Fictions

The most popular anthology of Jorge Luis Borges's short stories, Fictions is a wildly original and influential collection of fantastic tales, translated from the Spanish with an afterword by Andrew Hurley in Penguin Modern Classics. Jorge Luis Borges's Fictions introduced an entirely new voice into world literature. It is here that we find the astonishing accounts of 'Funes the Memorious', the man who can forget nothing ; 'Pierre Menard, Author of the Quixote ', who recreates Miguel de Cervantes's epic word-for-word; a society run on the basis of an all-encompassing game of chance in 'The Lottery in Babylon'; the mysterious world of 'Tlön, Uqbar, Orbis Tertius' which seems to be supplanting our own ; and the 'Library of Babel', which contains every possible book in the whole universe. Here too are the philosophical detective stories and the haunting tales of Irish revolutionaries, gaucho knife fights and dreams within dreams which proved so influential (and yet impossible to imitate). This collection was eventually to bring Borges international fame; over fifty years later, it remains endlessly intriguing. Jorge Luis Borges (1899-1986) was born in Buenos Aires, Argentina. A poet, critic and short story writer, he received numerous awards for his work including the 1961 International Publisher's Prize (shared with Samuel Beckett). He has a reasonable claim, along with Kafka and Joyce, to be one of the most influential writers of the 20th century. If you enjoyed Fictions , you might like Italo Calvino's The Complete Cosmicomics , also available in Penguin Modern Classics. 'Hurley's efforts at retranslating Borges are not anything but heroic. His visions are clear, elegant, crystalline' Ilan Savans, The Times Literary Supplement 'One of the most memorable artists of our age' Mario Vargas Llosa

The most popular anthology of Jorge Luis Borges's short stories, Fictions is a wildly original and influential collection of fantastic tales, translated from the Spanish with an afterword by Andrew Hurley in Penguin Modern Classics. Jorge Luis Borges's Fictions introduced an entirely new voice into world literature. It is here that we find the astonishing accounts of 'Funes the Memorious', the man who can forget nothing ; 'Pierre Menard, Author of the Quixote ', who recreates Miguel de Cervantes's epic word-for-word; a society run on the basis of an all-encompassing game of chance in 'The Lottery in Babylon'; the mysterious world of 'Tlön, Uqbar, Orbis Tertius' which seems to be supplanting our own ; and the 'Library of Babel', which contains every possible book in the whole universe. Here too are the philosophical detective stories and the haunting tales of Irish revolutionaries, gaucho knife fights and dreams within dreams which proved so influential (and yet impossible to imitate). This collection was eventually to bring Borges international fame; over fifty years later, it remains endlessly intriguing. Jorge Luis Borges (1899-1986) was born in Buenos Aires, Argentina. A poet, critic and short story writer, he received numerous awards for his work including the 1961 International Publisher's Prize (shared with Samuel Beckett). He has a reasonable claim, along with Kafka and Joyce, to be one of the most influential writers of the 20th century. If you enjoyed Fictions , you might like Italo Calvino's The Complete Cosmicomics , also available in Penguin Modern Classics. 'Hurley's efforts at retranslating Borges are not anything but heroic. His visions are clear, elegant, crystalline' Ilan Savans, The Times Literary Supplement 'One of the most memorable artists of our age' Mario Vargas Llosa

From ancient philosophy to contemporary theories of fiction, it is a common practice to relegate illusory appearances to the realm of the non-existent, like shadows on the wall of Plato’s cave. Contrary to this traditional mode of drawing a metaphysical distinction between reality and fiction, Markus Gabriel argues that the realm of the illusory, fictional, imaginary and conceptually indeterminate is as real as it gets. Being in touch with reality need not and cannot require that we overcome appearances in order to grasp a meaningless reality which exists ‘out there’, outside and maybe even beyond our minds. Human mindedness ( Geist ) exists in the mode of fictions through which we achieve self-consciousness. This novel approach provides a fresh perspective on our existence as subjects who lead their lives in the light of self-conceptions. Fictions also develops a social ontology according to which the social unfolds as a constant renegotiation of dissent, of different points of view onto the same reality. Thus we cannot ever hope to ground human society in a fiction-free realm of objective transactions. However, this does not mean that truth and reality are somehow outdated concepts. On the contrary, we need to enlarge our conception of reality so that it fully encompasses ourselves as specifically minded social animals. This major new work of philosophy will be of interest to students and scholars throughout the humanities and to anyone interested in contemporary philosophy and social thought.

From ancient philosophy to contemporary theories of fiction, it is a common practice to relegate illusory appearances to the realm of the non-existent, like shadows on the wall of Plato’s cave. Contrary to this traditional mode of drawing a metaphysical distinction between reality and fiction, Markus Gabriel argues that the realm of the illusory, fictional, imaginary and conceptually indeterminate is as real as it gets. Being in touch with reality need not and cannot require that we overcome appearances in order to grasp a meaningless reality which exists ‘out there’, outside and maybe even beyond our minds. Human mindedness ( Geist ) exists in the mode of fictions through which we achieve self-consciousness. This novel approach provides a fresh perspective on our existence as subjects who lead their lives in the light of self-conceptions. Fictions also develops a social ontology according to which the social unfolds as a constant renegotiation of dissent, of different points of view onto the same reality. Thus we cannot ever hope to ground human society in a fiction-free realm of objective transactions. However, this does not mean that truth and reality are somehow outdated concepts. On the contrary, we need to enlarge our conception of reality so that it fully encompasses ourselves as specifically minded social animals. This major new work of philosophy will be of interest to students and scholars throughout the humanities and to anyone interested in contemporary philosophy and social thought.