Desert Solitaire

"Rough, tough, combative . . . a passionately felt, deeply poetic book."--Edwin Way Teale, The New York Times Book Review "This is not primarily a book about the desert," writes Edward Abbey in his introduction. "In recording my impressions of the natural scene I have striven above all for accuracy, since I believe that there is a kind of poetry, even a kind of truth, in simple fact. But the desertis a vast world, an oceanic world, as deep in its way and complex and various as the sea. Language makes a mighty loose net with which to go fishing for simple facts, when facts are infinite. If a man knew enough he could write a whole book about the juniper tree. Not juniper trees in general but that one particular juniper tree which grows from a ledge of naked sandstone near the old entrance to Arches National Monument. What I have tried to do then is something a bit different. Since you cannot get the desert into a book any more than a fisherman can haul up the sea with his nets, I have tried to create a world of words in which the desert figures more as medium than as material. Not imitation but evocation has been the goal."

"Rough, tough, combative . . . a passionately felt, deeply poetic book."--Edwin Way Teale, The New York Times Book Review "This is not primarily a book about the desert," writes Edward Abbey in his introduction. "In recording my impressions of the natural scene I have striven above all for accuracy, since I believe that there is a kind of poetry, even a kind of truth, in simple fact. But the desertis a vast world, an oceanic world, as deep in its way and complex and various as the sea. Language makes a mighty loose net with which to go fishing for simple facts, when facts are infinite. If a man knew enough he could write a whole book about the juniper tree. Not juniper trees in general but that one particular juniper tree which grows from a ledge of naked sandstone near the old entrance to Arches National Monument. What I have tried to do then is something a bit different. Since you cannot get the desert into a book any more than a fisherman can haul up the sea with his nets, I have tried to create a world of words in which the desert figures more as medium than as material. Not imitation but evocation has been the goal."

‘My favourite book about the wilderness’ Cheryl Strayed, author of Wild In this shimmering masterpiece of American nature writing, Edward Abbey ventures alone into the canyonlands of Moab, Utah, to work as a seasonal ranger for the United States National Park Service. Living out of a trailer, Abbey captures in rapt, poetic prose the landscape of the desert; a world of terracotta earth, empty skies, arching rock formations, cliffrose, juniper, pinyon pine and sand sage. His summers become spirit quests, taking him in search of wild horses and Ancient Puebloan petroglyphs, up mountains and across tribal lands, and down the Glen Canyon by river. He experiences both sides of his new home; its incredible beauty and its promise of liberation, but also its isolating, cruel side, at one point discovering a dead tourist at an isolated area of the Grand Canyon. In his own irascible style, Abbey uses his time in the desert to meditate on the tension between nature and civilisation, and outlines a personal philosophy that would come to heavily influence the environmentalist movement. Now published in a special edition to celebrate its 50th Anniversary, this classic seems remarkably prescient, and has lost none of its power.

‘My favourite book about the wilderness’ Cheryl Strayed, author of Wild In this shimmering masterpiece of American nature writing, Edward Abbey ventures alone into the canyonlands of Moab, Utah, to work as a seasonal ranger for the United States National Park Service. Living out of a trailer, Abbey captures in rapt, poetic prose the landscape of the desert; a world of terracotta earth, empty skies, arching rock formations, cliffrose, juniper, pinyon pine and sand sage. His summers become spirit quests, taking him in search of wild horses and Ancient Puebloan petroglyphs, up mountains and across tribal lands, and down the Glen Canyon by river. He experiences both sides of his new home; its incredible beauty and its promise of liberation, but also its isolating, cruel side, at one point discovering a dead tourist at an isolated area of the Grand Canyon. In his own irascible style, Abbey uses his time in the desert to meditate on the tension between nature and civilisation, and outlines a personal philosophy that would come to heavily influence the environmentalist movement. Now published in a special edition to celebrate its 50th Anniversary, this classic seems remarkably prescient, and has lost none of its power.

Hailed by The New York Times as "a passionately felt, deeply poetic book," the moving autobiographical work of Edward Abbey, considered the Thoreau of the American West, and his passion for the southwestern wilderness. Desert Solitaire is a collection of vignettes about life in the wilderness and the nature of the desert itself by park ranger and conservationist, Edward Abbey. The book details the unique adventures and conflicts the author faces, from dealing with the damage caused by development of the land or excessive tourism, to discovering a dead body. However Desert Solitaire is not just a collection of one man's stories, the book is also a philosophical memoir, full of Abbey's reflections on the desert as a paradox, at once beautiful and liberating, but also isolating and cruel. Often compared to Thoreau's Walden , Desert Solitaire is a powerful discussion of life's mysteries set against the stirring backdrop of the American southwestern wilderness.

Hailed by The New York Times as "a passionately felt, deeply poetic book," the moving autobiographical work of Edward Abbey, considered the Thoreau of the American West, and his passion for the southwestern wilderness. Desert Solitaire is a collection of vignettes about life in the wilderness and the nature of the desert itself by park ranger and conservationist, Edward Abbey. The book details the unique adventures and conflicts the author faces, from dealing with the damage caused by development of the land or excessive tourism, to discovering a dead body. However Desert Solitaire is not just a collection of one man's stories, the book is also a philosophical memoir, full of Abbey's reflections on the desert as a paradox, at once beautiful and liberating, but also isolating and cruel. Often compared to Thoreau's Walden , Desert Solitaire is a powerful discussion of life's mysteries set against the stirring backdrop of the American southwestern wilderness.