Black And Blue

Special edition of the award-winning Rebus novel from the No.1 bestselling author of A SONG FOR THE DARK TIMES - includes exclusive extra material. 'Britain's best crime novelist' DAILY EXPRESS 'Ian Rankin is a genius' Lee Child In the 1960s, the infamous Bible John terrorised Scotland when he murdered three women, taking three souvenirs. Thirty years later, a copycat is at work, dubbed Johnny Bible. DI John Rebus's unconventional methods have got him in trouble before - now he's taken away from the inquiry and sent to investigate the killing of an off-duty oilman. But when his case clashes head-on with the Johnny Bible killings, he finds himself in the glare of a fearful media, whilst under the scrutiny of an internal enquiry. Just one mistake is likely to mean losing his job - and quite possibly his life. **** Ian Rankin's A HEART FULL OF HEADSTONES was a Sunday Times bestseller w/c 10th October 2022 and w/c 1st May 2023

Special edition of the award-winning Rebus novel from the No.1 bestselling author of A SONG FOR THE DARK TIMES - includes exclusive extra material. 'Britain's best crime novelist' DAILY EXPRESS 'Ian Rankin is a genius' Lee Child In the 1960s, the infamous Bible John terrorised Scotland when he murdered three women, taking three souvenirs. Thirty years later, a copycat is at work, dubbed Johnny Bible. DI John Rebus's unconventional methods have got him in trouble before - now he's taken away from the inquiry and sent to investigate the killing of an off-duty oilman. But when his case clashes head-on with the Johnny Bible killings, he finds himself in the glare of a fearful media, whilst under the scrutiny of an internal enquiry. Just one mistake is likely to mean losing his job - and quite possibly his life. **** Ian Rankin's A HEART FULL OF HEADSTONES was a Sunday Times bestseller w/c 10th October 2022 and w/c 1st May 2023

Paul Canovilles story is one of extreme racist bigotry, shattering career-ending injury, a decline into drug abuse, battles against cancer, family tragedy and a determination to beat the odds. Canoville was Chelsea's first black first-team player, making his debut in 1982. But as he warmed up on the touchline, his own supporters began chanting 'We don't want the nigger!' The racist bile continued whenever he played, but within a year he had won over the terraces with his explosive pace and skill. Canoville fell out with the Chelsea board and moved to Reading in 1986, where injury suddenly ended his career at the age of 24. This started a downward spiral including the death of his baby in his arms, two bouts of life-threatening lymph cancer, drug abuse and homelessness. But Canoville fought back. In this explosive and shocking story, Paul finally explains why, despite everything, he is more positive than ever and has remained a fervent Chelsea fan all his life. This is a story of hope - eventually - overcoming adversity.

Audacious and genre-defying, Black and Blue is steeped in melancholy, in the feeling of being blue, or, rather, black and blue, with all the literality of bruised flesh. Roland Barthes and Marcel Proust are inspirations for and subjects of Carol Mavor's exquisite, image-filled rumination on efforts to capture fleeting moments and to comprehend the incomprehensible. At the book's heart are one book and three films-Roland Barthes's Camera Lucida , Chris Marker's La JetÉe and Sans soleil , and Marguerite Duras's and Alain Resnais's Hiroshima mon amour -postwar French works that register disturbing truths about loss and regret, and violence and history, through aesthetic refinement. Personal recollections punctuate Mavor's dazzling interpretations of these and many other works of art and criticism. Childhood memories become Proust's "small-scale contrivances," tiny sensations that open onto panoramas. Mavor's mother lost her memory to Alzheimer's, and Black and Blue is framed by the author's memories of her mother and effort to understand what it means to not be recognized by one to whom you were once so known.

Audacious and genre-defying, Black and Blue is steeped in melancholy, in the feeling of being blue, or, rather, black and blue, with all the literality of bruised flesh. Roland Barthes and Marcel Proust are inspirations for and subjects of Carol Mavor's exquisite, image-filled rumination on efforts to capture fleeting moments and to comprehend the incomprehensible. At the book's heart are one book and three films-Roland Barthes's Camera Lucida , Chris Marker's La JetÉe and Sans soleil , and Marguerite Duras's and Alain Resnais's Hiroshima mon amour -postwar French works that register disturbing truths about loss and regret, and violence and history, through aesthetic refinement. Personal recollections punctuate Mavor's dazzling interpretations of these and many other works of art and criticism. Childhood memories become Proust's "small-scale contrivances," tiny sensations that open onto panoramas. Mavor's mother lost her memory to Alzheimer's, and Black and Blue is framed by the author's memories of her mother and effort to understand what it means to not be recognized by one to whom you were once so known.