Dust

Brought to you by Penguin.The much-anticipated final instalment of the Wool trilogy.In the aftermath of the uprising, the people of Silo 18 are coming to terms with a new order. Some embrace the change, others fear the unknown; none have control of their fate.The Silo is still in danger.There are those set on its destruction.Jules knows they must be stopped.The battle has been won.The war is just beginning.______________'The next Hunger Games' The Sunday Times'Thrilling, thought-provoking and memorable ... one of dystopian fiction's masterpieces alongside the likes of 1984 and Brave New World.' Daily Express(c)2013 Hugh Howey (P)2013 Penguin Audio

Kenya, 2007. Odidi Oganda, running for his life, is gunned down in the streets of Nairobi. His sister, Ajany, and their father bring his body back home, to a crumbling colonial house in northern Kenya. But the peace they seek is hard to find: the murder has stirred deeply buried memories of colonial violence, of the killing-sprees of the Mau Mau uprising, and the shocking political assassination of Tom Mboya in 1969. When a young Englishman appears, searching for his missing father, another story, of love, or at least a connection, begins. This is a spellbinding state of the nation novel about Kenya, showing how the violence of the past informs the violence and disorder of the present. Yvonne Adhiambo Owuor's memorable characters; Ajany's mother, deranged with grief and past violations, the Trader, embodying the timeless nomadic traders of Sudan, and Odidi himself, who transcended his past, came to success, and then a tragic end, are enchanting. Owuor reveals to us a new Kenya, a Kenya of bloodshed but also of modernity, suffused with a spirit world only half-remembered. This is a country where the characters listen so acutely for what is not said, and for the voices from the distant and recent past.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. No matter how much you fight against it, dust pervades everything. It gathers in even layers, adapting to the contours of things and marking the passage of time. In itself, it is also a gathering place, a random community of what has been and what is yet to be, a catalog of traces and a set of promises: dead skin cells and plant pollen, hair and paper fibers, not to mention dust mites who make it their home. And so, dust blurs the boundaries between the living and the dead, plant and animal matter, the inside and the outside, you and the world (“for dust thou art, and unto dust shalt thou return”). This book treats one of the most mundane and familiar phenomena, showing how it can provide a key to thinking about existence, community, and justice today. Object Lessons is published in partnership with an essay series in The Atlantic.

Kenya, 2007. Odidi Oganda, running for his life, is gunned down in the streets of Nairobi. His sister, Ajany, and their father bring his body back home, to a crumbling colonial house in northern Kenya. But the peace they seek is hard to find: the murder has stirred deeply buried memories of colonial violence, of the killing-sprees of the Mau Mau uprising, and the shocking political assassination of Tom Mboya in 1969. When a young Englishman appears, searching for his missing father, another story, of love, or at least a connection, begins. This is a spellbinding state of the nation novel about Kenya, showing how the violence of the past informs the violence and disorder of the present. Yvonne Adhiambo Owuor's memorable characters; Ajany's mother, deranged with grief and past violations, the Trader, embodying the timeless nomadic traders of Sudan, and Odidi himself, who transcended his past, came to success, and then a tragic end, are enchanting. Owuor reveals to us a new Kenya, a Kenya of bloodshed but also of modernity, suffused with a spirit world only half-remembered. This is a country where the characters listen so acutely for what is not said, and for the voices from the distant and recent past.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. No matter how much you fight against it, dust pervades everything. It gathers in even layers, adapting to the contours of things and marking the passage of time. In itself, it is also a gathering place, a random community of what has been and what is yet to be, a catalog of traces and a set of promises: dead skin cells and plant pollen, hair and paper fibers, not to mention dust mites who make it their home. And so, dust blurs the boundaries between the living and the dead, plant and animal matter, the inside and the outside, you and the world (“for dust thou art, and unto dust shalt thou return”). This book treats one of the most mundane and familiar phenomena, showing how it can provide a key to thinking about existence, community, and justice today. Object Lessons is published in partnership with an essay series in The Atlantic.

