Institute accepts only the worthy, and Ada Călinescu is anything but. Intractable, mannish, a child of convicted terrorists, she can at best hope to be overlooked. Yet somehow the Institute accepts her application for transfer. Her ticket to the polar town of Heilung, home of the Institute, arrives free of charge. Her only chance to forge a brighter future. Except Heilung welcomes Ada with news of a brutal murder. Militiamen stalk the town, keen to fill their arrest quotas-and Ada knows she could make an easy scapegoat. At every turn the bloody conspiracy follows her, from the halls of Tresor to the arms of a stranger she yearns to make hers. What starts as a dalliance risks putting Ada at odds with the Bureau itself. And then expulsion will be the least of her concerns.

’Imago’ rummer masser af inspiration til en ny og mere umiddelbar måde at opleve kunst på. Der altid er et sted i et billede, som ‘trigger’ dig – et sted, hvor billedet kontakter dig. Det kan være et gardin eller folderne i en kappe eller den måde, hvorpå en person sidder eller står. I stedet for at sætte sig ind i kunstnerens liv og værk eller læse om kunstperioder og kunstretninger kan man møde et kunstværk med åbne sanser og med sine egne oplevelser og erfaringer i bevidstheden eller underbevidstheden. I 15 kapitler beskriver Annette Hvidt en række temaer og foreslår måder at åbne billederne på. Derudover er der sansninger eller associationer: en tekst, der gengiver de tanker/erindringer, som billedet fremkalder hos forfatteren, eller citater fra kunstnerens dagbog eller noget helt tredje.