Goodbye to Berlin

First published in 1934, Goodbye to Berlin has been popularized on stage and screen by Julie Harris in I Am a Camera and Liza Minelli in Cabaret. Isherwood magnificently captures 1931 Berlin: charming, with its avenues and cafés; marvelously grotesque, with its nightlife and dreamers; dangerous, with its vice and intrigue; powerful and seedy, with its mobs and millionaires — this was the period when Hitler was beginning his move to power. Goodbye to Berlin is inhabited by a wealth of characters: the unforgettable and “divinely decadent”Sally Bowles; plump Fraulein Schroeder, who considers reducing her Buste relieve her heart palpitations; Peter and Otto, a gay couple struggling to come to terms with their relationship; and the distinguished and doomed Jewish family, the Landauers.

First published in 1934, Goodbye to Berlin has been popularized on stage and screen by Julie Harris in I Am a Camera and Liza Minelli in Cabaret. Isherwood magnificently captures 1931 Berlin: charming, with its avenues and cafés; marvelously grotesque, with its nightlife and dreamers; dangerous, with its vice and intrigue; powerful and seedy, with its mobs and millionaires — this was the period when Hitler was beginning his move to power. Goodbye to Berlin is inhabited by a wealth of characters: the unforgettable and “divinely decadent”Sally Bowles; plump Fraulein Schroeder, who considers reducing her Buste relieve her heart palpitations; Peter and Otto, a gay couple struggling to come to terms with their relationship; and the distinguished and doomed Jewish family, the Landauers.

'I'm the type which every man imagines he wants, until he gets me; and then he finds he doesn't really, after all' Goodbye to Berlin is the novella that inspired Cabaret , evoking the glamour and sleaze, excess and repression of Berlin society. Isherwood shows the lives of people under threat from the rise of the Nazis: a wealthy Jewish heiress, Natalia Landauer, a gay couple, Peter and Otto, and an English upper-class waif, the divinely decadent Sally Bowles. VINTAGE DECO: Nine blazing, daring novels to celebrate the 1920s - 100 years on.

'I'm the type which every man imagines he wants, until he gets me; and then he finds he doesn't really, after all' Goodbye to Berlin is the novella that inspired Cabaret , evoking the glamour and sleaze, excess and repression of Berlin society. Isherwood shows the lives of people under threat from the rise of the Nazis: a wealthy Jewish heiress, Natalia Landauer, a gay couple, Peter and Otto, and an English upper-class waif, the divinely decadent Sally Bowles. VINTAGE DECO: Nine blazing, daring novels to celebrate the 1920s - 100 years on.

1930s Berlin is a realm of glamour and sleaze, excess and repression. Having moved to the city to work on his novel, Christopher finds himself immersed in a world of contradiction. He becomes enamoured with the local denizens and the colourful lives they lead, meeting an English upper-class waif, the delightfully decadent Sally Bowles; a couple – Peter and Otto – who are struggling with their sexual identities; and a distinguished and doomed Jewish family, the Landauers. With the Nazis rising to power, Christopher’s Berlin is a sparkling city perched on the edge of an abyss. ‘Isherwood is a master’ Evening Standard ‘Brilliant sketches of a society in decay’ George Orwell ‘Reading this novel is much like overhearing anecdotes in a crowded bar while history knocks impatiently at the windows’ Guardian

1930s Berlin is a realm of glamour and sleaze, excess and repression. Having moved to the city to work on his novel, Christopher finds himself immersed in a world of contradiction. He becomes enamoured with the local denizens and the colourful lives they lead, meeting an English upper-class waif, the delightfully decadent Sally Bowles; a couple – Peter and Otto – who are struggling with their sexual identities; and a distinguished and doomed Jewish family, the Landauers. With the Nazis rising to power, Christopher’s Berlin is a sparkling city perched on the edge of an abyss. ‘Isherwood is a master’ Evening Standard ‘Brilliant sketches of a society in decay’ George Orwell ‘Reading this novel is much like overhearing anecdotes in a crowded bar while history knocks impatiently at the windows’ Guardian