Doctor Faustus

'Why must I feel that almost all--no, all--of the devices and conventions used by art are today only fit for parody?' Adrian Leverkühn is a composer who, at terrible personal cost, makes the breakthrough from traditional art to extreme modernism and success. Creative and brilliant, he will stop at nothing to achieve greatness. Thomas Mann wrote Doctor Faustus (1947) in American exile during and just after the Second World War. A prominent and long-standing defender of democracy, he sought to understand, in cultural and intellectual terms, how Germany had succumbed to Nazism. Mann structures his story through references to the German legend of Faust and his pact with the Devil. The life of the solitary composer, an ultimately tragic figure, is recounted by his friend and biographer, who represents a sadly ineffectual humanism, and whose social activities provide a panorama of middle-class German society in the early twentieth century. Ritchie Robertson's new English translation is accompanied by detailed annotations and an introduction illuminating the themes of the novel. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Why must I feel that almost all--no, all--of the devices and conventions used by art are today only fit for parody?' Adrian Leverkühn is a composer who, at terrible personal cost, makes the breakthrough from traditional art to extreme modernism and success. Creative and brilliant, he will stop at nothing to achieve greatness. Thomas Mann wrote Doctor Faustus (1947) in American exile during and just after the Second World War. A prominent and long-standing defender of democracy, he sought to understand, in cultural and intellectual terms, how Germany had succumbed to Nazism. Mann structures his story through references to the German legend of Faust and his pact with the Devil. The life of the solitary composer, an ultimately tragic figure, is recounted by his friend and biographer, who represents a sadly ineffectual humanism, and whose social activities provide a panorama of middle-class German society in the early twentieth century. Ritchie Robertson's new English translation is accompanied by detailed annotations and an introduction illuminating the themes of the novel. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

To unlock his full creative potential, Adrian Leverkühn makes a lethal pact with nature and intentionally contracts syphilis. A brilliant young composer, Adrian believes that the disease-induced madness will fuel his genius. But while his music reaches new heights, his mind and morality begin to unravel. Mann's interpretation of the Faustian legend is a story of madness and sanity, genius and corruption, intellectual attainment and Germany's moral fall. 'Arguably the great German novel' New York Times (Cover may vary)

To unlock his full creative potential, Adrian Leverkühn makes a lethal pact with nature and intentionally contracts syphilis. A brilliant young composer, Adrian believes that the disease-induced madness will fuel his genius. But while his music reaches new heights, his mind and morality begin to unravel. Mann's interpretation of the Faustian legend is a story of madness and sanity, genius and corruption, intellectual attainment and Germany's moral fall. 'Arguably the great German novel' New York Times (Cover may vary)

The definitive translation of 'Arguably the great German novel' ( New York Times) ‘This man is mad. Of that there can no longer be any doubt, and it is pitiable that no one representing psychiatric science is part of our circle’ In May 1943 a middle-aged scholar retires to his study to reflect on the life and untimely death of his friend, a once-brilliant composer and the flower of German culture. He recalls how, consumed by over-reaching ambition, this friend made an unholy bargain in return for creative genius. How he enjoyed twenty-four years of unrivalled success and musical achievement – until, inevitably, he had to pay his dues. A reworking of the classic Faust legend, Doctor Faustus is one of the twentieth century’s finest novels: a powerful allegory of the rise of the Nazism, and a warning against the seductive attractions of nihilism. Translated by John E. Woods

“While the texts of Marlowe’s Doctor Faustus are notoriously slippery, mysterious, and dangerous, this Norton Critical Edition is remarkably lucid, enriching, and enlightening. Kastan and Hunter have done an exemplary job contextualizing the A- and B-texts within their printing, religious, and performance histories. A must read for anyone teaching or studying early modern literature.” —Ayanna Thompson, Arizona State University

“While the texts of Marlowe’s Doctor Faustus are notoriously slippery, mysterious, and dangerous, this Norton Critical Edition is remarkably lucid, enriching, and enlightening. Kastan and Hunter have done an exemplary job contextualizing the A- and B-texts within their printing, religious, and performance histories. A must read for anyone teaching or studying early modern literature.” —Ayanna Thompson, Arizona State University