All's Well That Ends Well

All's Well That Ends Well is a play by William Shakespeare. It is believed to have been written between 1604 and 1605, and was originally published in the First Folio in 1623.

All's Well That Ends Well is a play by William Shakespeare. It is believed to have been written between 1604 and 1605, and was originally published in the First Folio in 1623 Though originally the play was classified as a comedy, the play is now considered by some critics to be one of his problem plays, so named because they cannot be neatly classified as tragedy or comedy. When the clever and appealing Helena cures the ailing king of France of an illness, she asks for the hand of Bertram (a proper young Englishman) in return. Her efforts to win Bertram's love are rendered with wit and verve by a distinguished cast including Claire Bloom, John Stride, Dame Flora Robson, Eric Portman and Jack MacGowan. This performance brings to life this surprisingly modern play.

"A young man married is a man that's marr'd." --All's Well That Ends Well Eminent Shakespearean scholars Jonathan Bate and Eric Rasmussen provide a fresh new edition of this classic play about gender, desire, and sexual love. THIS VOLUME ALSO INCLUDES MORE THAN A HUNDRED PAGES OF EXCLUSIVE FEATURES: - an original Introduction to All's Well That Ends Well - incisive scene-by-scene synopsis and analysis with vital facts about the work - commentary on past and current productions based on interviews with leading directors, actors, and designers - photographs of key RSC productions - an overview of Shakespeare's theatrical career and chronology of his plays Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century.

"A young man married is a man that's marr'd." --All's Well That Ends Well Eminent Shakespearean scholars Jonathan Bate and Eric Rasmussen provide a fresh new edition of this classic play about gender, desire, and sexual love. THIS VOLUME ALSO INCLUDES MORE THAN A HUNDRED PAGES OF EXCLUSIVE FEATURES: - an original Introduction to All's Well That Ends Well - incisive scene-by-scene synopsis and analysis with vital facts about the work - commentary on past and current productions based on interviews with leading directors, actors, and designers - photographs of key RSC productions - an overview of Shakespeare's theatrical career and chronology of his plays Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century.

In All’s Well That Ends Well , Helen, a lowly ward, risks her life to satisfy her boundless love for Bertram, a count and ward to the King of France. Following him to Paris, she concocts an endangering plan to win the King of France’s favour and induce Bertram’s hand in marriage. In the comprehensive introduction to this new, fully-illustrated Arden edition, Suzanne Gossett takes a transformative look at the play’s critical and performance history by offering fresh perspectives on the conundrum of genre, sexuality and moral dilemmas with masculinity and the structures of family. The authoritative play text is amply annotated to clarify its language and allusions, and two appendices debate the play’s authorship and review its casting. Offering students and scholars alike a wealth of insight and new research, this edition maintains the rigorous standards of the Arden Shakespeare.

In All’s Well That Ends Well , Helen, a lowly ward, risks her life to satisfy her boundless love for Bertram, a count and ward to the King of France. Following him to Paris, she concocts an endangering plan to win the King of France’s favour and induce Bertram’s hand in marriage. In the comprehensive introduction to this new, fully-illustrated Arden edition, Suzanne Gossett takes a transformative look at the play’s critical and performance history by offering fresh perspectives on the conundrum of genre, sexuality and moral dilemmas with masculinity and the structures of family. The authoritative play text is amply annotated to clarify its language and allusions, and two appendices debate the play’s authorship and review its casting. Offering students and scholars alike a wealth of insight and new research, this edition maintains the rigorous standards of the Arden Shakespeare.