The twenty-first book in the Kay Scarpetta series, from No. 1 bestselling author Patricia Cornwell - soon to be an original series on Prime Video 'America's most chilling writer of crime fiction' The Times After working on one of the worst mass killings in US history, Chief Medical Examiner Kay Scarpetta returns home to recover, but an unsettling call drives her straight back to work. The body of a young woman has been discovered inside the sheltered gates of MIT, draped in an unusual cloth and posed in a way that is too deliberate to be the killer's first strike. A preliminary examination reveals that the body is covered in a fine dust that under ultra-violet light fluoresces blood-red, emerald-green and sapphire-blue, and physical evidence links this to another series of disturbing homicides in Washington, DC. As she pieces together the fragments of evidence, Scarpetta discovers that the cases connect, yet also seem to conflict, drawing herself and her team deeper into the dark world of designer drugs, drone technology, organised crime, and shocking corruption at the highest level. The next book in the Scarpetta series is Flesh and Blood . And don't miss True Crime , Patricia Cornwell's jaw-dropping memoir - available now. DISCOVER THE SERIES THAT SHAPED THE WORLD OF CRIME FICTION 'One of the best crime writers writing today ' Guardian ' Devilishly clever ' Sunday Times ' The top gun in this field ' Daily Telegraph ' Forget the pretenders. Cornwell reigns ' Mirror ' The Agatha Christie of the DNA age ' Express TRACE was a No.1 Sunday Times bestseller in paperback in April 2005

The much-anticipated final instalment of the Wool trilogy. 'The next Hunger Games.' The Sunday Times 'Thrilling, thought-provoking and memorable ... one of dystopian fiction's masterpieces alongside the likes of 1984 and Brave New World.' Daily Express ________________ In the aftermath of the uprising, the people of Silo 18 are coming to terms with a new order. Some embrace the change, others fear the unknown; none have control of their fate. The Silo is still in danger. There are those set on its destruction. Jules knows they must be stopped. The battle has been won. The war is just beginning.

The much-anticipated final instalment of the Wool trilogy. 'The next Hunger Games.' The Sunday Times 'Thrilling, thought-provoking and memorable ... one of dystopian fiction's masterpieces alongside the likes of 1984 and Brave New World.' Daily Express ________________ In the aftermath of the uprising, the people of Silo 18 are coming to terms with a new order. Some embrace the change, others fear the unknown; none have control of their fate. The Silo is still in danger. There are those set on its destruction. Jules knows they must be stopped. The battle has been won. The war is just beginning.

The twenty-first book in the Kay Scarpetta series, from No. 1 bestselling author Patricia Cornwell - soon to be an original series on Prime Video 'America's most chilling writer of crime fiction' The Times After working on one of the worst mass killings in US history, Chief Medical Examiner Kay Scarpetta returns home to recover, but an unsettling call drives her straight back to work. The body of a young woman has been discovered inside the sheltered gates of MIT, draped in an unusual cloth and posed in a way that is too deliberate to be the killer's first strike. A preliminary examination reveals that the body is covered in a fine dust that under ultra-violet light fluoresces blood-red, emerald-green and sapphire-blue, and physical evidence links this to another series of disturbing homicides in Washington, DC. As she pieces together the fragments of evidence, Scarpetta discovers that the cases connect, yet also seem to conflict, drawing herself and her team deeper into the dark world of designer drugs, drone technology, organised crime, and shocking corruption at the highest level. The next book in the Scarpetta series is Flesh and Blood . And don't miss True Crime , Patricia Cornwell's jaw-dropping memoir - available now. DISCOVER THE SERIES THAT SHAPED THE WORLD OF CRIME FICTION 'One of the best crime writers writing today ' Guardian ' Devilishly clever ' Sunday Times ' The top gun in this field ' Daily Telegraph ' Forget the pretenders. Cornwell reigns ' Mirror ' The Agatha Christie of the DNA age ' Express TRACE was a No.1 Sunday Times bestseller in paperback in April 2005

The truth about Neverland is far more dangerous than a fairy tale... Claire Kenton believes the world is too dark for magic to be real--since her twin brother was stolen away as a child. Now Claire's desperate search points to London...and a boy who shouldn't exist. Peter Pan is having a beastly time getting back to Neverland. Grounded in London and hunted by his own Lost Boys, Peter searches for the last hope of restoring his crumbling island: a lass with magic in her veins. The girl who fears her own destiny is on a collision course with the boy who never wanted to grow up. The truth behind this fairy tale is about to unravel everything Claire thought she knew about Peter Pan--and herself.

