Flatland

Flatland: A Romance of Many Dimensions is an 1884 satirical novella by the English schoolmaster Edwin Abbott Abbott. Writing pseudonymously as "A Square," the book used the fictional two-dimensional world of Flatland to offer pointed observations on the social hierarchy of Victorian culture. However, the novella's more enduring contribution is its examination of dimensions. Several films have been made from the story, including a feature film in 2007 called Flatland. Other efforts have been short or experimental films, including one narrated by Dudley Moore and the short films Flatland: The Movie and Flatland 2: Sphereland starring Martin Sheen and Kristen Bell.

Flatland: A Romance of Many Dimensions is an 1884 satirical novella by the English schoolmaster Edwin Abbott Abbott. Writing pseudonymously as "A Square," the book used the fictional two-dimensional world of Flatland to offer pointed observations on the social hierarchy of Victorian culture. However, the novella's more enduring contribution is its examination of dimensions. Several films have been made from the story, including a feature film in 2007 called Flatland. Other efforts have been short or experimental films, including one narrated by Dudley Moore and the short films Flatland: The Movie and Flatland 2: Sphereland starring Martin Sheen and Kristen Bell.

An illustrated edition of Flatland. Flatland: A Romance of Many Dimensions is a satirical novel by the famous author Edwin A. Abbot. Odin's Library Classics is dedicated to bringing the world the best of humankind's literature from throughout the ages. Carefully selected, each work is unabridged from classic works of fiction, nonfiction, poetry, or drama.

An illustrated edition of Flatland. Flatland: A Romance of Many Dimensions is a satirical novel by the famous author Edwin A. Abbot. Odin's Library Classics is dedicated to bringing the world the best of humankind's literature from throughout the ages. Carefully selected, each work is unabridged from classic works of fiction, nonfiction, poetry, or drama.

'Upward, yet not Northward.' How would a creature limited to two dimensions be able to grasp the possibility of a third? Edwin A. Abbott's droll and delightful 'romance of many dimensions' explores this conundrum in the experiences of his protagonist, A Square, whose linear world is invaded by an emissary Sphere bringing the gospel of the third dimension on the eve of the new millennium. Part geometry lesson, part social satire, this classic work of science fiction brilliantly succeeds in enlarging all readers' imaginations beyond the limits of our 'respective dimensional prejudices'. In a world where class is determined by how many sides you possess, and women are straight lines, the prospects for enlightenment are boundless, and Abbott's hypotheses about a fourth and higher dimensions seem startlingly relevant today. This new edition of Flatland illuminates the social and intellectual context that produced the work as well as the timeless questions that it raises about the limits of our perception and knowledge. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Upward, yet not Northward.' How would a creature limited to two dimensions be able to grasp the possibility of a third? Edwin A. Abbott's droll and delightful 'romance of many dimensions' explores this conundrum in the experiences of his protagonist, A Square, whose linear world is invaded by an emissary Sphere bringing the gospel of the third dimension on the eve of the new millennium. Part geometry lesson, part social satire, this classic work of science fiction brilliantly succeeds in enlarging all readers' imaginations beyond the limits of our 'respective dimensional prejudices'. In a world where class is determined by how many sides you possess, and women are straight lines, the prospects for enlightenment are boundless, and Abbott's hypotheses about a fourth and higher dimensions seem startlingly relevant today. This new edition of Flatland illuminates the social and intellectual context that produced the work as well as the timeless questions that it raises about the limits of our perception and knowledge. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

First published in 1884, Edwin A. Abbott's classic novella is many things: a biting social satire on Victorian society, an exhortation to literally think outside the box (or, if you're a privileged Spacelander, outside the cube), and above all a testament to the universal quest for knowledge and the inherent beauty and purity of mathematical truth. Flatland tells the story of "A SQUARE," a mathematician living in the Second dimension, known as Flatland, whose perceptions of his Universe are turned upside down when he is visited by a Sphere from the Third dimension, known as Spaceland. "A SQUARE" also muses on life in Lineland and Pointland. Flatland is one of the very few novels about math and philosophy that can appeal to almost any layperson. Published in 1880, this short fantasy takes us to a completely flat world of two physical dimensions where all the inhabitants are geometric shapes, and who think the planar world of length and width that they know is all there is. But one inhabitant discovers the existence of a third physical dimension, enabling him to finally grasp the concept of a fourth dimension. Watching our Flatland narrator, we begin to get an idea of the limitations of our own assumptions about reality, and we start to learn how to think about the confusing problem of higher dimensions. The book is also quite a funny satire on society and class distinctions of Victorian England.

