Fire Season

New York Times, USA Today, Wall Street Journal and international bestselling phenomenon David Weber delivers the second entry in an original young adult science fiction adventure series. Young forest ranger Stephanie Harrington and her treecat companion Climbs Quickly battle natural forest fire and very human enemies on a pioneer planet. Prequel to the Honor Harrington adult science fiction saga. Second entry in a new young adult series by New York Times best seller David Weber, and the prequel to the hugely popular Honor Harrington adult science fiction saga. Fire in the forest-and a cry for help from a trapped and desperate alien mother Unfortunately, this is one cry no human can hear. Stephanie Harrington, precocious fourteen-year-old Provisional Forest Ranger on the planet Sphinx, knows something is wrong from the uneasy emotion that is flooding into her from her treecat friend, Climbs Quickly. But though Stephanie's alien comrade shares a tight bond with his two-legs, whom he knows as Death Fang's Bane, he cannot communicate directly to her the anguished call from one of his people. Still, their strong and direct bond of feeling may be enough. Stephanie and fellow ranger Karl Zivonik respond to Climbs Quickly's rising waves of distress. Fire season on the pioneer world of Sphinx has begun. But there are those who want to use the natural cycle of the planet for personal gain -and to get rid of the one obstacle that stands in the way of acquiring even greater land and power on Spinx: the native treecats. Now it's up to Stephanie, Climbs Quickly along with their friends, family, and allies to prevent disaster and injustice from befalling a treecat clan. But in the process Stephanie must be certain to preserve the greatest secret all. It is the knowledge that the treecats of Sphinx are not merely pets or servants, but are highly intelligent in their own right-that they are a species fully deserving of rights, respect, and freedom. And keeping the secret that will allow the treecats time to develop a mutually beneficial relationship with humankind. It all begins with the friendship of a girl and her treecat. About Fire Season: "I loved it. A thrilling, edge-of-the-seat read--I couldn't put it down " Tamora Pierce, author of New York Times best-selling Beka Cooper series About series debut novel, A Beautiful Friendship: " A] stellar introduction to a new YA science-fiction series set in the Honorverse of Weber's popular adult novels. It's rare to find teen science fiction that strays beyond popular dystopian fare. The environmental messages, human-animal friendship, humor, action, and inventive technology will make this series starter an easy hit with teen sf readers." - Booklist About David Weber and the Honor Harrington series: ". . .everything you could want in a heroine....excellent...plenty of action."-- Science Fiction Age "Brilliant Brilliant Brilliant "--Anne McCaffrey "Compelling combat combined with engaging characters for a great space opera adventure."-- Locus "Weber combines realistic, engaging characters with intelligent technological projection. Fans of this venerable space opera will rejoice."-- Publishers Weekly Comprehensive Teacher's Guide available.

New York Times, USA Today, Wall Street Journal and international bestselling phenomenon David Weber delivers the second entry in an original young adult science fiction adventure series. Young forest ranger Stephanie Harrington and her treecat companion Climbs Quickly battle natural forest fire and very human enemies on a pioneer planet. Prequel to the Honor Harrington adult science fiction saga. Second entry in a new young adult series by New York Times best seller David Weber, and the prequel to the hugely popular Honor Harrington adult science fiction saga. Fire in the forest-and a cry for help from a trapped and desperate alien mother Unfortunately, this is one cry no human can hear. Stephanie Harrington, precocious fourteen-year-old Provisional Forest Ranger on the planet Sphinx, knows something is wrong from the uneasy emotion that is flooding into her from her treecat friend, Climbs Quickly. But though Stephanie's alien comrade shares a tight bond with his two-legs, whom he knows as Death Fang's Bane, he cannot communicate directly to her the anguished call from one of his people. Still, their strong and direct bond of feeling may be enough. Stephanie and fellow ranger Karl Zivonik respond to Climbs Quickly's rising waves of distress. Fire season on the pioneer world of Sphinx has begun. But there are those who want to use the natural cycle of the planet for personal gain -and to get rid of the one obstacle that stands in the way of acquiring even greater land and power on Spinx: the native treecats. Now it's up to Stephanie, Climbs Quickly along with their friends, family, and allies to prevent disaster and injustice from befalling a treecat clan. But in the process Stephanie must be certain to preserve the greatest secret all. It is the knowledge that the treecats of Sphinx are not merely pets or servants, but are highly intelligent in their own right-that they are a species fully deserving of rights, respect, and freedom. And keeping the secret that will allow the treecats time to develop a mutually beneficial relationship with humankind. It all begins with the friendship of a girl and her treecat. About Fire Season: "I loved it. A thrilling, edge-of-the-seat read--I couldn't put it down " Tamora Pierce, author of New York Times best-selling Beka Cooper series About series debut novel, A Beautiful Friendship: " A] stellar introduction to a new YA science-fiction series set in the Honorverse of Weber's popular adult novels. It's rare to find teen science fiction that strays beyond popular dystopian fare. The environmental messages, human-animal friendship, humor, action, and inventive technology will make this series starter an easy hit with teen sf readers." - Booklist About David Weber and the Honor Harrington series: ". . .everything you could want in a heroine....excellent...plenty of action."-- Science Fiction Age "Brilliant Brilliant Brilliant "--Anne McCaffrey "Compelling combat combined with engaging characters for a great space opera adventure."-- Locus "Weber combines realistic, engaging characters with intelligent technological projection. Fans of this venerable space opera will rejoice."-- Publishers Weekly Comprehensive Teacher's Guide available.

