Good Morning, Midnight

Jean Rhys's Good Morning Midnight is an unforgettable portrait of a woman bravely confronting loneliness and despair in her quest for self-determination In 1930s Paris, where one cheap hotel room is very like another, a young woman is teaching herself indifference. She has escaped personal tragedy and has come to France to find courage and seek independence. She tells herself to expect nothing, especially not kindness, least of all from men. Tomorrow, she resolves, she will dye her hair blonde. Jean Rhys was a talent before her time with an impressive ability to express the anguish of young women. In Good Morning, Midnight Rhys created the powerfully modern portrait of Sophia Jansen, whose emancipation is far more painful and complicated than she could expect, but whose confession is flecked with triumph and elation. With an introduction by A.L. Kennedy 'Her eloquence in the language of human sexual transactions is chilling, cynical, and surprisingly moving' A.L. Kennedy

NOW A MAJOR NETFLIX FILM 'THE MIDNIGHT SKY', DIRECTED BY GEORGE CLOONEY, STARRING FELICITY JONES AND GEORGE CLOONEY ' 'A remarkable and gifted debut' Colson Whitehead, author of The Underground Railroad 'Fans of Emily St. John Mandel's Station Eleven and Kim Stanley Robinson's Aurora will appreciate the Brooks-Dalton's exquisite exploration of relationships' Washington Post There is a particular beauty in silence, in being cut off from the world. Augustine, a brilliant, ageing scientist, is consumed by the stars. He has spent his entire life searching for the origins of time itself. He has now been left alone on a remote research base in the Arctic circle, all communication with the outside world broken down. But then he discovers a mysterious child, Iris, who must have hidden herself away when the last of his colleagues departed. Sully is a divorced mother. She is also an astronaut, currently aboard The Aether on a return flight from Jupiter. This is the culmination of her career, the very reason for all the sacrifices she has made - the daughter she left behind, the marriage she couldn't save. When all communication goes silent, she is left wondering what she will be returning to. Marooned in the vast silence of space and the achingly beautiful sweep of the Arctic, both Augustine and Sully begin to understand their place in the world, and what gives their life meaning. For only in the silence can we find out who we truly are.

Jean Rhys's Good Morning Midnight is an unforgettable portrait of a woman bravely confronting loneliness and despair in her quest for self-determination In 1930s Paris, where one cheap hotel room is very like another, a young woman is teaching herself indifference. She has escaped personal tragedy and has come to France to find courage and seek independence. She tells herself to expect nothing, especially not kindness, least of all from men. Tomorrow, she resolves, she will dye her hair blonde. Jean Rhys was a talent before her time with an impressive ability to express the anguish of young women. In Good Morning, Midnight Rhys created the powerfully modern portrait of Sophia Jansen, whose emancipation is far more painful and complicated than she could expect, but whose confession is flecked with triumph and elation. With an introduction by A.L. Kennedy 'Her eloquence in the language of human sexual transactions is chilling, cynical, and surprisingly moving' A.L. Kennedy

The last of the four novels Jean Rhys wrote in interwar Paris, Good Morning, Midnight is the culmination of a searing literary arc, which established Rhys as an astute observer of human tragedy. Her everywoman heroine, Sasha, must confront the loves- and losses- of her past in this mesmerizing and formally daring psychological portrait.

The last of the four novels Jean Rhys wrote in interwar Paris, Good Morning, Midnight is the culmination of a searing literary arc, which established Rhys as an astute observer of human tragedy. Her everywoman heroine, Sasha, must confront the loves- and losses- of her past in this mesmerizing and formally daring psychological portrait.

"A remarkable and gifted debut novel" (Colson Whitehead) about two outsiders--a lonely scientist in the Arctic and an astronaut trying to return to Earth--as they grapple with love, regret, and survival in a world transformed. THE INSPIRATION FOR THE NETFLIX ORIGINAL FILM THE MIDNIGHT SKY, DIRECTED BY AND STARRING GEORGE CLOONEY Augustine, a brilliant, aging astronomer, is consumed by the stars. For years he has lived in remote outposts, studying the sky for evidence of how the universe began. At his latest posting, in a research center in the Arctic, news of a catastrophic event arrives. The scientists are forced to evacuate, but Augustine stubbornly refuses to abandon his work. Shortly after the others have gone, Augustine discovers a mysterious child, Iris, and realizes that the airwaves have gone silent. They are alone. At the same time, Mission Specialist Sullivan is aboard the Aether on its return flight from Jupiter. The astronauts are the first human beings to delve this deep into space, and Sully has made peace with the sacrifices required of her: a daughter left behind, a marriage ended. So far the journey has been a success. But when Mission Control falls inexplicably silent, Sully and her crewmates are forced to wonder if they will ever get home. As Augustine and Sully each face an uncertain future against forbidding yet beautiful landscapes, their stories gradually intertwine in a profound and unexpected conclusion. In crystalline prose, Good Morning, Midnight poses the most important questions: What endures at the end of the world? How do we make sense of our lives? Lily Brooks-Dalton's captivating debut is a meditation on the power of love and the bravery of the human heart. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SHELF AWARENESS AND THE CHICAGO REVIEW OF BOOKS "Stunningly gorgeous . . . The book contemplates the biggest questions--What is left at the end of the world? What is the impact of a life's work?" -- Portland Mercury "A beautifully written, sparse post-apocalyptic novel that explores memory, loss and identity . . . Fans of Emily St. John Mandel's Station Eleven and Kim Stanley Robinson's Aurora will appreciate the Brooks-Dalton's exquisite exploration of relationships in extreme environments." -- The Washington Post

"A remarkable and gifted debut novel" (Colson Whitehead) about two outsiders--a lonely scientist in the Arctic and an astronaut trying to return to Earth--as they grapple with love, regret, and survival in a world transformed. THE INSPIRATION FOR THE NETFLIX ORIGINAL FILM THE MIDNIGHT SKY, DIRECTED BY AND STARRING GEORGE CLOONEY Augustine, a brilliant, aging astronomer, is consumed by the stars. For years he has lived in remote outposts, studying the sky for evidence of how the universe began. At his latest posting, in a research center in the Arctic, news of a catastrophic event arrives. The scientists are forced to evacuate, but Augustine stubbornly refuses to abandon his work. Shortly after the others have gone, Augustine discovers a mysterious child, Iris, and realizes that the airwaves have gone silent. They are alone. At the same time, Mission Specialist Sullivan is aboard the Aether on its return flight from Jupiter. The astronauts are the first human beings to delve this deep into space, and Sully has made peace with the sacrifices required of her: a daughter left behind, a marriage ended. So far the journey has been a success. But when Mission Control falls inexplicably silent, Sully and her crewmates are forced to wonder if they will ever get home. As Augustine and Sully each face an uncertain future against forbidding yet beautiful landscapes, their stories gradually intertwine in a profound and unexpected conclusion. In crystalline prose, Good Morning, Midnight poses the most important questions: What endures at the end of the world? How do we make sense of our lives? Lily Brooks-Dalton's captivating debut is a meditation on the power of love and the bravery of the human heart. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SHELF AWARENESS AND THE CHICAGO REVIEW OF BOOKS "Stunningly gorgeous . . . The book contemplates the biggest questions--What is left at the end of the world? What is the impact of a life's work?" -- Portland Mercury "A beautifully written, sparse post-apocalyptic novel that explores memory, loss and identity . . . Fans of Emily St. John Mandel's Station Eleven and Kim Stanley Robinson's Aurora will appreciate the Brooks-Dalton's exquisite exploration of relationships in extreme environments." -- The Washington Post