Dog Days

"The Good Story may be every story you write, but the Good Story is also not your story." Dog Days considers why we tell stories the way we do, and how we might tell them otherwise. Combining memoir and essay, cultural criticism and literary experiment, it begins with a personal trauma-the account of how Emily LaBarge and her family were held hostage during the Christmas holidays of 2009-but looks outwards as much as inwards for answers. Skilful and controlled, but also searching and febrile, this is a book that unsettles time and narrative, art and imagination, embodying in form the trauma that it describes. Taking in writers and artists from Vivian Gornick to Robert Burton, David Lynch to Sylvia Plath, LaBarge picks apart the structures of narrative forms to ask how it might be possible to tell the "Good Story", and its aftermath, on its own terms.

Dog Days unfolds in the long shadow of freak violence--where language stammers, time loops, and the body remembers what the mind can't. "An incandescent book, a landmark in how to bring language to bear on the unspeakable. Beautiful, uncompromising, rigorous and totally original."-- Olivia Laing, author of The Lonely City In 2009, Emily LaBarge and her family were held hostage while on vacation. A crocheted blanket was placed over her head while Mrs. Doubtfire and "Agnus Dei" played on repeat. In the years that follow, a therapist encourages her to lie in exactly the same position, "just like how it happened, for as long as it happened, and for as long as it takes until the pain comes out"--otherwise it will never leave. She tries to find "the good story" neat, polite, reassuring. But what happens to the things the good story leaves out? A high-voltage synthesis of memoir, criticism, and psychoanalytic theory--drawing upon film and writing from Mulholland Drive to It's a Wonderful Life , Virginia Woolf to Janet Malcolm-- Dog Days writes into this question. How do language and institutions constrain and distort our understanding of trauma, violence, and care? How might we write otherwise, telling a story, and its aftermath, on our own terms? The result is not only a prose work but also a practice: an insistence on more radical, more complex forms of engagement, a search for the place where writing becomes a way of surviving.

Dog Days unfolds in the long shadow of freak violence--where language stammers, time loops, and the body remembers what the mind can't. "An incandescent book, a landmark in how to bring language to bear on the unspeakable. Beautiful, uncompromising, rigorous and totally original."-- Olivia Laing, author of The Lonely City In 2009, Emily LaBarge and her family were held hostage while on vacation. A crocheted blanket was placed over her head while Mrs. Doubtfire and "Agnus Dei" played on repeat. In the years that follow, a therapist encourages her to lie in exactly the same position, "just like how it happened, for as long as it happened, and for as long as it takes until the pain comes out"--otherwise it will never leave. She tries to find "the good story" neat, polite, reassuring. But what happens to the things the good story leaves out? A high-voltage synthesis of memoir, criticism, and psychoanalytic theory--drawing upon film and writing from Mulholland Drive to It's a Wonderful Life , Virginia Woolf to Janet Malcolm-- Dog Days writes into this question. How do language and institutions constrain and distort our understanding of trauma, violence, and care? How might we write otherwise, telling a story, and its aftermath, on our own terms? The result is not only a prose work but also a practice: an insistence on more radical, more complex forms of engagement, a search for the place where writing becomes a way of surviving.

Are you sitting nicely? Good. Let’s discover exactly what happened after two superstar Labradors chewed up the lockdown internet and found it really quite tasty. He's not kept a diary for decades but here, in Dog Days, Andrew Cotter draws inspiration from the great Samuel Pepys; like him, he bears witness to the extraordinary everyday as the world tilts on its axis in our own unsettling era. And so, with Olive and Mabel at his side - actually, dawdling in the long grass or sleeping upside down - Andrew takes a clear-eyed, often hilarious walk through a year that encompasses all of life from the crushingly mundane to the decidedly odd. Followed by whispers of 'Is that really Olive and Mabel?' - not to mention the occasional Hollywood approach - the three of them pad around literary festivals, breakfast TV, live radio and even an appearance on Good Morning America. Slightly bemused by their fame, Andrew not only pitches up in the iconic Mastermind chair, but makes a return to sports broadcasting to find that it has become rather strange as well. But, always, his pair of utterly endearing, endlessly optimistic and eternally hungry canine companions show just how precious our time is. Especially our time spent in the devoted company of dogs. For fans new and old, this witty, insightful account of a year like no other is an unmissable treat.

Are you sitting nicely? Good. Let’s discover exactly what happened after two superstar Labradors chewed up the lockdown internet and found it really quite tasty. He's not kept a diary for decades but here, in Dog Days, Andrew Cotter draws inspiration from the great Samuel Pepys; like him, he bears witness to the extraordinary everyday as the world tilts on its axis in our own unsettling era. And so, with Olive and Mabel at his side - actually, dawdling in the long grass or sleeping upside down - Andrew takes a clear-eyed, often hilarious walk through a year that encompasses all of life from the crushingly mundane to the decidedly odd. Followed by whispers of 'Is that really Olive and Mabel?' - not to mention the occasional Hollywood approach - the three of them pad around literary festivals, breakfast TV, live radio and even an appearance on Good Morning America. Slightly bemused by their fame, Andrew not only pitches up in the iconic Mastermind chair, but makes a return to sports broadcasting to find that it has become rather strange as well. But, always, his pair of utterly endearing, endlessly optimistic and eternally hungry canine companions show just how precious our time is. Especially our time spent in the devoted company of dogs. For fans new and old, this witty, insightful account of a year like no other is an unmissable treat.