Greater Sins

WATERSTONES SCOTTISH BOOK OF THE MONTH (FEBRUARY 2026) ‘Beguiling and elegiac’ Lucy Steeds, author of The Artist ‘A gritty tale of secrets, guilt and desire’ Observer ‘Completely enthralling’ Lucy Rose, author of The Lamb ‘An extraordinary sense of place and time, written by an exciting new voice’ Radio Times (Best Books 2025) ____ 1915, the Cabrach. In the fierce, wild beauty of this remote corner of Scotland, an isolated community makes a discovery: an ancient body in a peat bog, perfectly preserved. Two people haul the body from the ground: Lizzie, the wife of a wealthy local landowner, and Johnny, a nomadic singer and farm hand. Soon afterwards, strange events begin to occur. At hearthside and inn, people whisper: what have we unearthed? As tensions run high and men leave for war, old fears and secrets emerge. But in a place where judgement is swift, who is truly without sin? ‘A striking debut, filled with folkloric mystery and yearning’ Amy Twigg, author of Spoilt Creatures ‘Scapegoats, suspicion and secrets…a haunting picture of a small, intense environment where isolation can breed solidarity and warmth as easily as superstition and exclusion’ Financial Times ‘A simmering tale of outcasts and buried secrets, love and redemption' Danielle Giles, author of Mere ‘A striking and atmospheric debut’ The Times ‘Sets a beautifully atmospheric scene from its opening lines to its final moments’ PA MEDIA WHAT READERS ARE SAYING: ‘An earthy, folkloric tale, where superstition is rife… a captivating read . Highly recommended’ ‘A gothic literary experience, rural and immersive, that thrums with tension , mystery and forbidden love’ ‘A deeply immersive reading experience, and one of the best elements of this book is how the atmosphere and environment of rural scotland, the small farms, the fields, the bog, the changing of seasons - nature itself becomes a character’ ‘ Beautifully written, chilling and disturbing , the book is an engrossing read from start to finish’ ‘Sometimes you come across a book that is note perfect ; very readable and entirely relatable but still beautifully, poetically written. This is such a complete novel, it is hard to believe it is the author’s debut’ ‘This was a stunningly beautiful novel. Dark and creepy and wonderfully realised, and the character voices were next-level good’

WATERSTONES SCOTTISH BOOK OF THE MONTH (FEBRUARY 2026) ‘Beguiling and elegiac’ Lucy Steeds, author of The Artist ‘A gritty tale of secrets, guilt and desire’ Observer ‘Completely enthralling’ Lucy Rose, author of The Lamb ‘An extraordinary sense of place and time, written by an exciting new voice’ Radio Times (Best Books 2025) ____ 1915, the Cabrach. In the fierce, wild beauty of this remote corner of Scotland, an isolated community makes a discovery: an ancient body in a peat bog, perfectly preserved. Two people haul the body from the ground: Lizzie, the wife of a wealthy local landowner, and Johnny, a nomadic singer and farm hand. Soon afterwards, strange events begin to occur. At hearthside and inn, people whisper: what have we unearthed? As tensions run high and men leave for war, old fears and secrets emerge. But in a place where judgement is swift, who is truly without sin? ‘A striking debut, filled with folkloric mystery and yearning’ Amy Twigg, author of Spoilt Creatures ‘Scapegoats, suspicion and secrets…a haunting picture of a small, intense environment where isolation can breed solidarity and warmth as easily as superstition and exclusion’ Financial Times ‘A simmering tale of outcasts and buried secrets, love and redemption' Danielle Giles, author of Mere ‘A striking and atmospheric debut’ The Times ‘Sets a beautifully atmospheric scene from its opening lines to its final moments’ PA MEDIA WHAT READERS ARE SAYING: ‘An earthy, folkloric tale, where superstition is rife… a captivating read . Highly recommended’ ‘A gothic literary experience, rural and immersive, that thrums with tension , mystery and forbidden love’ ‘A deeply immersive reading experience, and one of the best elements of this book is how the atmosphere and environment of rural scotland, the small farms, the fields, the bog, the changing of seasons - nature itself becomes a character’ ‘ Beautifully written, chilling and disturbing , the book is an engrossing read from start to finish’ ‘Sometimes you come across a book that is note perfect ; very readable and entirely relatable but still beautifully, poetically written. This is such a complete novel, it is hard to believe it is the author’s debut’ ‘This was a stunningly beautiful novel. Dark and creepy and wonderfully realised, and the character voices were next-level good’