First published in 1884, Edwin A. Abbott's classic novella is many things: a biting social satire on Victorian society, an exhortation to literally think outside the box (or, if you're a privileged Spacelander, outside the cube), and above all a testament to the universal quest for knowledge and the inherent beauty and purity of mathematical truth. Flatland tells the story of "A SQUARE," a mathematician living in the Second dimension, known as Flatland, whose perceptions of his Universe are turned upside down when he is visited by a Sphere from the Third dimension, known as Spaceland. "A SQUARE" also muses on life in Lineland and Pointland. Flatland is one of the very few novels about math and philosophy that can appeal to almost any layperson. Published in 1880, this short fantasy takes us to a completely flat world of two physical dimensions where all the inhabitants are geometric shapes, and who think the planar world of length and width that they know is all there is. But one inhabitant discovers the existence of a third physical dimension, enabling him to finally grasp the concept of a fourth dimension. Watching our Flatland narrator, we begin to get an idea of the limitations of our own assumptions about reality, and we start to learn how to think about the confusing problem of higher dimensions. The book is also quite a funny satire on society and class distinctions of Victorian England.

The book that influenced writers from Carl Sagan to Stephen Hawking, Flatland is set in a two-dimensional world where life exists only in lines and shapes - until one of its inhabitants, 'A. Square', has his perspective transformed forever. This brilliantly eccentric classic is an invitation to see beyond our own reality. 'At once a playful brainteaser about geometry, a pointed satire of Victorian manners - and a strangely compelling argument about the greatest mysteries of the Universe' Wall Street Journal ' Flatland could lead to very profound thought about our Universe and ourselves' Isaac Asimov

The book that influenced writers from Carl Sagan to Stephen Hawking, Flatland is set in a two-dimensional world where life exists only in lines and shapes - until one of its inhabitants, 'A. Square', has his perspective transformed forever. This brilliantly eccentric classic is an invitation to see beyond our own reality. 'At once a playful brainteaser about geometry, a pointed satire of Victorian manners - and a strangely compelling argument about the greatest mysteries of the Universe' Wall Street Journal ' Flatland could lead to very profound thought about our Universe and ourselves' Isaac Asimov

'Flatland: A Romance of Many Dimensions' is one of the most original pieces of fiction ever written by Edwin A. Abbott, an English theologian, clergyman, educator, and Shakespearean scholar. This is a satirical mathematical novella that also examines English society during the Victorian era. It describes the journeys of A. Square, a mathematician, and resident of the two-dimensional Flatland, where women-thin, straight lines are the lowliest of shapes, and where men may have any number of sides, depending on their social status. Through strange occurrences that bring him into contact with a host of geometric forms, Square has adventures in Spaceland (three dimensions), Lineland (one dimension), and Pointland (no dimensions) and ultimately entertains thoughts of visiting a land of four dimensions-a revolutionary idea for which he is returned to his two-dimensional world. Charmingly illustrated by the author, Flatland is not only fascinating reading; it is still a first-rate fictional introduction to the concept of the multiple dimensions of space.

'Flatland: A Romance of Many Dimensions' is one of the most original pieces of fiction ever written by Edwin A. Abbott, an English theologian, clergyman, educator, and Shakespearean scholar. This is a satirical mathematical novella that also examines English society during the Victorian era. It describes the journeys of A. Square, a mathematician, and resident of the two-dimensional Flatland, where women-thin, straight lines are the lowliest of shapes, and where men may have any number of sides, depending on their social status. Through strange occurrences that bring him into contact with a host of geometric forms, Square has adventures in Spaceland (three dimensions), Lineland (one dimension), and Pointland (no dimensions) and ultimately entertains thoughts of visiting a land of four dimensions-a revolutionary idea for which he is returned to his two-dimensional world. Charmingly illustrated by the author, Flatland is not only fascinating reading; it is still a first-rate fictional introduction to the concept of the multiple dimensions of space.