Homeland

FROM THE WINNER OF THE PULITZER PRIZE FOR FICTION TWICE WINNER OF THE WOMEN'S PRIZE FOR FICTION THE MULTI-MILLION COPY BESTSELLING AUTHOR From the international bestselling and prize-winning author of Demon Copperhead, The Lacuna and Poisonwood Bible , the short stories in this collection are spread over landscapes ranging from northern California and the urban Southwest to the hills of eastern Kentucky and the Caribbean island of St Lucia. In every setting the characters are bound by a strong sense of place and the ties of love and family history: a child accepts the impossible responsibility of remembering her Cherokee great-grandmother's dying culture; a quietly dissolving couple must fight ghosts of past expectations to reach one another; a tough Mexican American woman finds herself in jail because of her commitment to a family legacy of 'doing the right thing'. Homeland and Other Stories follows in the tradition of some of the great short story writers of our time, including Alice Munro, Flannery O'Connor and Annie Proulx. With disarming honesty - at times comic but often heartrending - Barbara Kingsolver emerges as a true master of the form. What readers are saying: ***** 'Wonderful short stories, warm and engaging, I couldn't put it down!' ***** 'Thoroughly enjoyable. . .Barbara Kingsolver is one of the great storytellers of our time!' ***** 'Great stories at times heartbreaking but combined with humour.' ***** 'Phenomenal. I'm adding this to my list of reasons to love Barbara Kingsolver.'

An edge-of-your-seat original prequel novel based on Showtime’s hit series, HOMELAND, ‘the best thriller on American television’ New York Post Beirut, 2006. CIA operations officer Carrie Mathison barely escapes an ambush while attempting a clandestine meeting with a new contact code-named Nightingale. Suspicious that security has been compromised, she challenges the station chief in a heated confrontation that gets her booted back to Langley. Expert in recognizing and anticipating behavioral patterns—a skill enhanced by the bipolar disorder she keeps secret to protect her career—Carrie is increasingly certain that a terrorist plot has been set in motion. Carrie risks a shocking act of insubordination that helps her uncover secret evidence connecting Nightingale with Abu Nazir, the leader of Al Qaeda in Iraq. Determined to stop the terrorist mastermind, she embarks on an obsessive quest that will nearly destroy her. Filled with the suspense and plot twists that have made Homeland a must-watch series, this riveting tale reveals the compelling untold backstories of the series’ main characters and takes fans deeper into the life and mind of one brilliant woman spy.

A father and his daughters may not be able to return home . . . but they can celebrate stories of their homeland! As bedtime approaches, three young girls eagerly await the return of their father who tells them stories of a faraway homeland-Palestine. Through their father's memories, the Old City of Jerusalem comes to life: the sounds of street vendors beating rhythms with brass coffee cups, the smell of argileh drifting through windows, and the sight of doves flapping their wings toward home. These daughters of the diaspora feel love for a place they have never been, a place they cannot go. But, as their father's story comes to an end, they know that through his memories they will always return. A Palestinian family celebrates the stories of their homeland in this moving autobiographical picture book debut by Hannah Moushabeck. With heartfelt illustrations by Reem Madooh, this story is a love letter to home, to family, and to the persisting hope of people, which transcends borders.

A father and his daughters may not be able to return home . . . but they can celebrate stories of their homeland! As bedtime approaches, three young girls eagerly await the return of their father who tells them stories of a faraway homeland-Palestine. Through their father's memories, the Old City of Jerusalem comes to life: the sounds of street vendors beating rhythms with brass coffee cups, the smell of argileh drifting through windows, and the sight of doves flapping their wings toward home. These daughters of the diaspora feel love for a place they have never been, a place they cannot go. But, as their father's story comes to an end, they know that through his memories they will always return. A Palestinian family celebrates the stories of their homeland in this moving autobiographical picture book debut by Hannah Moushabeck. With heartfelt illustrations by Reem Madooh, this story is a love letter to home, to family, and to the persisting hope of people, which transcends borders.