The truth about Neverland is far more dangerous than a fairy tale... Claire Kenton believes the world is too dark for magic to be real--since her twin brother was stolen away as a child. Now Claire's desperate search points to London...and a boy who shouldn't exist. Peter Pan is having a beastly time getting back to Neverland. Grounded in London and hunted by his own Lost Boys, Peter searches for the last hope of restoring his crumbling island: a lass with magic in her veins. The girl who fears her own destiny is on a collision course with the boy who never wanted to grow up. The truth behind this fairy tale is about to unravel everything Claire thought she knew about Peter Pan--and herself.

In this witty, engaging and challenging book, Carolyn Steedman has produced a highly original and sometimes irreverent investigation into the development of modern history writing. Dust is about the practice and writing of history. Dust considers the immutable, stubborn set of beliefs about the material world, past and present, inherited from the nineteenth century, with which modern history writing attempts to grapple. Drawing on over five years worth of her own published and unpublished writing, the author has produced a sustained argument about the way in which history writing belongs to the currents of thought shaping the modern world. Steedman begins by looking at the attention paid to the archive by those working in the humanities and social sciences in recent years, what has become known as the practice of 'archivisation'. By definition, the archive is the repository of 'that which will not go away', and the book goes on to suggest that, just like dust, the 'matter of history' can never go away or be erased. Historians who want to think about what it is they do will find this work enlightening, and this book is essential reading for all undergraduates and postgraduates studying historiography, and history and theory. -- .

' Dust is a book with an extraordinary global story to tell, but - and - also with an ethical argument to advance.' Robert Macfarlane 'Superb' Telegraph 'Brilliant' Sunday Times 'Eye-opening . . . impressive' Guardian 'Like a detective dusting for fingerprints, Jay Owens masterfully reveals the hidden traces of modernity by following some of its smallest fragments.' James Vincent, author of Beyond Measure __________ Dust may seem inconsequential, so tiny and mundane as to slip below the threshold of thought. Yet within the next one hundred years, life on Earth will be profoundly changed by heat and drought - and that means dust. In this ground-breaking book, Jay Owens argues that dust is a legacy of twentieth-century progress and a toxic threat to life in the twenty-first. Dust: The Modern World in a Trillion Particles tells the gripping story of how the relentless drive for profit and power has turned the world to powder. Combining history and science, travel and nature writing, Owens shows how the modern world was made through environmental devastation - and then brushed the consequences under the carpet. From particle air pollution and nuclear fallout to desertification, dried-up seas and melting glaciers, we've profoundly altered the planet we live on. The cost to human health - and to the natural world - proves immense. From the California desert and the Dust Bowl in Oklahoma to the desiccated remains of the Aral Sea and the edge of the Greenland ice sheet, we are shown that some of the planet's most remote and forgotten places are central to the modern world. With clarity and insight, Dust: The Modern World in a Trillion Particles helps us understand our legacy and discovers the big ideas found within the smallest particles. __________ Combining history and science, a sweeping look at the smallest substance and the biggest challenges facing people and the planet. 'From Mark Kurlansky's Salt and Laura Martin's Tea to Jared Diamond's Guns and Germs and Steel , can we now add geographer Jay Owens's Dust ?' Telegraph

In this witty, engaging and challenging book, Carolyn Steedman has produced a highly original and sometimes irreverent investigation into the development of modern history writing. Dust is about the practice and writing of history. Dust considers the immutable, stubborn set of beliefs about the material world, past and present, inherited from the nineteenth century, with which modern history writing attempts to grapple. Drawing on over five years worth of her own published and unpublished writing, the author has produced a sustained argument about the way in which history writing belongs to the currents of thought shaping the modern world. Steedman begins by looking at the attention paid to the archive by those working in the humanities and social sciences in recent years, what has become known as the practice of ‘archivisation’. By definition, the archive is the repository of 'that which will not go away', and the book goes on to suggest that, just like dust, the ‘matter of history’ can never go away or be erased. Historians who want to think about what it is they do will find this work enlightening, and this book is essential reading for all undergraduates and postgraduates studying historiography, and history and theory.

