Gilgamesh

4000 år efter at man i oldtidens Irak fortalte de første historier om kong Gilgamesh – helten, der jagede evigt liv – lever hans fortælling stadig videre. Det babylonske epos er et enestående eksempel på, at en fortælling kan brænde sig gennem tiden og forblive aktuel på tværs af årtusinder. Gilgamesh - hvis forfatter er ukendt - er et af verdenslitteraturens ældste hovedværker, og i dag bliver man stadig rørt af de oldgamle følelser, som eposset skildrer med poetisk præcision: kærlighed og sorg, rastløshed og dødsangst, venskab og vildskab. Fortællingen om Gilgamesh foreligger nu i en ny dansk udgave, oversat direkte fra den akkadiske original af digteren Morten Søndergaard og hans søn, Sophus Helle, ph.d.-stipendiat i Litteraturhistorie med en kandidatgrad i Assyriologi og med en særlig ekspertise i babylonsk litteratur herunder en stor forkærlighed for netop Gilgamesh. Tilsammen har de pustet nyt liv i denudødelige fortælling.

4000 år efter at man i oldtidens Irak fortalte de første historier om kong Gilgamesh – helten, der jagede evigt liv – lever hans fortælling stadig videre. Det babylonske epos er et enestående eksempel på, at en fortælling kan brænde sig gennem tiden og forblive aktuel på tværs af årtusinder. Gilgamesh - hvis forfatter er ukendt - er et af verdenslitteraturens ældste hovedværker, og i dag bliver man stadig rørt af de oldgamle følelser, som eposset skildrer med poetisk præcision: kærlighed og sorg, rastløshed og dødsangst, venskab og vildskab. Fortællingen om Gilgamesh foreligger nu i en ny dansk udgave, oversat direkte fra den akkadiske original af digteren Morten Søndergaard og hans søn, Sophus Helle, ph.d.-stipendiat i Litteraturhistorie med en kandidatgrad i Assyriologi og med en særlig ekspertise i babylonsk litteratur herunder en stor forkærlighed for netop Gilgamesh. Tilsammen har de pustet nyt liv i den udødelige fortælling.

4000 år efter at man i oldtidens Irak fortalte de første historier om kong Gilgamesh – helten, der jagede evigt liv – lever hans fortælling stadig videre. Det babylonske epos er et enestående eksempel på, at en fortælling kan brænde sig gennem tiden og forblive aktuel på tværs af årtusinder.Gilgamesh- hvis forfatter er ukendt - er et af verdenslitteraturens ældste hovedværker, og i dag bliver man stadig rørt af de oldgamle følelser, som eposset skildrer med poetisk præcision: kærlighed og sorg, rastløshed og dødsangst, venskab og vildskab.Fortællingen om Gilgamesh foreligger nu i en ny dansk udgave, oversat direkte fra den akkadiske original af digteren Morten Søndergaard og hans søn, Sophus Helle, ph.d.-stipendiat i Litteraturhistorie med en kandidatgrad i Assyriologi og med en særlig ekspertise i babylonsk litteratur herunder en stor forkærlighed for netop Gilgamesh.Tilsammen har de pustet nyt liv i denudødelige fortælling.

4000 år efter at man i oldtidens Irak fortalte de første historier om kong Gilgamesh – helten, der jagede evigt liv – lever hans fortælling stadig videre. Det babylonske epos er et enestående eksempel på, at en fortælling kan brænde sig gennem tiden og forblive aktuel på tværs af årtusinder. Gilgamesh - hvis forfatter er ukendt - er et af verdenslitteraturens ældste hovedværker, og i dag bliver man stadig rørt af de oldgamle følelser, som eposset skildrer med poetisk præcision: kærlighed og sorg, rastløshed og dødsangst, venskab og vildskab. Fortællingen om Gilgamesh foreligger nu i en ny dansk udgave, oversat direkte fra den akkadiske original af digteren Morten Søndergaard og hans søn, Sophus Helle, ph.d.-stipendiat i Litteraturhistorie med en kandidatgrad i Assyriologi og med en særlig ekspertise i babylonsk litteratur herunder en stor forkærlighed for netop Gilgamesh. Tilsammen har de pustet nyt liv i den udødelige fortælling.