" Fire Season both evokes and honors the great hermit celebrants of nature, from Dillard to Kerouac to Thoreau--and I loved it." --J.R. Moehringer, author of The Tender Bar " Connors's] adventures in radical solitude make for profoundly absorbing, restorative reading." --Walter Kirn, author of Up in the Air Phillip Connors is a major new voice in American nonfiction, and his remarkable debut, Fire Season , is destined to become a modern classic. An absorbing chronicle of the days and nights of one of the last fire lookouts in the American West, Fire Season is a marvel of a book, as rugged and soulful as Matthew Crawford's bestselling Shop Class as Soulcraft , and it immediately places Connors in the august company of Edward Abbey, Annie Dillard, Aldo Leopold, Barry Lopez, and others in the respected fraternity of hard-boiled nature writers.

" Fire Season both evokes and honors the great hermit celebrants of nature, from Dillard to Kerouac to Thoreau--and I loved it." --J.R. Moehringer, author of The Tender Bar " Connors's] adventures in radical solitude make for profoundly absorbing, restorative reading." --Walter Kirn, author of Up in the Air Phillip Connors is a major new voice in American nonfiction, and his remarkable debut, Fire Season , is destined to become a modern classic. An absorbing chronicle of the days and nights of one of the last fire lookouts in the American West, Fire Season is a marvel of a book, as rugged and soulful as Matthew Crawford's bestselling Shop Class as Soulcraft , and it immediately places Connors in the august company of Edward Abbey, Annie Dillard, Aldo Leopold, Barry Lopez, and others in the respected fraternity of hard-boiled nature writers.

"One of the most important chroniclers of the modern psyche." -- The Guardian The novelist, cultural critic, and indie icon serves up sometimes bitchy, always generous, erudite, and joyful assessments from the last thirty-five years of cutting edge film, art, and literature. Whether he's describing Tracy Emin or Warhol, the films of Barbet Schroeder ("Schroeder is well aware that life is not a narrative; that we impose form on the movements of chance, contingency, and impulse....") or the installations of Barbara Kruger ("Kruger compresses the telling exchanges of lived experience that betray how skewed our lives are..."), Indiana is never just describing. His writing is refreshing, erudite, joyful. Indiana champions shining examples of literary and artistic merit regardless of whether the individual artist or writer is famous; asserts a standard of care and tradition that has nothing to do with the ivory tower establishment; is unafraid to deliver the coup de gr?ce when someone needs to say the emperor has no clothes; speaks in the same breath--in the same discerning, insolent, eloquent way--about high art and pop culture. Few writers could get away with saying the things Gary Indiana does. And when the writing is this good, it's also political, plus it's a riot of fun on the page. Here is Gary Indiana on Euro Disney resort park in Marne-la-Val?e outside of Paris: John Berger compares the art of Disney to that of Francis Bacon. He says that the same essential horror lurks in both, and that it springs from the viewer's imagining: There is nothing else. Even as a child, I understood how unbearable it would be to be trapped inside a cartoon frame. Since 1987, Indiana has published novels, nonfiction, plays, short stories -- all with an unmistakable, sardonic voice embedded in the text ..." -- Los Angeles Times

"One of the most important chroniclers of the modern psyche." -- The Guardian The novelist, cultural critic, and indie icon serves up sometimes bitchy, always generous, erudite, and joyful assessments from the last thirty-five years of cutting edge film, art, and literature. Whether he's describing Tracy Emin or Warhol, the films of Barbet Schroeder ("Schroeder is well aware that life is not a narrative; that we impose form on the movements of chance, contingency, and impulse....") or the installations of Barbara Kruger ("Kruger compresses the telling exchanges of lived experience that betray how skewed our lives are..."), Indiana is never just describing. His writing is refreshing, erudite, joyful. Indiana champions shining examples of literary and artistic merit regardless of whether the individual artist or writer is famous; asserts a standard of care and tradition that has nothing to do with the ivory tower establishment; is unafraid to deliver the coup de gr?ce when someone needs to say the emperor has no clothes; speaks in the same breath--in the same discerning, insolent, eloquent way--about high art and pop culture. Few writers could get away with saying the things Gary Indiana does. And when the writing is this good, it's also political, plus it's a riot of fun on the page. Here is Gary Indiana on Euro Disney resort park in Marne-la-Val?e outside of Paris: John Berger compares the art of Disney to that of Francis Bacon. He says that the same essential horror lurks in both, and that it springs from the viewer's imagining: There is nothing else. Even as a child, I understood how unbearable it would be to be trapped inside a cartoon frame. Since 1987, Indiana has published novels, nonfiction, plays, short stories -- all with an unmistakable, sardonic voice embedded in the text ..." -- Los Angeles Times