Death Comes for the Archbishop

'One afternoon in the autumn of 1851 a solitary horseman, followed by a pack-mule, was pushing through an arid stretch of country somewhere in central New Mexico. He had lost his way' Death Comes for the Archbishop is the story of two missionary priests, travelling through the American Southwest in the aftermath of the Mexican American wars. Father Jean-Marie Latour and Joseph Vaillant spread Catholic faith and religious practices, convert and gather new souls, and discipline wayward priests. Their missionary journey takes them towards a greater understanding of the place and people they serve. Cather wrote at length about the layers within her texts and the influences and the details she incorporated. This edition of Death Comes for the Archbishop edited by Catherine Morley highlights and addresses these details: Cather's engagement with fine art, her palimpsestic layering of texts, and her movement through different languages. Morley also places Cather among her American modernist peers, while reflecting upon the thematic details of the text, and offering insights into Cather's personal life and her life as a writer. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'One afternoon in the autumn of 1851 a solitary horseman, followed by a pack-mule, was pushing through an arid stretch of country somewhere in central New Mexico. He had lost his way' Death Comes for the Archbishop is the story of two missionary priests, travelling through the American Southwest in the aftermath of the Mexican American wars. Father Jean-Marie Latour and Joseph Vaillant spread Catholic faith and religious practices, convert and gather new souls, and discipline wayward priests. Their missionary journey takes them towards a greater understanding of the place and people they serve. Cather wrote at length about the layers within her texts and the influences and the details she incorporated. This edition of Death Comes for the Archbishop edited by Catherine Morley highlights and addresses these details: Cather's engagement with fine art, her palimpsestic layering of texts, and her movement through different languages. Morley also places Cather among her American modernist peers, while reflecting upon the thematic details of the text, and offering insights into Cather's personal life and her life as a writer. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

When Latour arrives in 1851 in the territory of New Mexico, newly acquired by the United States, he finds a vast desert region of red hills and tortured arroyos that is American by law but Mexican and Indigenous in custom and belief. Over the next four decades, Latour works gently and tirelessly to spread his faith and to build a soaring cathedral out of the local golden rock–while contending with unforgiving terrain, derelict and sometimes rebellious priests, and his own loneliness. Death Comes for the Archbishop shares a limitless, craggy beauty with the New Mexico landscape of desert, mountain, and canyon in which its central action takes place, and its evocations of that landscape and those who are drawn to it suggest why Cather is acknowledged without question as the most poetically exact chronicler of the American frontier.

When Latour arrives in 1851 in the territory of New Mexico, newly acquired by the United States, he finds a vast desert region of red hills and tortured arroyos that is American by law but Mexican and Indigenous in custom and belief. Over the next four decades, Latour works gently and tirelessly to spread his faith and to build a soaring cathedral out of the local golden rock–while contending with unforgiving terrain, derelict and sometimes rebellious priests, and his own loneliness. Death Comes for the Archbishop shares a limitless, craggy beauty with the New Mexico landscape of desert, mountain, and canyon in which its central action takes place, and its evocations of that landscape and those who are drawn to it suggest why Cather is acknowledged without question as the most poetically exact chronicler of the American frontier.