'A powerful translation' The Telegraph 'As narrative verse, this Gilgamesh entrances and enthrals.' Independent 'Stephen Mitchell's Gilgamesh is a wonderful version' Harold Bloom Discover the foundational work of world literature - the world's oldest epic poem, vividly translated by Stephen Mitchell. Gilgamesh is a born leader, the king of Uruk. But he is arrogant. To control Gilgamesh, the Gods create Enkidu, a wild man, his equal in strength and courage. They are destined to come to conflict - and yet together they could rid the world of evil, and Gilgamesh may finally discover the one secret the Gods have kept from humanity: the gift of eternal life. Written in the second millennium B.C. the Epic of Gilgamesh is one of the most important surviving works of ancient literature, a thousand years older than Homer's Iliad and Odyssey. A core influence on religion, culture and the heroic tradition, it is essential reading to understand the birth of ancient civilisations.

'A powerful translation' The Telegraph 'As narrative verse, this Gilgamesh entrances and enthrals.' Independent 'Stephen Mitchell's Gilgamesh is a wonderful version' Harold Bloom Discover the foundational work of world literature - the world's oldest epic poem, vividly translated by Stephen Mitchell. Gilgamesh is a born leader, the king of Uruk. But he is arrogant. To control Gilgamesh, the Gods create Enkidu, a wild man, his equal in strength and courage. They are destined to come to conflict - and yet together they could rid the world of evil, and Gilgamesh may finally discover the one secret the Gods have kept from humanity: the gift of eternal life. Written in the second millennium B.C. the Epic of Gilgamesh is one of the most important surviving works of ancient literature, a thousand years older than Homer's Iliad and Odyssey. A core influence on religion, culture and the heroic tradition, it is essential reading to understand the birth of ancient civilisations.

"Gilgamesh" er det flere tusind år gamle babylonske epos om Kong Gilgamesh oversat ved Sophus Helle og Morten Søndergaard direkte fra oldtidens akkadiske lertavler. ”Gilgamesh” er en af menneskehedens allerældste fortællinger. Allerede i oldtidens Irak blev historien om helten Gilgamesh, der ønskede et evigt liv, fortalt. Fortællingen er eviggyldig og omhandler menneskets essentielle følelser af kærlighed, sorg, afmagt, angst og raseri. Gilgamesh anses for et af litteraturhistoriens første storværk, og får her fortjent fornyet opmærksomhed med Morten Søndergaard og Sophus Helles levende og imponerende oversættelse. Morten Søndergaard er en anerkendt dansk digter, som sammen med sin søn Sophus Helle har oversat teksterne. Sophus Helle har et ph.d.-stipendiat i litteraturhistorie og en kandidatgrad i Assyriologi med speciale og forkærlighed for babylonsk litteratur.

Gilgamesh er en fantastisk historie om venskab, skrevet for over 3000 år siden. Denne gendigtning er lavet, så den egner sig til større børn og til oplæsning. Gilgamesh er en af de ældste historier i verden, og måske er det også verdens bedste historie. Den handler om to venner. En af dem er en konge med et uroligt hjerte, og den anden lever i naturen sammen med de vilde dyr. Da de møder hinanden, slås de, men inden længe bliver de bedste venner, og sammen tager de ud på eventyr. Historien fører os ud til fjerne egne og ned i verdensdybet, og undervejs møder vi uhyret Humbaba, skorpionfolk og stenmænd. Gilgamesh er en sagnkonge i sumerisk mytologi, og helte-eposset om ham hører til blandt verdenslitteraturens perler. Signe Danielsen (f. 1982) er cand.theol. og sognepræst i Sankt Markus Kirke på Frederiksberg. Fady Mansour blev født i Beirut i 1987 for foden af Cedertræsskoven, på den anden side af den frugtbare halvmåne, hvor historien om Gilgamesh finder sted. Omtale ”Det er en pragtfuld oplevelse at læse denne bog. Bogens forside, fortællingens utrolige alder, illustrationernes autenticitet og spørgsmålene undervejs går sammen op i en højere enhed. Det fungerer virkelig godt med de interagerende spørgsmål til læserene, som lader læserne bruge fantasien og udfordrer dem til at tage stilling ti de dilemmaer, som hovedpersonerne gennemgår.” -DBC

A poem for the ages, freshly and accessibly translated by an international rising star, bringing together scholarly precision and poetic grace “Sophus Helle’s new translation . . . [is] a thrilling, enchanting, desperate thing to read.”—Nina MacLaughlin, Boston Globe “Looks to be the last word on this Babylonian masterpiece.”—Michael Dirda, Washington Post Gilgamesh is a Babylonian story about love between men, loss and grief, the confrontation with death; the destruction of nature; insomnia and restlessness, finding peace in one’s community, the voice of women, the folly of gods, heroes, and monsters—and more. Translating directly from the Akkadian, Sophus Helle offers a literary translation that reproduces the original epic’s poetic effects, including its succinct clarity and enchanting cadence. Millennia after its composition, Gilgamesh continues to speak to us in myriad ways.