' Dust is a book with an extraordinary global story to tell, but - and - also with an ethical argument to advance.' Robert Macfarlane 'Superb' Telegraph 'Brilliant' Sunday Times 'Eye-opening . . . impressive' Guardian 'Like a detective dusting for fingerprints, Jay Owens masterfully reveals the hidden traces of modernity by following some of its smallest fragments.' James Vincent, author of Beyond Measure __________ Dust may seem inconsequential, so tiny and mundane as to slip below the threshold of thought. Yet within the next one hundred years, life on Earth will be profoundly changed by heat and drought - and that means dust. In this ground-breaking book, Jay Owens argues that dust is a legacy of twentieth-century progress and a toxic threat to life in the twenty-first. Dust: The Modern World in a Trillion Particles tells the gripping story of how the relentless drive for profit and power has turned the world to powder. Combining history and science, travel and nature writing, Owens shows how the modern world was made through environmental devastation - and then brushed the consequences under the carpet. From particle air pollution and nuclear fallout to desertification, dried-up seas and melting glaciers, we've profoundly altered the planet we live on. The cost to human health - and to the natural world - proves immense. From the California desert and the Dust Bowl in Oklahoma to the desiccated remains of the Aral Sea and the edge of the Greenland ice sheet, we are shown that some of the planet's most remote and forgotten places are central to the modern world. With clarity and insight, Dust: The Modern World in a Trillion Particles helps us understand our legacy and discovers the big ideas found within the smallest particles. __________ Combining history and science, a sweeping look at the smallest substance and the biggest challenges facing people and the planet. 'From Mark Kurlansky's Salt and Laura Martin's Tea to Jared Diamond's Guns and Germs and Steel , can we now add geographer Jay Owens's Dust ?' Telegraph

Wool introduced the world of the silo. Shift told the story of its creation. Dust will describe its downfall WOOL is soon to be an Apple TV+ series Juliette, now mayor of Silo 18, doesn't trust Silo 1, especially its leader, Donald. But in the world of the Silos, there is no black and white--everything is shades of gray. Donald may not be the monster Juliette thinks he is, and may in fact be key to humanity's continued survival. But can they work together long enough to succeed? In Dust, the final book in the New York Times best-selling Silo trilogy, the choices that Juliette and Donald make could lead to salvation . . . or to the death of everyone on the planet. "The final book secures the status of the Wool trilogy as a modern masterpiece."-- Sunday Express "The success of Howey's Wool trilogy was no fluke. This is a superior sci-fi thriller, both slick and gritty."-- Financial Times

Wool introduced the world of the silo. Shift told the story of its creation. Dust will describe its downfall WOOL is soon to be an Apple TV+ series Juliette, now mayor of Silo 18, doesn't trust Silo 1, especially its leader, Donald. But in the world of the Silos, there is no black and white--everything is shades of gray. Donald may not be the monster Juliette thinks he is, and may in fact be key to humanity's continued survival. But can they work together long enough to succeed? In Dust, the final book in the New York Times best-selling Silo trilogy, the choices that Juliette and Donald make could lead to salvation . . . or to the death of everyone on the planet. "The final book secures the status of the Wool trilogy as a modern masterpiece."-- Sunday Express "The success of Howey's Wool trilogy was no fluke. This is a superior sci-fi thriller, both slick and gritty."-- Financial Times

In this witty, engaging, and challenging book, Carolyn Steedman has produced an originaland sometimes irreverentinvestigation into how modern historiography has developed. Dust: The Archive and Cultural History considers our stubborn set of beliefs about an objective material worldinherited from the nineteenth centurywith which modern history writing and its lack of such a belief, attempts to grapple. Drawing on her own published and unpublished writing, Carolyn Steedman has produced a sustained argument about the way in which history writing belongs to the currents of thought shaping the modern world. Steedman begins by asserting that in recent years much attention has been paid to the archive by those working in the humanities and social sciences; she calls this practice "archivization." By definition, the archive is the repository of "that which will not go away," and the book goes on to suggest that, just like dust, the "matter of history" can never go away or be erased. This unique work will be welcomed by all historians who want to think about what it is they do.

In this witty, engaging, and challenging book, Carolyn Steedman has produced an originaland sometimes irreverentinvestigation into how modern historiography has developed. Dust: The Archive and Cultural History considers our stubborn set of beliefs about an objective material worldinherited from the nineteenth centurywith which modern history writing and its lack of such a belief, attempts to grapple. Drawing on her own published and unpublished writing, Carolyn Steedman has produced a sustained argument about the way in which history writing belongs to the currents of thought shaping the modern world. Steedman begins by asserting that in recent years much attention has been paid to the archive by those working in the humanities and social sciences; she calls this practice "archivization." By definition, the archive is the repository of "that which will not go away," and the book goes on to suggest that, just like dust, the "matter of history" can never go away or be erased. This unique work will be welcomed by all historians who want to think about what it is they do.