'A striking debut, filled with folkloric mystery and yearning. Read it, then read it again' Amy Twigg, author of Spoilt Creatures 'A muddy, pastoral fable written with an equal measure of beauty and morbidity. Completely enthralling.' Lucy Rose, bestselling author of The Lamb ' Beguiling and elegiac , Greater Sins unravels a tale of mystery and longing in captivating, unfurling prose that completely absorbs you. A book to sink into' Lucy Steeds, author of The Artist 'An extraordinary sense of place and time, written by an exciting new voice' Radio Times (Best Books 2025) _____ 1915, the Cabrach. In the fierce, wild beauty of this remote corner of Scotland, an isolated community makes a discovery: an ancient body in a peat bog, perfectly preserved. Two people haul the body from the ground: Lizzie, the wife of a wealthy local landowner, and Johnny, a nomadic singer and farm hand. Soon afterwards, strange events begin to occur. At hearthside and inn, people whisper: what have we unearthed? As tensions run high and men leave for war, old fears and secrets emerge. But in a place where judgement is swift, who is truly without sin? Praise for Greater Sins: 'A striking and atmospheric debut' THE TIMES 'The unearthing of a woman’s body in a peat bog during the first world war is the catalyst for a gritty tale of secrets, guilt and desire' OBSERVER 'A haunting picture of a small, intense environment where isolation can breed solidarity and warmth as easily as superstition and exclusion' FINANCIAL TIMES ' S ets a beautifully atmospheric scene from its opening lines to its final moments . . . a compelling and powerful read.' PA MEDIA 'An atmospheric and assured debut' DAILY MAIL 'I absolutely raced through it! What a beautiful book . The prose is so lyrical and the structure so cleverly pulls the reader along - Hanna Thomas Uose, author of WHO WANTS TO LIVE FOREVER 'A haunting and extraordinary debut , which will stay with me for a long time. Set during World War One and told in tender, sinuous prose, this is a simmering tale of outcasts and buried secrets, love and redemption' Danielle Giles, author of MERE 'Dripping with atmosphere, GREATER SINS is a hauntingly beautiful story, set in an isolated community. The writing is stunning; every phrase, every sentence is like poetry . And the characters - they’re complex, fascinating, and oh so relatable. A truly unforgettable read' Fiza Saeed McLynn, author of THE MIDNIGHT CAROUSEL 'A darkly lyrical tale packed with secrets, intertwined relationships and a smattering of folklore. The characters are so richly woven, and the harsh rural world they inhabit so compelling , I could almost feel the chill, and taste the drams' Emma Cowing, author of THE SHOW WOMAN

'A striking debut, filled with folkloric mystery and yearning. Read it, then read it again' Amy Twigg, author of Spoilt Creatures 'A muddy, pastoral fable written with an equal measure of beauty and morbidity. Completely enthralling.' Lucy Rose, bestselling author of The Lamb ' Beguiling and elegiac , Greater Sins unravels a tale of mystery and longing in captivating, unfurling prose that completely absorbs you. A book to sink into' Lucy Steeds, author of The Artist 'An extraordinary sense of place and time, written by an exciting new voice' Radio Times (Best Books 2025) _____ 1915, the Cabrach. In the fierce, wild beauty of this remote corner of Scotland, an isolated community makes a discovery: an ancient body in a peat bog, perfectly preserved. Two people haul the body from the ground: Lizzie, the wife of a wealthy local landowner, and Johnny, a nomadic singer and farm hand. Soon afterwards, strange events begin to occur. At hearthside and inn, people whisper: what have we unearthed? As tensions run high and men leave for war, old fears and secrets emerge. But in a place where judgement is swift, who is truly without sin? Praise for Greater Sins: 'A striking and atmospheric debut' THE TIMES 'The unearthing of a woman’s body in a peat bog during the first world war is the catalyst for a gritty tale of secrets, guilt and desire' OBSERVER 'A haunting picture of a small, intense environment where isolation can breed solidarity and warmth as easily as superstition and exclusion' FINANCIAL TIMES ' S ets a beautifully atmospheric scene from its opening lines to its final moments . . . a compelling and powerful read.' PA MEDIA 'An atmospheric and assured debut' DAILY MAIL 'I absolutely raced through it! What a beautiful book . The prose is so lyrical and the structure so cleverly pulls the reader along - Hanna Thomas Uose, author of WHO WANTS TO LIVE FOREVER 'A haunting and extraordinary debut , which will stay with me for a long time. Set during World War One and told in tender, sinuous prose, this is a simmering tale of outcasts and buried secrets, love and redemption' Danielle Giles, author of MERE 'Dripping with atmosphere, GREATER SINS is a hauntingly beautiful story, set in an isolated community. The writing is stunning; every phrase, every sentence is like poetry . And the characters - they’re complex, fascinating, and oh so relatable. A truly unforgettable read' Fiza Saeed McLynn, author of THE MIDNIGHT CAROUSEL 'A darkly lyrical tale packed with secrets, intertwined relationships and a smattering of folklore. The characters are so richly woven, and the harsh rural world they inhabit so compelling , I could almost feel the chill, and taste the drams' Emma Cowing, author of THE SHOW WOMAN