Reflections on a lost poem and its rediscovery by contemporary poets Gilgamesh is the most ancient long poem known to exist. It is also the newest classic in the canon of world literature. Lost for centuries to the sands of the Middle East but found again in the 1850s, it tells the story of a great king, his heroism, and his eventual defeat. It is a story of monsters, gods, and cataclysms, and of intimate friendship and love. Acclaimed literary historian Michael Schmidt provides a unique meditation on the rediscovery of Gilgamesh and its profound influence on poets today. Schmidt describes how the poem is a work in progress even now, an undertaking that has drawn on the talents and obsessions of an unlikely cast of characters, from archaeologists and museum curators to tomb raiders and jihadis. Fragments of the poem, incised on clay tablets, were scattered across a huge expanse of desert when it was recovered in the nineteenth century. The poem had to be reassembled, its languages deciphered. The discovery of a pre-Noah flood story was front-page news on both sides of the Atlantic, and the poem's allure only continues to grow as additional cuneiform tablets come to light. Its translation, interpretation, and integration are ongoing. In this illuminating book, Schmidt discusses the special fascination Gilgamesh holds for contemporary poets, arguing that part of its appeal is its captivating otherness. He reflects on the work of leading poets such as Charles Olson, Louis Zukofsky, and Yusef Komunyakaa, whose own encounters with the poem are revelatory, and he reads its many translations and editions to bring it vividly to life for readers.

Reflections on a lost poem and its rediscovery by contemporary poets Gilgamesh is the most ancient long poem known to exist. It is also the newest classic in the canon of world literature. Lost for centuries to the sands of the Middle East but found again in the 1850s, it tells the story of a great king, his heroism, and his eventual defeat. It is a story of monsters, gods, and cataclysms, and of intimate friendship and love. Acclaimed literary historian Michael Schmidt provides a unique meditation on the rediscovery of Gilgamesh and its profound influence on poets today. Schmidt describes how the poem is a work in progress even now, an undertaking that has drawn on the talents and obsessions of an unlikely cast of characters, from archaeologists and museum curators to tomb raiders and jihadis. Fragments of the poem, incised on clay tablets, were scattered across a huge expanse of desert when it was recovered in the nineteenth century. The poem had to be reassembled, its languages deciphered. The discovery of a pre-Noah flood story was front-page news on both sides of the Atlantic, and the poem's allure only continues to grow as additional cuneiform tablets come to light. Its translation, interpretation, and integration are ongoing. In this illuminating book, Schmidt discusses the special fascination Gilgamesh holds for contemporary poets, arguing that part of its appeal is its captivating otherness. He reflects on the work of leading poets such as Charles Olson, Louis Zukofsky, and Yusef Komunyakaa, whose own encounters with the poem are revelatory, and he reads its many translations and editions to bring it vividly to life for readers.

Gilgamesh er verdenshistoriens ældste fortælling og over 4000 år gammel. Den stammer fra Mesopotamien, vore dages Irak. Tematikken i fortællingen er eviggyldig og handler om livet, døden, om venskabet, drømme, håb og mod. Kong Gilgamesh er konge i Uruk. Ikke en specielt elsket konge, mere en tyran. Men for at han kan blive mild og retfærdig skaber guderne ham en ven. Venskabet med vildmanden Enkidu, der ikke er vokset op i byen som Gilgamesh, men ude i naturen, bliver et vendepunkt for kongen. Med Enkidu får Gilgamesh mange oplevelser og de bliver uadskillelige. De klarer den ene kampe er den anden. Gilgamesh sætter sig op mod kærlighedsgudinden og som straf rammes Enkidu med døden. Nu går det op for Gilgamesh at også han skal dø. Han forsøger at overvinde døden og kommer til Verdens ende, hvor han møder en krokone og en mand, der har overlevet en vandflod i et skib. Han får også en urt, der kan give evigt liv. Teksten er gendigtet af Pernille Carstens, lyriker og ph.d i teologi med speciale i nærorientalsk religion og er udstyret med forklarende noter. Dem finder man dér i teksten, hvor man har brug for dem.Gilgamesh er illustreret af Sussi Bech, kendt fra tegneserier og striber, og som børnebogs-illustrator. Hun har vundet mange priser og har altid arbejdet med oldtidens Middelhavslande, som det kommer til udtryk i tegneserien Nofret.

