Chroma

A poetic, passionate and intensely personal exploration of colour written during the final year of Derek Jarman's life -- with a new introduction by Ali Smith. In Chroma, his most poetic and lyrical book, Derek Jarman explores the uses of colour. Shifting across the spectrum and from the medieval to the modern, he draws on the work of great colour theorists from Pliny to Leonardo. Interwoven with these musings are evocative memories from Jarman's childhood and illustrious career, along with reflections on his deteriorating health. Written a year before Jarman’s death, and as his eyesight was failing, this is an intensely personal work; a paean from an artist seeking to memorialise the extraordinary power of colour even while it receded from his own life.

A poetic, passionate and intensely personal exploration of colour written during the final year of Derek Jarman's life -- with a new introduction by Ali Smith. In Chroma, his most poetic and lyrical book, Derek Jarman explores the uses of colour. Shifting across the spectrum and from the medieval to the modern, he draws on the work of great colour theorists from Pliny to Leonardo. Interwoven with these musings are evocative memories from Jarman's childhood and illustrious career, along with reflections on his deteriorating health. Written a year before Jarman’s death, and as his eyesight was failing, this is an intensely personal work; a paean from an artist seeking to memorialise the extraordinary power of colour even while it receded from his own life.

New discoveries of surviving color on sculpture spanning two millennia and across the globe, from ancient Greece to Tenochtitlán to Renaissance Europe Many ancient and early modern works that are viewed in monochrome today were once painted in vibrant colors. Lost to time until recently, the pigments and other surface treatments that originally adorned these objects offer a deeper appreciation of the cultures from which they originate. This handsome volume features new research by more than thirty international experts in polychromy, including art historians, conservators, scientists, and photographers. Identified through advanced technologies, scientific analyses, and in-depth research, their discoveries of surviving traces of color span the globe and vary in material, including an Archaic Greek marble sphinx, an ancient Phoenician cloisonné furniture plaque, Mexica (Aztec) lime-stone sculptures, and medieval and Renaissance European marbles and bronzes. This wide-ranging publication explores how these works further our understanding of ancient ideas around skin color, race, and gender; summarizes recent advances in the field; and considers polychromy’s controversial rediscovery and modern reception— highlighting the role of reconstructions such as 3D-printed replicas and virtual animations in contemporary museum practice as well as the resurgence of polychromy techniques in postmodern and contemporary European architecture. Published by The Metropolitan Museum of Art/Distributed by Yale University Press

New discoveries of surviving color on sculpture spanning two millennia and across the globe, from ancient Greece to Tenochtitlán to Renaissance Europe Many ancient and early modern works that are viewed in monochrome today were once painted in vibrant colors. Lost to time until recently, the pigments and other surface treatments that originally adorned these objects offer a deeper appreciation of the cultures from which they originate. This handsome volume features new research by more than thirty international experts in polychromy, including art historians, conservators, scientists, and photographers. Identified through advanced technologies, scientific analyses, and in-depth research, their discoveries of surviving traces of color span the globe and vary in material, including an Archaic Greek marble sphinx, an ancient Phoenician cloisonné furniture plaque, Mexica (Aztec) lime-stone sculptures, and medieval and Renaissance European marbles and bronzes. This wide-ranging publication explores how these works further our understanding of ancient ideas around skin color, race, and gender; summarizes recent advances in the field; and considers polychromy’s controversial rediscovery and modern reception— highlighting the role of reconstructions such as 3D-printed replicas and virtual animations in contemporary museum practice as well as the resurgence of polychromy techniques in postmodern and contemporary European architecture. Published by The Metropolitan Museum of Art/Distributed by Yale University Press