The international bestseller, l onglisted for the Dublin Literary Award 2021. Fernando Aramburu's Homeland is a n epic and heartbreaking story of two best friends whose families are divided by the conflicting loyalties of terrorism. ‘It’s been a long time since I’ve read a book that was so persuasive and moving’ – Mario Vargas Llosa , author of Time of the Hero. The Basque Country, Spain, 2011. Miren and Bittori have lived side by side in a small Basque town all their lives. Their husbands play cards together, their children play and eventually go out drinking together. The terrorist threat posed by ETA seems to affect them little. When Bittori’s husband starts receiving threatening letters – demanding money, accusing him of being a police informant – she turns to her friend for help. But Miren’s loyalties are torn: her son has just been recruited as a terrorist and to denounce them would be to condemn her own flesh and blood. Tensions rise, relationships fracture, and events move towards a tragic conclusion . . . ‘Is Aramburu the Tolstoy of the Basque country, author of a Spanish language War and Peace ?’ – Guardian

The international bestseller, l onglisted for the Dublin Literary Award 2021. Fernando Aramburu's Homeland is a n epic and heartbreaking story of two best friends whose families are divided by the conflicting loyalties of terrorism. ‘It’s been a long time since I’ve read a book that was so persuasive and moving’ – Mario Vargas Llosa , author of Time of the Hero. The Basque Country, Spain, 2011. Miren and Bittori have lived side by side in a small Basque town all their lives. Their husbands play cards together, their children play and eventually go out drinking together. The terrorist threat posed by ETA seems to affect them little. When Bittori’s husband starts receiving threatening letters – demanding money, accusing him of being a police informant – she turns to her friend for help. But Miren’s loyalties are torn: her son has just been recruited as a terrorist and to denounce them would be to condemn her own flesh and blood. Tensions rise, relationships fracture, and events move towards a tragic conclusion . . . ‘Is Aramburu the Tolstoy of the Basque country, author of a Spanish language War and Peace ?’ – Guardian

For twenty years after September 11, the war on terror was simultaneously everywhere and nowhere. With all of the military violence occurring overseas, Americans found themselves living in two worlds at the same time. In one of them, soldiers fought abroad so that nothing at home would have to change at all. In the other, life in the United States took on all kinds of unfamiliar shapes, altering people's sense of themselves, their neighbours, and the strangers they sat next to on aeroplanes. In a fascinating and exhaustive account of the meaning of twenty-first-century America, Richard Beck delivers a gripping exploration of the transformation of American life wrought by the war. He describes sports stadiums fortified to look like military bases. The surging sales of guns, SUVs, and pickup trucks. The racism and xeno-phobia, the erosion of free speech, and the normalisation of mass surveillance. Beck searchingly asks why those Americans who excused the worst abuses of the war on terror also had the easiest time understanding themselves as patriots. The war fuelled an impunity culture, he argues, that came to a head with Trump's rise to power. To see America through the lens of Homeland is to understand the country like never before.

For twenty years after September 11, the war on terror was simultaneously everywhere and nowhere. With all of the military violence occurring overseas, Americans found themselves living in two worlds at the same time. In one of them, soldiers fought abroad so that nothing at home would have to change at all. In the other, life in the United States took on all kinds of unfamiliar shapes, altering people's sense of themselves, their neighbours, and the strangers they sat next to on aeroplanes. In a fascinating and exhaustive account of the meaning of twenty-first-century America, Richard Beck delivers a gripping exploration of the transformation of American life wrought by the war. He describes sports stadiums fortified to look like military bases. The surging sales of guns, SUVs, and pickup trucks. The racism and xeno-phobia, the erosion of free speech, and the normalisation of mass surveillance. Beck searchingly asks why those Americans who excused the worst abuses of the war on terror also had the easiest time understanding themselves as patriots. The war fuelled an impunity culture, he argues, that came to a head with Trump's rise to power. To see America through the lens of Homeland is to understand the country like never before.