Gilgamesh is considered one of the masterpieces of world literature, but until now there has not been a version that is a superlative literary text in its own right. Acclaimed by critics and scholars, Stephen Mitchell's version allows us to enter an ancient masterpiece as if for the first time, to see how startlingly beautiful, intelligent, and alive it is.

”Gilgamesh” er en genudgivelse af det 4000 år gamle oldtidsværk af samme navn. Eposet stammer fra Irak og har ikke nogen kendt forfatter. Det er et unik eksempel på, at et stykke litteratur stadig kan være relevant flere tusinde år efter. Det er en fortælling om helten, kong Gilgamesh, der søgte evigt liv. Bogen berører mange temaer, vi også kan forholde os til i dag. Følelser som kærlighed, sorg, dødsangst og rastløshed. Denne genudgivelse af ”Gilgamesh” er en luksusversion af den akkadiske originaltekst. Det er nyoversat til dansk af digteren Morten Søndergaard og sønnen, Sophus Helle, der har ph.d.-stipendiat i litteraturhistorie og speciale i babylonsk litteratur. Oversættelsen er tro mod den originale fortælling og gendigter ikke handlingen.

Gilgamesh is considered one of the masterpieces of world literature, but until now there has not been a version that is a superlative literary text in its own right. Acclaimed by critics and scholars, Stephen Mitchell's version allows us to enter an ancient masterpiece as if for the first time, to see how startlingly beautiful, intelligent, and alive it is.

A poem for the ages, freshly and accessibly translated by an international rising star, bringing together scholarly precision and poetic grace "Sophus Helle's new translation . . . [is] a thrilling, enchanting, desperate thing to read."-Nina MacLaughlin, Boston Globe "Looks to be the last word on this Babylonian masterpiece."-Michael Dirda, Washington Post Gilgamesh is a Babylonian story about love between men, loss and grief, the confrontation with death; the destruction of nature; insomnia and restlessness, finding peace in one's community, the voice of women, the folly of gods, heroes, and monsters-and more. Translating directly from the Akkadian, Sophus Helle offers a literary translation that reproduces the original epic's poetic effects, including its succinct clarity and enchanting cadence. Millennia after its composition, Gilgamesh continues to speak to us in myriad ways.

A warrior, impetuous and proud, an insatiable lover, and a man of restless, violent spirit, Gilgamesh has been chosen to guide his kingdom in times of war and peace. His strength and courage are unsurpassed, yet his reckless heart threatens the land and the people who are dependent upon his sober, benevolent rule. He has spurned the gods with his arrogant refusal to take part in a sacred ritual. And they, in turn, have responded by creating one who is his equal - a beast-man, lord of his own feral domain - who will lead Gilgamesh on a remarkable quest of accomplishment and discovery, and hasten the destruction of a tragically flawed hero's realm and legend. Moving across a richly evoked Mesopotamian landscape and written in a style that brilliantly and faithfully recalls the great epics throughout history, Stephen Grundy's Gilgamesh is an extraordinary achievement: a sweeping saga of gods, magic, adventure, and poignantly imperfect humanity that is at once compelling, original, and relevant to any epoch.

A warrior, impetuous and proud, an insatiable lover, and a man of restless, violent spirit, Gilgamesh has been chosen to guide his kingdom in times of war and peace. His strength and courage are unsurpassed, yet his reckless heart threatens the land and the people who are dependent upon his sober, benevolent rule. He has spurned the gods with his arrogant refusal to take part in a sacred ritual. And they, in turn, have responded by creating one who is his equal - a beast-man, lord of his own feral domain - who will lead Gilgamesh on a remarkable quest of accomplishment and discovery, and hasten the destruction of a tragically flawed hero's realm and legend. Moving across a richly evoked Mesopotamian landscape and written in a style that brilliantly and faithfully recalls the great epics throughout history, Stephen Grundy's Gilgamesh is an extraordinary achievement: a sweeping saga of gods, magic, adventure, and poignantly imperfect humanity that is at once compelling, original, and relevant to any epoch.